Critic Reviews

64

Metascore

Based on 12 critic reviews provided by Metacritic.com
91
Entertainment Weekly
Ah, monsieur, you can lead a Frenchman to the Big Apple, but you can't make him a New Yorker -- and that's exactly what makes The Professional so fascinating.
90
Oldman is the least inhibited actor of his generation, and as this deranged detective, he keeps absolutely nothing in reserve.
80
Few action films can claim such complexities without conceding the bang-bang stuff that brings in the big money.
78
Besson's visuals are, as always, vibrant and decidedly European. He fills the frames with odd-angled shots and alarming riots of color that catch you off-balance.
75
ReelViews
With some surprisingly strong character interaction, there's a lot to like about this movie, at least for those willing to look beyond all the bloodshed.
70
Time
This is a Cuisinart of a movie, mixing familiar yet disparate ingredients, making something odd, possibly distasteful, undeniably arresting out of them. [5 Dec 1994, p. 93]
63
Chicago Sun-Times
Besson has a natural gift for plunging into drama with a charged-up visual style.
63
The Globe and Mail (Toronto)
Takes its viewers on a bouncing high-wire act between intense violence and sugar-sweet tenderness, with some light-hearted comedy along the way.
60
Widescreen lensing favors tight close-ups, and multiple shoot-'em-ups are edited with panache.
50
Luc Besson is a masterly director of stylish, thrilling, and humorous action set pieces, and this film's bravura opening and closing sequences are two of the year's best.

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