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Directed by | |||
| Luc Besson | |||
Writing credits(in alphabetical order) | ||
| Luc Besson | ||
Produced by | |||
| Claude Besson | .... | executive producer | |
| John Garland | .... | line producer: New York | |
| Bernard Grenet | .... | line producer | |
| Luc Besson | .... | co-producer (uncredited) | |
| Patrice Ledoux | .... | producer (uncredited) | |
Original Music by | |||
| Eric Serra | |||
Cinematography by | |||
| Thierry Arbogast | (director of photography) | ||
Film Editing by | |||
| Sylvie Landra | |||
Casting by | |||
| Todd M. Thaler | (as Todd Thaler) | ||
Production Design by | |||
| Dan Weil | |||
Art Direction by | |||
| Gerard Drolon | (as Gérard Drolon) | ||
Set Decoration by | |||
| Françoise Benoît-Fresco | (as Françoise Benoît Fresco) | ||
Costume Design by | |||
| Magali Guidasci | |||
Makeup Department | |||
| Peggy Besson | .... | makeup trainee | |
| Peggy Nicholson | .... | hair stylist: New York | |
| Geneviève Peyralade | .... | makeup artist | |
| Gigi Williams | .... | makeup artist: New York | |
| Emmanuel Zammit | .... | hair stylist | |
Production Management | |||
| Thierry Guilmard | .... | unit manager | |
| Sylvie Menard | .... | assistant unit manager | |
| Cecilia Kate Roque | .... | production manager: New York | |
Second Unit Director or Assistant Director | |||
| James Bradney | .... | second assistant director: New York | |
| Pascal Chaumeil | .... | first assistant director | |
| Françoise Gillard | .... | third assistant director: New York | |
| Christophe Leprêtre | .... | trainee assistant director (as Christophe Lepretre) | |
| Camille Lipmann | .... | second assistant director | |
| Eric McGinty | .... | first assistant director: New York | |
Art Department | |||
| Andre Antona | .... | construction grip (as André Antona) | |
| Valérie Arson | .... | assistant art director | |
| Jean-Michel Bar | .... | trainee leadman | |
| Mathieu Benoît | .... | assistant buyer (as Mathieu Benoit) | |
| Claude Berry | .... | construction grip | |
| Tom Boles | .... | construction coordinator: New York | |
| Nathalie Buck | .... | assistant art director | |
| Diana Burton | .... | assistant property master: New York | |
| Rinco Carlo | .... | scenic | |
| Carolyn Cartwright | .... | set decorator: New York | |
| Jeremy Chapelet | .... | head construction grip (as Jérémie Chapelet) | |
| Alain Darthou | .... | construction coordinator | |
| Marcel Daudin | .... | buyer | |
| Michel Dauphy | .... | art department grip | |
| Guido DeCurtis | .... | leadman: New York (as Guido De Curtis) | |
| Nicolas Denis | .... | head construction grip | |
| Pascal Fasola | .... | scenic | |
| Badou-Jean Faye | .... | construction grip | |
| Rossana Fiore | .... | charge scenic: New York | |
| Jerome Fortier | .... | foreman (as Jérôme Fortier) | |
| Nancy Friedman | .... | buyer: New York | |
| Sally Friedman | .... | stand-by scenic: New York | |
| Richard Guille | .... | leadman | |
| Madjid Hamzaoui | .... | carpenter (as Madjid Hamaoui) | |
| Bruno Jaunay | .... | construction grip | |
| Henri Jorand | .... | ager | |
| Michel Karyo | .... | construction grip | |
| Jacques Kazandian | .... | drapery man | |
| Abdenabi Krouchi | .... | construction grip | |
| Martin Lasowitz | .... | property master: New York | |
| Bertrand Laval | .... | construction grip | |
| Stéphane Le Lièvre | .... | landscape scenic artist (as Stéphane Le Lievre) | |
| Loïc Le Moigne | .... | scenic | |
| Wing Lee | .... | assistant art director: New York | |
| Bruno Lefebvre | .... | carpenter (as Bruno Lefevre) | |
| René Letteron | .... | art department head grip | |
| Christophe Lunay | .... | art department grip | |
| Serge Margiocchi | .... | carpenter | |
| Pascal Masson | .... | art department grip | |
| Patrick Milizia | .... | construction grip | |
| Franck Miniconi | .... | ager (as Frank Miniconi) | |
| Carol Nast | .... | art director: New York | |
| Jennifer Alex Nickason | .... | art department assistant: New York (as Jenny Alex) | |
| Jean-Michel Olivier | .... | dresser | |
| René Paltrier | .... | construction grip | |
| Laurent Perez | .... | shop helper | |
| Cyrille Perron | .... | charge scenic | |
| Frédéric Perron | .... | construction grip | |
| Jean-Marc Picot | .... | construction grip | |
| Jean Raveane | .... | art department grip | |
| Nathalie Sarret | .... | charge ager | |
| Georges Tissot | .... | construction grip | |
| Guy Vanderplaetsen | .... | stand-by propman | |
| Emmanuelle Vayva | .... | art department trainee | |
| Thomas Vichy | .... | carpenter | |
| Stéphane Vinciguerra | .... | scenic | |
| Gérard Violas | .... | craft maker carpenter | |
| Jacqueline Arnot | .... | set dresser (uncredited) | |
| Byron K. Lovelace | .... | props (uncredited) | |
Sound Department | |||
| Fabien Adelin | .... | adr engineer | |
| Salim Amrani | .... | sound recordist | |
| Michel Barlier | .... | adr engineer | |
| Michel Barlier | .... | foley engineer | |
| George Berndt | .... | adr supervisor | |
| Thom Brennan | .... | assistant sound effects (as Thomas Brennan) | |
| Fanchon Brulé | .... | dialogue editor (as Fanchon Brule) | |
| Hervé Bénard | .... | foley recordist (as Hervé Benard) | |
| Catherine Constant | .... | assistant sound editor | |
| Serge Devesvre | .... | sound engineer | |
| Pierre Excoffier | .... | sound engineer (as Pierre Excoffier) | |
| Christian Gaudin | .... | sound recordist | |
| Patricia Girard | .... | sound recordist | |
| Xavier Griette | .... | boom operator | |
| Patrice Grisolet | .... | sound editor | |
| François Groult | .... | sound re-recording mixer | |
| Katrina Heaulme | .... | dialogue editor | |
| Gérard Lamps | .... | sound re-recording mixer | |
| Anne Le Campion | .... | adr engineer | |
| George Leong | .... | boom operator: New York | |
| Marion Lorthioir | .... | adr supervisor | |
| Alain Lévy | .... | adr assistant (as Alain Levy) | |
| Jacques Lévy | .... | adr supervisor (as Jacques Levy) | |
| Jérôme Lévy | .... | foley artist | |
| Jean-Charles Martel | .... | sound recordist | |
| Isabelle Martin | .... | assistant sound engineer | |
| Françoise Maulny | .... | adr supervisor (as Françoise Maulny Levy) | |
| Pascal Mazière | .... | assistant foley artist (as Pascal Maziere) | |
| John Morris | .... | sound effects | |
| Bruno Tarrière | .... | sound re-recording mixer | |
Special Effects by | |||
| Nick Allder | .... | special effects supervisor (as Nicky Allder) | |
| Neil Corbould | .... | assistant special effects | |
| Al Griswold | .... | special effects | |
Visual Effects by | |||
| Michael E. Phillips | .... | digital editing consultant | |
| John Lafauce | .... | digital artist (uncredited) | |
Stunts | |||
| Peter Bucossi | .... | stunt coordinator (as Pete Bucossi) | |
| Norman Douglass | .... | stunts | |
| Roy Farfel | .... | stunts | |
| Frank Ferrara | .... | stunts | |
| Don Hewitt | .... | stunts | |
| Gino Lucci | .... | stunts | |
| Don Picard | .... | stunts | |
| Michael Russo | .... | stunts | |
| Manny Siverio | .... | stunts (as Manny Sivero) | |
| Gregg Smrz | .... | stunts (as Greg Smrz) | |
| Patrick Cauderlier | .... | stunt coordinator: France (uncredited) | |
| Garry Pastore | .... | stunt driver (uncredited) | |
Casting Department | |||
| Nathalie Cheron | .... | casting: Paris | |
| Judie Fixler | .... | extras casting: New York | |
| Jill Tara Kushner | .... | extras casting assistant: New York (as Jill Kushner) | |
Costume and Wardrobe Department | |||
| Laurence Glentzin | .... | wardrobe mistress | |
| Lorraine Mathieu | .... | assistant costume designer: New York | |
| Charlie Murphy | .... | wardrobe truck: New York (as Charles Murphy) | |
| Marcia Patten | .... | wardrobe supervisor: New York | |
| Heidi Shulman | .... | wardrobe supervisor: New York | |
Editorial Department | |||
| Zoé Arthuis | .... | editor trainee | |
| Hélène Auzet | .... | negative cutter | |
| Mathieu Brossard | .... | editor trainee | |
| Yann Hervé | .... | editor trainee (as Yann Herve) | |
| Annie Marciniak | .... | assistant film editor | |
| Paul Parsons | .... | assistant film editor | |
| Bruno Patin | .... | color grader | |
| Frédérique Recoque | .... | assistant film editor | |
| Lillie Thom | .... | assistant film editor (as Lillie Nicole Kühar Thom) | |
| Santiago Thévenet | .... | assistant film editor (as Santiago Thevenet) | |
Music Department | |||
| Niall Acott | .... | music: Assistant sound engineer | |
| John Altman | .... | conductor | |
| William Flageollet | .... | music mixer | |
| Pierre Henriot | .... | music coordinator | |
| Claude Serra | .... | executive music producer | |
| Eric Serra | .... | music arranger | |
| Eric Serra | .... | musician | |
| Peter Davies | .... | musician (uncredited) | |
| Serge Devesvre | .... | music engineer (uncredited) | |
| Isobel Griffiths | .... | orchestra contractor (uncredited) | |
| Isabelle Martin | .... | music engineer (uncredited) | |
Transportation Department | |||
| Thomas H. Beattie | .... | driver: hair/makeup combo, New York (as Thomas Beattie) | |
| John Collins | .... | driver: set dressing truck, New York | |
| Brendan P. Connolly | .... | driver: special effects truck, New York (as Brendan Connolly) | |
| Michael Connolly | .... | driver: property truck | |
| Michael Connolly | .... | transportation co-captain: New York | |
| Bob Donavan | .... | honeywagon driver: New York (as Robert Donovan) | |
| Robert Lansing | .... | electric truck driver: New York | |
Thanks | |||
| Philippe Adrover | .... | many thanks | |
| Ivona Belda | .... | many thanks | |
| Martine Bernath | .... | many thanks | |
| Anthony Bozanich | .... | many thanks (as Tony Bozanich) | |
| Jimmy Honoré | .... | many thanks | |
| Pierre Jouvet | .... | many thanks | |
| Heidi Lester | .... | special thanks | |
| Peter Nichols | .... | special thanks | |
| Teruhiko Noguchi | .... | special thanks | |
| Marc Pernelet | .... | many thanks | |
| Joe Rosenberg | .... | special thanks | |
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| The Professional: Golgo 13 | The Departed | Machete | Scarface | City of God |
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With enough blood and gore to please any fan of action movies, and a unique love story to please the ladies, this is a great movie for couples to watch together. However, to truly comprehend the beauty of this film, you must see the European Cut.
The U.S. version is still a great movie, but it cuts out 24 minutes which contain much of the heart of the movie and most of what makes the film a work of art instead of the usual action fodder. Elements of the story which are only hinted at in the U.S. cut become the centerpiece of the story when the un-cut version is seen.
The two main characters are a recently-orphaned girl who is wise beyond her years and a hitman who is still an innocent. Their relationship unfolds against a backdrop of murder and revenge as director Luc Besson explores issues of age and maturity, good and evil, and the interplay of life, death and love.
The acting in this film is superb. Reno has an expressive face which conveys a myriad of emotions with great sensitivity and few words. He is cold as ice as the almost super-human 'professional', but his performance is most moving when he reveals his sensitive side. Watching as his wounded soul slowly begins to heal is enough to touch the heart of any woman, but it is handled so subtly that it never becomes too 'sappy'.
In her film debut, Natalie Portman turns in a performance that is beautiful beyond belief. She manages the transition from a frightened child to a woman capable of killing so convincingly that it makes the relationship between she and Leon not only believable, but understandable.
Gary Oldman is just the best psycho there is, and it is kind of nice to see him without all the strange makeup for a change. As a dirty cop in this film he personifies evil, and it is a joy to watch him do his thing.
The special effects are all you could hope for. Besson does great actions scenes - especially the explosions. There is also a lot of humor and when you throw in the tender love story - this picture has it all!