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Directed by | |||
| Luc Besson | |||
Writing credits(in alphabetical order) | ||
| Luc Besson | ||
Produced by | |||
| Claude Besson | .... | executive producer | |
| John Garland | .... | line producer: New York | |
| Bernard Grenet | .... | line producer | |
| Luc Besson | .... | co-producer (uncredited) | |
| Patrice Ledoux | .... | producer (uncredited) | |
Original Music by | |||
| Eric Serra | |||
Cinematography by | |||
| Thierry Arbogast | (director of photography) | ||
Film Editing by | |||
| Sylvie Landra | |||
Casting by | |||
| Todd M. Thaler | (as Todd Thaler) | ||
Production Design by | |||
| Dan Weil | |||
Art Direction by | |||
| Gerard Drolon | (as Gérard Drolon) | ||
Set Decoration by | |||
| Françoise Benoît-Fresco | (as Françoise Benoît Fresco) | ||
Costume Design by | |||
| Magali Guidasci | |||
Makeup Department | |||
| Peggy Besson | .... | makeup trainee | |
| Peggy Nicholson | .... | hair stylist: New York | |
| Geneviève Peyralade | .... | makeup artist | |
| Gigi Williams | .... | makeup artist: New York | |
| Emmanuel Zammit | .... | hair stylist | |
Production Management | |||
| Thierry Guilmard | .... | unit manager | |
| Sylvie Menard | .... | assistant unit manager | |
| Cecilia Kate Roque | .... | production manager: New York | |
Second Unit Director or Assistant Director | |||
| James Bradney | .... | second assistant director: New York | |
| Pascal Chaumeil | .... | first assistant director | |
| Françoise Gillard | .... | third assistant director: New York | |
| Christophe Leprêtre | .... | trainee assistant director (as Christophe Lepretre) | |
| Camille Lipmann | .... | second assistant director | |
| Eric McGinty | .... | first assistant director: New York | |
Art Department | |||
| Andre Antona | .... | construction grip (as André Antona) | |
| Valérie Arson | .... | assistant art director | |
| Jean-Michel Bar | .... | trainee leadman | |
| Mathieu Benoît | .... | assistant buyer (as Mathieu Benoit) | |
| Claude Berry | .... | construction grip | |
| Tom Boles | .... | construction coordinator: New York | |
| Nathalie Buck | .... | assistant art director | |
| Diana Burton | .... | assistant property master: New York | |
| Rinco Carlo | .... | scenic | |
| Carolyn Cartwright | .... | set decorator: New York | |
| Jeremy Chapelet | .... | head construction grip (as Jérémie Chapelet) | |
| Alain Darthou | .... | construction coordinator | |
| Marcel Daudin | .... | buyer | |
| Michel Dauphy | .... | art department grip | |
| Guido DeCurtis | .... | leadman: New York (as Guido De Curtis) | |
| Nicolas Denis | .... | head construction grip | |
| Pascal Fasola | .... | scenic | |
| Badou-Jean Faye | .... | construction grip | |
| Rossana Fiore | .... | charge scenic: New York | |
| Jerome Fortier | .... | foreman (as Jérôme Fortier) | |
| Nancy Friedman | .... | buyer: New York | |
| Sally Friedman | .... | stand-by scenic: New York | |
| Richard Guille | .... | leadman | |
| Madjid Hamzaoui | .... | carpenter (as Madjid Hamaoui) | |
| Bruno Jaunay | .... | construction grip | |
| Henri Jorand | .... | ager | |
| Michel Karyo | .... | construction grip | |
| Jacques Kazandian | .... | drapery man | |
| Abdenabi Krouchi | .... | construction grip | |
| Martin Lasowitz | .... | property master: New York | |
| Bertrand Laval | .... | construction grip | |
| Stéphane Le Lièvre | .... | landscape scenic artist (as Stéphane Le Lievre) | |
| Loïc Le Moigne | .... | scenic | |
| Wing Lee | .... | assistant art director: New York | |
| Bruno Lefebvre | .... | carpenter (as Bruno Lefevre) | |
| René Letteron | .... | art department head grip | |
| Christophe Lunay | .... | art department grip | |
| Serge Margiocchi | .... | carpenter | |
| Pascal Masson | .... | art department grip | |
| Patrick Milizia | .... | construction grip | |
| Franck Miniconi | .... | ager (as Frank Miniconi) | |
| Carol Nast | .... | art director: New York | |
| Jennifer Alex Nickason | .... | art department assistant: New York (as Jenny Alex) | |
| Jean-Michel Olivier | .... | dresser | |
| René Paltrier | .... | construction grip | |
| Laurent Perez | .... | shop helper | |
| Cyrille Perron | .... | charge scenic | |
| Frédéric Perron | .... | construction grip | |
| Jean-Marc Picot | .... | construction grip | |
| Jean Raveane | .... | art department grip | |
| Nathalie Sarret | .... | charge ager | |
| Georges Tissot | .... | construction grip | |
| Guy Vanderplaetsen | .... | stand-by propman | |
| Emmanuelle Vayva | .... | art department trainee | |
| Thomas Vichy | .... | carpenter | |
| Stéphane Vinciguerra | .... | scenic | |
| Gérard Violas | .... | craft maker carpenter | |
| Jacqueline Arnot | .... | set dresser (uncredited) | |
| Byron K. Lovelace | .... | props (uncredited) | |
Sound Department | |||
| Fabien Adelin | .... | adr engineer | |
| Salim Amrani | .... | sound recordist | |
| Michel Barlier | .... | adr engineer | |
| Michel Barlier | .... | foley engineer | |
| George Berndt | .... | adr supervisor | |
| Thom Brennan | .... | assistant sound effects (as Thomas Brennan) | |
| Fanchon Brulé | .... | dialogue editor (as Fanchon Brule) | |
| Hervé Bénard | .... | foley recordist (as Hervé Benard) | |
| Catherine Constant | .... | assistant sound editor | |
| Serge Devesvre | .... | sound engineer | |
| Pierre Excoffier | .... | sound engineer (as Pierre Excoffier) | |
| Christian Gaudin | .... | sound recordist | |
| Patricia Girard | .... | sound recordist | |
| Xavier Griette | .... | boom operator | |
| Patrice Grisolet | .... | sound editor | |
| François Groult | .... | sound re-recording mixer | |
| Katrina Heaulme | .... | dialogue editor | |
| Gérard Lamps | .... | sound re-recording mixer | |
| Anne Le Campion | .... | adr engineer | |
| George Leong | .... | boom operator: New York | |
| Marion Lorthioir | .... | adr supervisor | |
| Alain Lévy | .... | adr assistant (as Alain Levy) | |
| Jacques Lévy | .... | adr supervisor (as Jacques Levy) | |
| Jérôme Lévy | .... | foley artist | |
| Jean-Charles Martel | .... | sound recordist | |
| Isabelle Martin | .... | assistant sound engineer | |
| Françoise Maulny | .... | adr supervisor (as Françoise Maulny Levy) | |
| Pascal Mazière | .... | assistant foley artist (as Pascal Maziere) | |
| John Morris | .... | sound effects | |
| Bruno Tarrière | .... | sound re-recording mixer | |
Special Effects by | |||
| Nick Allder | .... | special effects supervisor (as Nicky Allder) | |
| Neil Corbould | .... | assistant special effects | |
| Al Griswold | .... | special effects | |
Visual Effects by | |||
| Michael E. Phillips | .... | digital editing consultant | |
| John Lafauce | .... | digital artist (uncredited) | |
Stunts | |||
| Peter Bucossi | .... | stunt coordinator (as Pete Bucossi) | |
| Norman Douglass | .... | stunts | |
| Roy Farfel | .... | stunts | |
| Frank Ferrara | .... | stunts | |
| Don Hewitt | .... | stunts | |
| Gino Lucci | .... | stunts | |
| Don Picard | .... | stunts | |
| Michael Russo | .... | stunts | |
| Manny Siverio | .... | stunts (as Manny Sivero) | |
| Gregg Smrz | .... | stunts (as Greg Smrz) | |
| Patrick Cauderlier | .... | stunt coordinator: France (uncredited) | |
| Garry Pastore | .... | stunt driver (uncredited) | |
Casting Department | |||
| Nathalie Cheron | .... | casting: Paris | |
| Judie Fixler | .... | extras casting: New York | |
| Jill Tara Kushner | .... | extras casting assistant: New York (as Jill Kushner) | |
Costume and Wardrobe Department | |||
| Laurence Glentzin | .... | wardrobe mistress | |
| Lorraine Mathieu | .... | assistant costume designer: New York | |
| Charlie Murphy | .... | wardrobe truck: New York (as Charles Murphy) | |
| Marcia Patten | .... | wardrobe supervisor: New York | |
| Heidi Shulman | .... | wardrobe supervisor: New York | |
Editorial Department | |||
| Zoé Arthuis | .... | editor trainee | |
| Hélène Auzet | .... | negative cutter | |
| Mathieu Brossard | .... | editor trainee | |
| Yann Hervé | .... | editor trainee (as Yann Herve) | |
| Annie Marciniak | .... | assistant film editor | |
| Paul Parsons | .... | assistant film editor | |
| Bruno Patin | .... | color grader | |
| Frédérique Recoque | .... | assistant film editor | |
| Lillie Thom | .... | assistant film editor (as Lillie Nicole Kühar Thom) | |
| Santiago Thévenet | .... | assistant film editor (as Santiago Thevenet) | |
Music Department | |||
| Niall Acott | .... | music: Assistant sound engineer | |
| John Altman | .... | conductor | |
| William Flageollet | .... | music mixer | |
| Pierre Henriot | .... | music coordinator | |
| Claude Serra | .... | executive music producer | |
| Eric Serra | .... | music arranger | |
| Eric Serra | .... | musician | |
| Peter Davies | .... | musician (uncredited) | |
| Serge Devesvre | .... | music engineer (uncredited) | |
| Isobel Griffiths | .... | orchestra contractor (uncredited) | |
| Isabelle Martin | .... | music engineer (uncredited) | |
Transportation Department | |||
| Thomas H. Beattie | .... | driver: hair/makeup combo, New York (as Thomas Beattie) | |
| John Collins | .... | driver: set dressing truck, New York | |
| Brendan P. Connolly | .... | driver: special effects truck, New York (as Brendan Connolly) | |
| Michael Connolly | .... | driver: property truck | |
| Michael Connolly | .... | transportation co-captain: New York | |
| Bob Donavan | .... | honeywagon driver: New York (as Robert Donovan) | |
| Robert Lansing | .... | electric truck driver: New York | |
Thanks | |||
| Philippe Adrover | .... | many thanks | |
| Ivona Belda | .... | many thanks | |
| Martine Bernath | .... | many thanks | |
| Anthony Bozanich | .... | many thanks (as Tony Bozanich) | |
| Jimmy Honoré | .... | many thanks | |
| Pierre Jouvet | .... | many thanks | |
| Heidi Lester | .... | special thanks | |
| Peter Nichols | .... | special thanks | |
| Teruhiko Noguchi | .... | special thanks | |
| Marc Pernelet | .... | many thanks | |
| Joe Rosenberg | .... | special thanks | |
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| The Professional: Golgo 13 | The Departed | Machete | Scarface | City of God |
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Leon is one of the most emotionally intense movies ever made. French director Luc Besson uses everything: actors, music, camera angles, lighting to create an unique experience - "It's not realism, it's not naturalism - it's heightened reality" as Gary Oldman very well put it.
In "The making of The Professional" Besson says "If I imagine somebody in the street try to knock on my daughter, I kill the guy, in five seconds. I kill him, and I think "It's in me, I'm a beast!" On this part we can't forget that a part of us, the genetic things inside are much, much older than The Ten Commandments". He certainly uses visceral scenes to create very strong emotion in the movie - the blood running from Mathilda's nose or Stansfield's unforgettable "EVERYONE!" are just a couple of examples. The music and the sound are excellent and are used in a masterly fashion - you can hear Fatman's heart beating desperately or a low claustrophobic sound when Stansfield turns to look at Mathilda's father.
However Leon does not work only on this primary level, it also has an intelligent story. It may seem to be almost a fairy-tale, but don't be fooled - just like his character Besson is serious. This movie has a message: without love we are dead, even if we don't see it. Only true love give meaning to our lives: "everything else reminds me a big yogurt: warm and rancid" as Mathilda says in the original script, which is available on the net under the name Leon Version 1. Is this true in "real life"? I don't know but this movie can make you wonder.
Then of course there's the sensuality. It's hypocritical to deny it, the camera interacts with Mathilda in a mesmerising fashion. It's not sick and it's not degrading: it's art, subtle and beautiful.
Leon is not perfect but it has so many great moments that all its flaws can be forgiven. It's a movie that really should not be missed, unless you are concerned with its amorality. And don't be - Leon is less violent than many action movies and the unusual relationship between the main characters is handled mostly with genuine feeling and tact.