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Léon: The Professional (1994)
"Léon" (original title)

R  |   |  Crime, Drama, Thriller  |  18 November 1994 (USA)
8.6
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Ratings: 8.6/10 from 626,184 users   Metascore: 64/100
Reviews: 804 user | 145 critic | 12 from Metacritic.com

Mathilda, a 12-year-old girl, is reluctantly taken in by Léon, a professional assassin, after her family is murdered. Léon and Mathilda form an unusual relationship, as she becomes his protégée and learns the assassin's trade.

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Cast

Cast overview, first billed only:
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Willi One Blood ...
1st Stansfield Man (as Willie One Blood)
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Keith A. Glascoe ...
Randolph Scott ...
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Carl J. Matusovich ...
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Lucius Wyatt Cherokee ...
Tonto (as Lucius Wyatt 'Cherokee')
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Storyline

After her father and little brother are killed by her father's employers, the 12-year-old daughter of an abject drug dealer is forced to take refuge in the house of a professional murderer who by her request, teaches her the methods of his job so she can take her revenge from the corrupted DEA agent who ruined her life by killing her brother out of no actual reason. Written by J. S. Golden

Plot Summary | Plot Synopsis

Taglines:

If you want the job done right, hire a professional. See more »

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for scenes of strong graphic violence, and for language | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| |

Release Date:

18 November 1994 (USA)  »

Also Known As:

Léon: The Professional  »

Box Office

Budget:

FRF 115,000,000 (estimated)

Gross:

JPY 112,586,900 (Japan) (3 January 1997)
 »

Company Credits

Production Co:

,  »
Show detailed on  »

Technical Specs

Runtime:

| (uncut) | (International)

Sound Mix:

| (8 channels)

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

According to Jean Reno, he decided to play Léon as if he were a little mentally slow and emotionally repressed. He felt that this would make audiences relax and realize that he wasn't someone who would take advantage of a vulnerable young girl. Reno claims that for Léon, the possibility of a physical relationship with Mathilda is not even conceivable, and as such, during the scenes when such a relationship is discussed, Reno very much allowed Mathilda to be emotionally in control of the scenes. See more »

Goofs

A bit more than half way through the film, Mathilda enters a Men's room with a bag of food sitting on top of a pizza. She stops, removes her sunglasses, the camera cuts to a wide-out of the bathroom, and almost immediately cuts back to Mathilda. When this happens, the sunglasses have completely disappeared, never to be seen again in the film. See more »

Quotes

[first lines]
Tony: Allora, come stai, Leone?
Léon: Bene.
[Tony puts out his cigarette in an ashtray]
Tony: OK. OK. Let's talk business.
See more »

Crazy Credits

Under the "SPECIAL THANKS" heading you will find: Chevalier KAMEN (Prince of the Mash Potatoes) Byblos Bill (King of Saint Tropez) Princess Trudy (Queen of Hearts) See more »

Connections

Referenced in Point Blank (1998) See more »

Soundtracks

I Like Myself
from It's Always Fair Weather (1955)
Music by André Previn
Lyrics by Betty Comden and Adolph Green
Performed by Gene Kelly (uncredited)
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Excellent, smart action film.
4 January 2005 | by (United States) – See all my reviews

Luc Besson's "The Professional" is sort of a companion piece to his international breakthrough hit "La Femme Nikiti", and in many ways it's an even better film. It raises the stakes of Besson's playful women-with-guns theme by making the heroine a 12-year-old, played by a then unknown Natalie Portman. Jean Reno is excellent as her assassin trainer and surrogate father. Oldman is completely over the top in one of his best bad-guy roles, obsessed with both Beethoven and butchery. As a gritty, suspenseful thriller, this film won't leave action fans feeling cheated, but the film is so much more than that. At the center of "The Professional" is a wonderful father and daughter-like relationship between two damaged strangers who find solace in each other.


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