Mathilda, a 12-year-old girl, is reluctantly taken in by Léon, a professional assassin, after her family is murdered. Léon and Mathilda form an unusual relationship, as she becomes his protégée and learns the assassin's trade.
After her father and little brother are killed by her father's employers, the 12-year-old daughter of an abject drug dealer is forced to take refuge in the house of a professional murderer who by her request, teaches her the methods of his job so she can take her revenge from the corrupted DEA agent who ruined her life by killing her brother out of no actual reason. Written by
J. S. Golden
When the villains are turning Mathilda's home upside down, the crook with the dreadlocks finds a reggae album in the record collection. The record he is holding up and referring to as "cool" is "Marcus Children" by Winston Rodney (aka Burning Spear) from 1978. See more »
Early in the movie, Léon gives Mathilda a revolver, which she fires six times out the window. Later on (in the International version) she plays Russian Roulette with the same revolver, and we see her place three bullets into the cylinder, although the audio indicates she loads four. However when she spins the cylinder and before snapping it closed it can be seen that three out of five chambers are loaded. It would be impossible to fire the gun six times without reloading. See more »
Allora, come stai, Leone?
[Tony puts out his cigarette in an ashtray]
OK. OK. Let's talk business.
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Under the "SPECIAL THANKS" heading you will find: Chevalier KAMEN (Prince of the Mash Potatoes) Byblos Bill (King of Saint Tropez) Princess Trudy (Queen of Hearts) See more »
This film, better known in the U.S. as "The Professional", is a wonderful and intense film. Jean Reno plays his role as a "cleaner" with incredible subtlety. Leon tries to keep his emotions completely suppressed, yet Matilda (in an extraordinary performance by a young Natalie Portman, who is destined to become a very powerful actress into her adult life) bring out in him a new-found joy for life that accompanies his growing paternal instincts. But, the most dynamic element of this film is undeniably Gary Oldman's performance as a wildly sadistic and crooked DEA agent with his own narcotic-induced demons. His obsessions eventually lead him to the brink of absolute madness in his hunt for the cleaner. Truly, this is Oldman's finest performance to date, worthy of Oscar glory, though sadly forgotten. And so, Luc Besson did indeed top his triumph of "La Femme Nikita" by far with this masterpiece. Though, I cannot exactly praise his most recent effort with the sci-fi misfire, "The Fifth Element."
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