Mathilda, a 12-year-old girl, is reluctantly taken in by Léon, a professional assassin, after her family is murdered. Léon and Mathilda form an unusual relationship, as she becomes his protégée and learns the assassin's trade.
The story of Henry Hill and his life through the teen years into the years of mafia, covering his relationship with wife Karen Hill and his Mob partners Jimmy Conway and Tommy DeVitto in the Italian-American crime syndicate.
After her father, mother, older sister and little brother are killed by her father's employers, the 12-year-old daughter of an abject drug dealer is forced to take refuge in the apartment of a professional hitman who at her request teaches her the methods of his job so she can take her revenge on the corrupt DEA agent who ruined her life by killing her beloved brother. Written by
J. S. Golden
According to Patrice Ledoux, Luc Besson planned Léon as filler. At the time, he had already started working on The Fifth Element (1997), but production was delayed due to Bruce Willis's schedule. Rather than dismiss the production team and lose his creative momentum, Besson wrote Léon. It took him only 30 days to write the script, and the shoot lasted only 90 days. As it turned out, Léon is now generally considered to be a far superior film to The Fifth Element. See more »
Léon's milk rises and falls in his glass, depending on the camera angle, immediately prior to the charades game. He pours a less than full glass for himself when his back is to the camera, but it is at the top line when the camera faces him. As he talks with Mathilda, there are several shots back and forth with the level changing back and forth each time. See more »
Allora, come stai, Leone?
[Tony puts out his cigarette in an ashtray]
OK. OK. Let's talk business.
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Under the "SPECIAL THANKS" heading you will find: Chevalier KAMEN (Prince of the Mash Potatoes) Byblos Bill (King of Saint Tropez) Princess Trudy (Queen of Hearts) See more »
luc besson will never top this movie. This is his benchmark, his classical composition. Look at the precise, intricate scenes. It's a symphony in cinema. Straight off, it's action. Intelligently shot, and scripted. It makes everything that follows hard to live upto. But it does so easily. It's stylish without being showy, it's deep without being sentimental. And it's just hugely enjoyable. Seeing the friendship between newly orphaned mathilda and skilled assasin leon bloom, is tenderly done. At risk of slipping into a sappy bond, besson keeps it easy on the emotions, without coming off as shallow.
The actors are all spot on, most notably the debut from a young natalie portman as mathilda. Showing an angry, sad, pent up, in love girl is no simple task but she breezes through it, touching all the right notes. And jean reno as the title character, is minimal but very effecting. Hard to understand, but easy to relate too. But gary oldman steals it, with his glorious overacting. He's as scary as he is determind. His line delivery is almost perfect. And his fate is very fitting. If only they made more intelligent action movies, then they could contend with this film. But as it stands right now, leon is one of the best action dramas ever made.
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