Mathilda, a 12-year-old girl, is reluctantly taken in by Léon, a professional assassin, after her family is murdered. Léon and Mathilda form an unusual relationship, as she becomes his protégée and learns the assassin's trade.
After her father and little brother are killed by her father's employers, the 12-year-old daughter of an abject drug dealer is forced to take refuge in the house of a professional murderer who by her request, teaches her the methods of his job so she can take her revenge from the corrupted DEA agent who ruined her life by killing her brother out of no actual reason. Written by
J. S. Golden
French actor Samy Naceri has in this film one of his first roles. He plays a bit part, a SWAT, and was only ten days on the set. As Luc Besson wrote the screenplay for the film Taxi (1998), he always wanted Samy for the lead role, because he was much impressed by the short cooperation with him. See more »
Mathilda never replaces the floorboard in her old apartment. When she is surprised there, she picks up the money and goes around the corner. The board would have been in the way and the hiding place obvious to the three men. See more »
Allora, come stai, Leone?
[Tony puts out his cigarette in an ashtray]
OK. OK. Let's talk business.
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Under the "SPECIAL THANKS" heading you will find: Chevalier KAMEN (Prince of the Mash Potatoes) Byblos Bill (King of Saint Tropez) Princess Trudy (Queen of Hearts) See more »
luc besson will never top this movie. This is his benchmark, his classical composition. Look at the precise, intricate scenes. It's a symphony in cinema. Straight off, it's action. Intelligently shot, and scripted. It makes everything that follows hard to live upto. But it does so easily. It's stylish without being showy, it's deep without being sentimental. And it's just hugely enjoyable. Seeing the friendship between newly orphaned mathilda and skilled assasin leon bloom, is tenderly done. At risk of slipping into a sappy bond, besson keeps it easy on the emotions, without coming off as shallow.
The actors are all spot on, most notably the debut from a young natalie portman as mathilda. Showing an angry, sad, pent up, in love girl is no simple task but she breezes through it, touching all the right notes. And jean reno as the title character, is minimal but very effecting. Hard to understand, but easy to relate too. But gary oldman steals it, with his glorious overacting. He's as scary as he is determind. His line delivery is almost perfect. And his fate is very fitting. If only they made more intelligent action movies, then they could contend with this film. But as it stands right now, leon is one of the best action dramas ever made.
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