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Léon: The Professional (1994)

Léon (original title)
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Mathilda, a 12-year-old girl, is reluctantly taken in by Léon, a professional assassin, after her family is murdered. Léon and Mathilda form an unusual relationship, as she becomes his protégée and learns the assassin's trade.

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Top Rated Movies #27 | 4 wins & 12 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Willi One Blood ...
1st Stansfield Man (as Willie One Blood)
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Keith A. Glascoe ...
Randolph Scott ...
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Carl J. Matusovich ...
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Lucius Wyatt Cherokee ...
Tonto (as Lucius Wyatt 'Cherokee')
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Storyline

After her father, mother, older sister and little brother are killed by her father's employers, the 12-year-old daughter of an abject drug dealer is forced to take refuge in the apartment of a professional hitman who at her request teaches her the methods of his job so she can take her revenge on the corrupt DEA agent who ruined her life by killing her beloved brother. Written by J. S. Golden

Plot Summary | Plot Synopsis

Taglines:

A professional hitman, an innocent witness, a corrupt detective who went too far See more »

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for scenes of strong graphic violence, and for language | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| |

Release Date:

18 November 1994 (USA)  »

Also Known As:

Léon: The Professional  »

Box Office

Budget:

FRF 115,000,000 (estimated)

Gross:

$32,346,209 (USA)
 »

Company Credits

Production Co:

,  »
Show detailed on  »

Technical Specs

Runtime:

| (uncut) | (International)

Sound Mix:

| (8 channels)

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

When the film was first tested in LA, the version that was screened incuded a short scene where Mathilda asks Léon to be her lover. However, the audience became extremely uncomfortable and began to laugh nervously, completely destroying the tone of the film. The film received terrible test scores at the screening, and as such, producer Patrice Ledoux and writer/director Luc Besson decided to cut the scene for theatrical release. See more »

Goofs

Incorrectly regarded as goofs: many viewers believe that Stansfield never saw Leon, and therefore could not recognize him at the end, but they fail to remember that Stansfield visited Tony at the restaurant after Leon had killed part of Stansfield's crew. Thus, being intimidated and threatened by Stansfield, it must be presumed that Tony gave him a complete description of Leon, and very possibly a photograph. See more »

Quotes

[first lines]
Tony: Allora, come stai, Leone?
Léon: Bene.
[Tony puts out his cigarette in an ashtray]
Tony: OK. OK. Let's talk business.
See more »

Crazy Credits

Under the "SPECIAL THANKS" heading you will find: Chevalier KAMEN (Prince of the Mash Potatoes) Byblos Bill (King of Saint Tropez) Princess Trudy (Queen of Hearts) See more »

Connections

Spoofed in Where the Heart Is (2000) See more »

Soundtracks

Happy Birthday
Written by Mildred J. Hill and Patty S. Hill (as Patty Hill)
Performed by Natalie Portman (uncredited)
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
"I take no pleasure in taking life..."
24 February 2005 | by (Milwaukee, WI) – See all my reviews

"...if it's from a person who doesn't care about it."

What really stands out for me (aside from the really excellent direction of the action sequences) is the too-brilliant for its own good script. Oldman,Reno, and Portman deliver lines that would seem goofy if spoken by lesser performers. Oldman especially chews the scenery in a way that's both amusing and utterly menacing. I wonder if his Beethoven obsession is a nod to the ultra-violent Alex from A Clockwork Orange?

The American version ("The Professional") was the first version I saw. I'd originally had no real intention of seeing it because I'd read a pretty savage review of it likening it to child pornography. Clearly this particular reviewer had his head firmly planted in his rear. I'm surprised he could find room what with that tremendous stick in the way. Anyway, once I finally saw "Leon" for myself - thanks to my cinemaphile grandfather - I observed no such thing. This wasn't smut, it was love. Leon has no interest in Matilda sexually, but loves her as a father would love a daughter.

If you have a choice then go for the longer director's cut. You get about 15 minutes more film - and not just filler. These are scenes that truly expand upon the story.

My only complaints are about the almost complete under use of the completely underrated Danny Aiello, and Oldman's single dimensional evilness.


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