Léon (1994)

Director:

Luc Besson

Writer:

Luc Besson (writer)

Release Date:

18 November 1994 (USA)

Genre:

Crime | Drama | Thriller

Tagline:

If you want a job done well hire a professional.

Plot:

Professional assassin Leon reluctantly takes care of 12-year-old Mathilda, a neighbor whose parents are killed, and teaches her his trade.

Plot Keywords:

Drugs | Revenge | Apartment | Neighbor | Hitman

Awards:

2 wins & 8 nominations

Cast

Jean Reno	...	Léon
Gary Oldman	...	Stansfield
Natalie Portman	...	Mathilda
Danny Aiello	...	Tony
Peter Appel	...	Malky
Willi One Blood	...	1st Stansfield man
Don Creech	...	2nd Stansfield man
Keith A. Glascoe	...	3rd Stansfield man (Benny)
Randolph Scott	...	4th Stansfield man
Michael Badalucco	...	Mathilda's Father
Ellen Greene	...	Mathilda's Mother
Elizabeth Regen	...	Mathilda's Sister
Carl J. Matusovich	...	Mathilda's Brother
Frank Senger	...	Fatman
Lucius Wyatt Cherokee	...	Tonto (as Lucius Wyatt 'Cherokee')

Also Known As:

Léon (UK)
Leon: The Professional (USA) (longer version)
The Professional (USA)

MPAA:

Rated R for scenes of strong graphic violence, and for language.

Runtime:

110 min | France:136 min (uncut version) | 133 min (International version) | Turkey:100 min (TV version)

Country:

France

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby Digital | SDDS (8 channels)

Certification:

South Korea:18 (original rating) | Brazil:14 | Iceland:16 | Australia:M (tv rating) | Singapore:PG (cut) | Philippines:R-18 | Italy:T | Finland:K-15 (DVD rating) | Finland:K-15 (director's cut) | South Korea:15 (DVD rating) (2002) | South Korea:18 (director's cut) | UK:15 (DVD re-rating) | Argentina:16 | Australia:R | Canada:18 (Nova Scotia) | Canada:R (Manitoba/Ontario) | Chile:18 | France:-12 (original version) | Germany:16 | Hong Kong:IIB (director's cut) | Israel:PG | Japan:R-15 | Netherlands:16 | New Zealand:R18 | Norway:18 | Portugal:M/16 | Spain:18 | Sweden:15 | UK:18 | USA:R (original rating) | USA:Unrated (director's cut) | Canada:16+ (Quebec)

Filming Locations:

1 Centre Street, New York City, New York, USA

Company:

Gaumont

Trivia:

The pistols that Léon use in the film are Beretta 92FS's with AL-GI-MEC compensators added on. In some scenes, he affixes them with sound suppressor, with threads that extend past the compensator cuts to cancel out the escaping gases that could potentially escape and produce a loud gunshot. In the final firefight, one of Léon's Berettas is seen with a stainless or "Inox" frame.

Goofs:

Incorrectly regarded as goofs: When Matilda is watching "Transformers" (1984) for the final time in the film, scenes from different episodes of the series are used straight after each other. This was a conscious decision by the filmmaker to use scenes to echo Mathida's state of mind.

Quotes:

[first lines]
Tony: Allora, come stai, Leone?
Léon: Bene.
[Tony puts out his cigarette in an ashtray]
Tony: OK. OK. Let's talk business.

Movie Connections:

Referenced in The Boondock Saints (1999)

Soundtrack:

Happy Birthday

Masterpiece of violent Characterisations and fast action-shooting

An interview with Anne Parillaud, in the Evening Standard, 24.8.90, it was said that the message of Nikita is not one of violence but the idea is that people who are full of despair and missing love are not alone.

This idea continues in Léon. Léon was Besson's first foray into international film production. The similarities, or parallels, between Nikita and Léon are undoubted. Both the central protagonists attempt to come to terms with their dysfunctionality, to society, against a background of violence, which they both continue to act upon as the agent of someone else. There is no clean difference (we may also include Le Dernier Combat for comparison.) The only difference is gender.

I always found that until obtaining the "Version Integral" there was a character hole in the plot. The original cut released for US audiences was felt, by Besson, had an "offending" scene cut which ruined later scenes. The American test audiences hated it, seeing it as perverse and paedophiliac. The film was still panned by US critics as quasi-child pornography on general release. What it to be understood about this film, and this is what infuriated Besson, is that the film is about pure love. Not sex, which is all the Americans, could see.

And so we have ascertained that the characters in Besson's films are, simply, great. Then there is the action which is all the grace and style of Nikita. Typical of Besson's style with fast action-shooting and violent characterisation. This has to be one of Jean Reno's and by far Natalie Portman's best screen performance. To me, Gary Oldman plays his part to the tee, said by some magazines to be the best screen bad guy - it is one of his best performances.

Stylisation and excess are hallmarks of Besson's work. Characters are larger than life. Décors are in excess of realism. Besson's characters lack psychological depth. "The sumptuous and the ornate cohabit with the violent or the vulgar." Besson's use of excess is also extremely playful mixing violence with humour. Besson's work appeals to the tastes of popular culture and may not please that of the elite - arguably a reason for the rejection of his work by many intellectual film journals.

I have yet to hear of a person putting a bad word against this film. There is nothing I can personally fault so I give this film 10/10, a score only two other somewhat different films hold in my IMDb list of 345 films - "The Wizard of Oz" and "La Cité des Enfants perdu". If you like French Cinema or consider yourself a cinephile you must see the latter.