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Dostoevsky-inspired drama set in 1900s Prague about a bored arrogant playboy who spends time seducing other men's wives and dueling. He begins an affair with his friend's wife, but falls in love with her. She becomes pregnant. Is it his?
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This film tells a bitter tale of a dysfunctional family. Joshua, a cold-blooded professional killer, returns to his Brighton Beach boyhood home for a "job." He knows it will be difficult to return to the Russian-immigrant community of his youth--in his eyes, we see anticipation of the inevitable emotional pain and psychic turmoil that seeing his forsaken family and estranged companions will bring him. To do his job, and try to maintain some semblence of sanity, he has had to wall off his humanity from even himself. Seeing his kid brother, who adores him, talking with his dying mother, who still loves him, and yes, arguing with his abusive father, begins to wreak havoc with his personal defenses. As his steely demeanor begins to dissolve, we are shown the soul of a hit-man crumbling away, piece by piece. Finally, all that he now allows himself to admit that he loves is agonizingly torn away from him and he is left with the ultimate punishment for his transgressions. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
I saw this movie at a quite low age, I consider it one of the films that evoked my passion for this art form. This film is very bare, very raw yet somehow harmonious, as well. The violence is very well depicted, in a very cold & frightful way. This is a film without any greater hope, without any greater optimism of our future. A rapid & haunting way of showing the true face and consequences of brutal violence. Intensively and artistically this film displays a chaotic & desperate family, a destiny very honest and very haunting. Cinematography is stunning, as is the environment, which very well defines the fundamental characteristics of this film, cold, naked, intense & raw. Great debut by the very promising James Gray.
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