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Lisbon Story (1994)

PG | | Drama, Music | 12 May 1995 (Portugal)
The director Friedrich Monroe has trouble with finishing a silent b&w movie about Lisbon. He calls his friend, the sound engineer Phillip Winter, for help. As Winter arrives Lisbon weeks ... See full summary »

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Cast

Cast overview, first billed only:
...
...
Friedrich Monroe
Vasco Sequeira ...
Truck Driver
Canto e Castro ...
Barber
Viriato Jose da Silva ...
Shoemaker
João Canijo ...
Crook
Ricardo Colares ...
Ricardo
Joel Cunha Ferreira ...
Sofia Bénard da Costa ...
Vera Cunha Rocha ...
Elisabete Cunha Rocha ...
Teresa Salgueiro ...
Herself (Madredeus)
Pedro Ayres Magalhães ...
Himself (Madredeus)
Rodrigo Leão ...
Himself (Madredeus)
Gabriel Gomes ...
Himself (Madredeus)
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Storyline

The director Friedrich Monroe has trouble with finishing a silent b&w movie about Lisbon. He calls his friend, the sound engineer Phillip Winter, for help. As Winter arrives Lisbon weeks later, Monroe is disappeared but has left the unfinished film. Winter decides to stay, because he is fascinated of the city and the Portuguese singer Teresa, and he starts to record the sound of the film. At the same time Monroe cruises through the city with a camcorder and tries to catch unseen pictures. Later they meet and Winter convinces Monroe of finishing the film. Written by Christoph Blendinger <blendi@iam.uni-bonn.de>

Plot Summary | Add Synopsis

Genres:

Drama | Music

Motion Picture Rating (MPAA)

Rated PG for some language and brief smoking | See all certifications »
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Details

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Language:

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Release Date:

12 May 1995 (Portugal)  »

Also Known As:

Lisbonne Story  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

"Ah não ser eu toda a gente e toda a parte!". This phrase (roughly translated as "Would I be everybody and everywhere!"), written in one of the walls of the house where Winter's staying, is the last verse of "Ode Triunfal", a poem by Álvaro de Campos, one of the three main heteronyms of Portuguese poet Fernando Pessoa. See more »

Goofs

When Philipp Winter finds Friedrich Monroe's book by Portuguese poet Fernando Pessoa, he is amused that a poet should be called "nobody". However, "Pessoa" in Portuguese means "person". See more »

Quotes

Phillip Winter: Listen. You have to guess what this is.
[makes sound of horse running]
Beta: A horse! He's afraid!
: Yeah, horse!
Vera: That's it!
Sofia: He's running very fast! He's galloping!
Phillip Winter: Right. And who is always on a horse?
: A cowboy.
Phillip Winter: Right. And now...
[makes sound of lighting a match]
[...]
See more »

Connections

References The Cameraman (1928) See more »

Soundtracks

KEIN SCHOENER LALA
Music and lyrics by Irmin Schmidt
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User Reviews

 
Subtle simplicity, a treat for the ears as well as the eyes...
8 January 2003 | by See all my reviews

This film is Wim Wenders' own anti-Wenders movie, a self-commentary on (even great) overblown moviemaking. After years of making increasingly larger and more grandiose (though excellent) films, with Lisbon Story, Wenders has made a film as much about quiet and reflection as about image.

It's a refreshing exception to most of film as a media, which is driven almost entirely by image, and sometimes leaves our other senses by the wayside.

Seen through the eyes (or more rather heard through the ears) of the main character (a sound and sound effects engineer) we hear, see, and feel Lisbon.

And we see that Wim Wenders can make a small and intimate movie as well as Until the End of the World. This film is slow by Hollywood standards, but slow like a long soak in a hot tub, not something you would want to go any faster.


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