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Storyline
The director Friedrich Monroe has trouble with finishing a silent b&w movie about Lisbon. He calls his friend, the sound engineer Phillip Winter, for help. As Winter arrives Lisbon weeks later, Monroe is disappeared but has left the unfinished film. Winter decides to stay, because he is fascinated of the city and the Portuguese singer Teresa, and he starts to record the sound of the film. At the same time Monroe cruises through the city with a camcorder and tries to catch unseen pictures. Later they meet and Winter convinces Monroe of finishing the film. Written by
Christoph Blendinger <blendi@iam.uni-bonn.de>
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Did You Know?
Trivia
"Ah não ser eu toda a gente e toda a parte!". This phrase (roughly translated as "Would I be everybody and everywhere!"), written in one of the walls of the house where Winter's staying, is the last verse of "Ode Triunfal", a poem by Álvaro de Campos, one of the three main heteronyms of Portuguese poet Fernando Pessoa.
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Quotes
Phillip Winter:
Listen. You have to guess what this is.
[
makes sound of horse running]
Beta:
A horse! He's afraid!
Zé:
Yeah, horse!
Vera:
That's it!
Sofia:
He's running very fast! He's galloping!
Phillip Winter:
Right. And who is always on a horse?
Zé:
A cowboy.
Phillip Winter:
Right. And now...
[
makes sound of lighting a match]
[...]
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Connections
References
The Cameraman (1928)
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Soundtracks
"VIAGENS INTERDITAS"
Music by Pedro Ayres Magalhaes and Rodrigo Leao
Performed by
Madredeus See more »
Besides the excellent photography of the film, the story is -as many other from Wenders- a deep reflection on the role of the media as reflecting "reality" and creating a second order "reality". Especially the inability of the media to "copy" reality, and the unavoidable role of the media as both and intermediary and a creative agent. The soundtrack by Madredeus is great and the whole setting, Lisbon, is worth the ticket