| Jean-Pierre Marielle | ... | Cmndnt. Perrochon | |
| Ticky Holgado | ... | Capt. Moinard | |
| Rüdiger Vogler | ... | Lion Feuchtwanger | |
| Philippe Noiret | ... | Le général | |
| Kristin Scott Thomas | ... | Mary-Jane Cooper | |
| François Perrot | ... | Col. Maurice Charvet | |
| François Berléand | ... | Lt. Boisset | |
| Jean-Marie Winling | ... | Le médecin-chef Garraud | |
| Bonnafet Tarbouriech | ... | L'adjudant Bordier | |
| Eric Petitjean | ... | Sgt. Stora | |
| Bruno Raffaelli | ... | Jean Poinblanc | |
| Hubert Saint-Macary | ... | Locomotive mechanic | |
| Jean-Yves Tual | ... | Le nain (as Jean-Yves Thual) | |
| Henryk Bista | ... | Otto von Offenberg | |
| Jan Peszek | ... | Alexander Hazenfoeder | |
| Rafal Walentynowicz | ... | Franck Wolf | |
| Marek Walczewski | ... | Prof. Pick | |
| Wladyslaw Kowalski | ... | Max Ernst | |
| Andrzej Mastalerz | ... | Erik von Offenberg | |
| Marcel Novek | ... | Légionnaire | |
| Eugeniusz Priwieziencew | ... | Le paysan | |
| Tadeusz Borowski | ... | Zippert (architect) | |
| Tomasz Dedek | ... | L'homme au Couteau | |
| Piotr Grabowski | ... | Oscar Reich | |
| Chantal Bronner | ... | Paulette Perrochon | |
| Denis Mariette | ... | Régulateur Bayonne | |
| Luc Palun | ... | Gendarme mairie | |
| Michel Caccia | ... | Patron hôtel de France | |
| Arnaud Bedouët | ... | Chef régulateur Marseille | |
| Laurent Labasse | ... | Sergent minage pont | |
| Patrick Grieco | ... | Chef gare Saint-Gaudens | |
| Denis Blanc | ... | Militaire démobilisé 1 | |
| Benoît Muracciole | ... | Chef régulateur Bayonne | |
| Fedele Papalia | ... | Cheminot 1 Bayonne | |
| Pierre Vilanova | ... | Cheminot 2 Bayonne | |
| Rafal Sabara | ... | Ordonnance du général | |
| rest of cast listed alphabetically: | |||
| Pawel Boguslav | ... | Soldat train exode | |
| Michal Breitenwald | ... | Officier QG Staedel | |
| Janusz Chlebowski | ... | Militaire Démobilisé 2 | |
| Jerzy Gronowski | ... | Détenus Borne 402 | |
| Eugenia Herman | ... | Soeur supéreure hôpital | |
| Krzysztof Janczak | ... | Officier QG Lavergne | |
| Jerzy Karaszkiewicz | ... | Détenu lecteur | |
| Artur Krajewski | ... | Soldat pont du Rhône | |
| Jacek Labijak | ... | Homme Téléphone port | |
| Lech Lotocki | ... | Gendarme Puyoo | |
| Ignacy Machowski | ... | Gustav Kohn | |
| Janusz Olejniczak | ... | Le Pianiste | |
| Tadeusz Olesinski | ... | Détenus Borne 402 | |
| Jacek Pacocha | ... | Régulateur Marseille | |
| Mariusz Pilawski | ... | Homme réfectoire | |
| Jacek Ryniewicz | ... | Artificier pont du Rhône | |
| Andrzej Saar | ... | Chef de gare Puyoo | |
| Joe Sheridan | ... | Edgar Foster | |
| Tadeusz Sokolowski | ... | Détenus débandade | |
| Hanna Stankówna | ... | Madame la Général | |
| Michal Switala | ... | Dénenu blessé St Gaudens | |
| Krzysztof Szulejko | ... | Détenus débandade | |
| Zdzislaw Szymborski | ... | Officier QG Besson | |
| Piotr Tokarz | ... | Détenus Borne 402 | |
| Marcin Tronski | ... | Le Brun | |
| Ryszard Wegrzyn | ... | Soldat Provisions | |
| Adam Wolanczyk | ... | Détenus débandade | |
| Miroslaw Zbrojewicz | ... | Détenu Journal | |
| Christopher Januszczak | ... | (uncredited) | |
Directed by | |||
| Sébastien Grall | |||
Writing credits(in alphabetical order) | ||
| Sébastien Grall | screenplay | |
| Sébastien Grall | story | |
| Jean-Claude Grumberg | screenplay | |
Produced by | |||
| Raymond Blumenthal | .... | producer | |
| Lew Rywin | .... | executive producer | |
Original Music by | |||
| Alexandre Desplat | |||
Cinematography by | |||
| Andrzej Jaroszewicz | (director of photography) | ||
Film Editing by | |||
| Joële Van Effenterre | |||
Casting by | |||
| Jeanne Biras | |||
| Magdalena Szwarcbart | |||
Production Design by | |||
| Wladyslaw Bielski | |||
| Valérie Grall | |||
Costume Design by | |||
| Jacqueline Bouchard | |||
| Hanna Golebiowska | |||
| Malgorzata Gwiazdecka | |||
| Ewa Helman-Szczerbic | (as Ewa Skorza) | ||
| Joanna Lambert | |||
| Henriette Raz | |||
| Malgorzata Stefaniak | |||
Makeup Department | |||
| Lucía Bretones-Méndez | .... | key makeup artist | |
| Paul de Fisser | .... | key hair stylist | |
| Maria Dziewulska | .... | makeup artist | |
| Maja Gawinska | .... | assistant makeup artist (as Maja Gawinska-Lyczkowska) | |
| Iwona Kaminska | .... | assistant makeup artist | |
| Elzbieta Pietrzak | .... | assistant makeup artist | |
Production Management | |||
| Jean-Marc Deschamps | .... | production manager | |
| Patrick Dorflein | .... | unit manager: France | |
| Eric Duchêne | .... | assistant unit manager: France | |
| Jan Janik | .... | unit manager: Poland | |
| Grazyna Kozlowska | .... | unit manager: Poland | |
| Nathalie Nghet | .... | assistant production manager | |
| Clément Sentilhes | .... | unit manager | |
| Michal Szczerbic | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Marek Brodzki | .... | first assistant director | |
| Béatrice Humbert | .... | trainee assistant director | |
| Sonia Larue | .... | second assistant director | |
| Jerzy Mizak | .... | assistant director: Poland | |
| Alain Peyrollaz | .... | first assistant director | |
| Marcin Rywin | .... | second assistant director | |
Art Department | |||
| Marie-Joëlle Arnautin | .... | scenic painter | |
| Périne Barre | .... | set dresser: France (as Perrine Barre) | |
| Stanislaw Bomba | .... | construction coordinator | |
| Ewa Braun | .... | set dresser | |
| Didier Chauvin | .... | scenic painter | |
| Robert Czesak | .... | assistant decorator | |
| Joanna Doroszkiewicz | .... | assistant decorator | |
| Rouches Frank | .... | property master (as Franck Rouches) | |
| Philippe Hezard | .... | first assistant decorator | |
| Joanna Kotowicz | .... | assistant decorator | |
| Bogdan Kurzyk | .... | construction coordinator | |
| Bogdan Piotrowski | .... | assistant property master | |
| Marek Razniewski | .... | painter | |
| Grzegorz Rzepecki | .... | property master | |
| Kazimierz Stys | .... | props | |
Sound Department | |||
| Manfred Arbter | .... | sound mixer | |
| Marc-Antoine Beldent | .... | boom operator | |
| Jocelyne Cartier-Stern | .... | post-synchronization editor | |
| Catherine D'Hoir | .... | sound editor | |
| Eric Ferret | .... | sound re-recording mixer | |
| Louis Gimel | .... | sound | |
| Margot Godow | .... | assistant sound mixer | |
| Klaus Hornemann | .... | assistant sound mixer | |
| Anne Le Campion | .... | sound re-recording mixer | |
| Marion Lorthioir | .... | post-synchronization | |
| Jacques Lévy | .... | sound mixer | |
| Jérôme Lévy | .... | foley artist | |
| Françoise Maulny | .... | post-synchronization (as Françoise Maulny-Levy) | |
| Pascal Mazière | .... | foley artist | |
| Renaud Michel | .... | boom operator | |
| Renaud Michel | .... | sound assistant | |
| Brigitte Pradel | .... | assistant sound mixer | |
| Ute von Angern | .... | assistant sound mixer | |
| Jürgen Wilhelm | .... | post-synchronization | |
| Ryszard Wysocki | .... | sound assistant | |
Special Effects by | |||
| Kazimierz Wróblewski | .... | special effects coordinator (as Kazimierz Wroblewski) | |
Stunts | |||
| Lionel Vitrant | .... | stunts | |
Camera and Electrical Department | |||
| Stephen Bessac | .... | trainee assistant camera | |
| Pierre-Laurent Chénieux | .... | camera operator | |
| Dominique Graizely | .... | key grip | |
| Slawomir Grinka | .... | electrician | |
| Jan Górski | .... | assistant camera | |
| Krzysztof Koperski | .... | gaffer | |
| Christophe Lapalus | .... | trainee assistant camera | |
| Cezary Lisowski | .... | electrician | |
| Marek Macioszek | .... | electrician | |
| Emil Makowski | .... | grip | |
| Piotr Malinkiewicz | .... | electrician | |
| Zbigniew Nietresta | .... | grip | |
| Tadeusz Obuchowicz | .... | first assistant camera | |
| Pascal Pajaud | .... | gaffer | |
| Renata Pajchel | .... | still photographer | |
| Pawel Pasek | .... | electrician | |
| Michel Simoni | .... | grip | |
| Zbigniew Szukala | .... | assistant camera | |
| Ryszard Szymanski | .... | grip | |
| Marek Zajac | .... | grip | |
Costume and Wardrobe Department | |||
| Elzbieta Ciszewska | .... | costumer | |
| Adam Kocemba | .... | costumer | |
| Aurore Vicente | .... | costumer | |
Editorial Department | |||
| Vanessa Basté | .... | editing intern | |
| Sophie Henocq | .... | editing intern | |
| Christine Marier | .... | assistant editor | |
| Gaby Wragge | .... | post-production coordinator | |
Music Department | |||
| John Timperley | .... | music mixer | |
Transportation Department | |||
| Andrzej Besztak | .... | transportation coordinator: Poland | |
Other crew | |||
| Urszula Baraniak | .... | production accountant | |
| Sophie Barrat | .... | administrator | |
| Ewa Brodzka | .... | production assistant | |
| Cécile Chevallier | .... | assistant: Mr. Blumenthal | |
| Barbara Cieslak | .... | production secretary | |
| Malgorzata Dedek | .... | administrator | |
| Antonin Dedet | .... | assistant location manager | |
| Guy Guermouth | .... | groupman | |
| Elzbieta Heleniak | .... | administrator | |
| Dominique Segall | .... | press attache | |
| Thierry Valletoux | .... | reportage | |
| Zoe Zurstrassen | .... | script supervisor | |
Thanks | |||
| Alain Depardieu | .... | special thanks | |
| André Fontaine | .... | special thanks | |
| Volker Schlöndorff | .... | special thanks | |
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| Fateless | Europa Europa | The Ninth Day | The Truce | Atonement |
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IMDb User Rating: |
IMDb User Rating: |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb France section |
In the beginning of the Second World War, Germans, Austrians and persons without nationality living in France are sent to the concentration camp of Les Milles by France government. Commander Charles Perrochon is the responsible for this camp and he promises to the leaders of the prisoners to protect them from the Nazis. When France is invaded by the Germans, Commander Perronchon will disobey orders and his superiors trying to save these men. He gets a train, a ship and money from USA to send about eight hundred of these prisoners to the safety of Casablanca, in Marrocos. The ironic end of this trial unfortunately is history and can not be changed. This movie is not a bad movie, but could be a great one. The screenwriter and the director should have extended much more in the political situation of France and Europe in 1940. Maybe this history is well-known in France, but I am in Brazil and I have never heard about this fact. I believe that viewers from many countries are in the same situation as me. Further, at least some important prisoners should be presented more carefully and deeply, maybe showing their lives before being arrested, to make the viewer understand their importance or social condition and be sympathetic with them. The way these prisoners are showed makes the viewer have no charisma with them. Such a beautiful true story deserved to be more carefully transported to the screens. The way this film is presented, only the altruism and outstanding personality of Charles Perronchon is showed. But, for example, it is not explained the cold relationship between his wife and him. The role of Phillipe Noiret is also too small for such a great actor. The brunet Kristin Scott Thomas has also a small but important character in the plot. My vote is seven.
Title (Brazil): "Expresso Para a Liberdade" ("Express For the Freedom")