When a promised job for Texan Michael fails to materialise in Wyoming, Mike is mistaken by Wayne to be the hitman he hired to kill his unfaithful wife, Suzanne. Mike takes full advantage of... See full summary »
Lara Flynn Boyle
When three blue collar acquaintances come across millions of dollars in lost cash they make a plan to keep their find from the authorities but find complications and mistrust weaving its way into their plan.
Billy Bob Thornton,
A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in Los Angeles. He must find a way to save both himself and one last victim.
Bridget Gregory has a lot going for her: she's beautiful, she's intelligent, she's married to a doctor. But all of this isn't enough, as her husband Clay finds out. After she persuaded him to sell medicinal cocaine to some drugdealers, she takes off with the money, almost a million dollars, and goes undercover in a mid-American smalltown. Because Clay has to pay off a loan shark who'll otherwise damage him severely, he keeps sending detectives after her, trying to retrieve the money. When Bridget meets Mike Swale, a naive local who is blinded by her beauty and directness, she devises an elaborate, almost diabolical scheme to get rid of Clay once and for all. Written by
Peter Zweers <firstname.lastname@example.org>
Linda Fiorentino was widely lauded by critics for her performance in this movie but was denied an Academy Award nomination because it came out on TV before a theatrical release. See more »
The ruffled look of Bridget's hair throughout her love scene with Mike is inconsistent. See more »
How the fuck do you stay up here? I mean, these people... I go in the store this morning for cigarettes, they got ducks under the counter. What, do they plant these people or do they just grow out of the ground? And they look at me like, hell, I don't know.
Well, you know, they're not used to seeing guys like you around here, if you know what I mean.
Is it true what they say?
You know, size?
Is it true what they say about white women?
Oh, come on. I was ...
[...] See more »
"The Last Seduction" was produced with theatrical distribution in mind, but it premiered on cable TV, thereby ensuring that Linda Fiorentino's sultry performance--the most acclaimed by a female in 1994--would be disqualified for Oscar consideration. Too bad. She would likely have claimed the prize for her smolderingly sexy turn as a promiscuous man killer. Other than Fiorentino, this film is strictly OK, a modern R-rated update of the kind of 1940's melodramas that offered Bette Davis, Joan Crawford, and Barbara Stanwyck some of their meatiest roles.
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