When a promised job for Texan Michael fails to materialise in Wyoming, Mike is mistaken by Wayne to be the hitman he hired to kill his unfaithful wife, Suzanne. Mike takes full advantage of... See full summary »
Lara Flynn Boyle
Unsuccessfully framed for his wife's murder, Dr. David Krane attempts to find the real culprit by utilizing a new drug that allows him to experience the memories of other people first-hand.... See full summary »
A bright assistant D.A. investigates a gruesome hatchet murder and hides a clue he found at the crime scene. Under professional threats and an attempt on his life, he goes on heartbroken because evidence point to the woman he still loves.
Three provocative short stories. An American in Paris seduces a young man only to have the tables turned; a tourist recovering from an accident is alone but far from lonely; and an exchange... See full summary »
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Bridget Gregory has a lot going for her: she's beautiful, she's intelligent, she's married to a doctor. But all of this isn't enough, as her husband Clay finds out. After she persuaded him to sell medicinal cocaine to some drugdealers, she takes off with the money, almost a million dollars, and goes undercover in a mid-American smalltown. Because Clay has to pay off a loan shark who'll otherwise damage him severely, he keeps sending detectives after her, trying to retrieve the money. When Bridget meets Mike Swale, a naive local who is blinded by her beauty and directness, she devises an elaborate, almost diabolical scheme to get rid of Clay once and for all. Written by
Peter Zweers <firstname.lastname@example.org>
Linda Fiorentino was offered the option of letting a body double do the love scenes, but she chose to do them herself. See more »
Just before Bridget sees the fuel gauge is empty, she is smoking. After cutting to the close-up of the gauge and then back to Bridget, her cigarette has disappeared. See more »
How the fuck do you stay up here? I mean, these people... I go in the store this morning for cigarettes, they got ducks under the counter. What, do they plant these people or do they just grow out of the ground? And they look at me like, hell, I don't know.
Well, you know, they're not used to seeing guys like you around here, if you know what I mean.
Is it true what they say?
You know, size?
Is it true what they say about white women?
Oh, come on. I was ...
[...] See more »
An incredibly amoral and very sexy woman (Linda Fiorentino) is on the lam from her husband (Bill Pullman) after stealing thousands of dollars from him. She travels to a small town and gets involved with a sweet, innocent man (Peter Berg)...but he's just her next victim.
There's a lot more to it but I won't give it away. The plot is intricate with many twists and turns. The dialogue sounds like it came from a 1940s noir (updated with swearing) but this isn't anything like those movies. This movie has graphic sex scenes and incredibly cruel acts that they could never get away with back then. It also has good acting by Berg and Pullman (who is very obviously enjoying himself). There's also good direction by John Dahl and an excellent score by Joseph Vitarelli which totally fits the tone of the film. But it's Fiorentino's show all the way--she's on screen almost all the time and her performance is superb. She's sexy and evil and actually enjoys using people--notice how she laughs after a few evil acts. Too bad this film premiered on cable--if it were a theatrical film first she would have been up for Best Actress.
Only two quibbles--at 110 minutes the nonstop evil and cruelty wears you down and I didn't buy a few things that happened at the climax. They seemed really unlikely and spoiled things a little. But those are minor complaints.
This is a good, evil film noir--well worth catching.
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