When a promised job for Texan Michael fails to materialise in Wyoming, Mike is mistaken by Wayne to be the hitman he hired to kill his unfaithful wife, Suzanne. Mike takes full advantage of... See full summary »
Lara Flynn Boyle
Unsuccessfully framed for his wife's murder, Dr. David Krane attempts to find the real culprit by utilizing a new drug that allows him to experience the memories of other people first-hand.... See full summary »
A bright assistant D.A. investigates a gruesome hatchet murder and hides a clue he found at the crime scene. Under professional threats and an attempt on his life, he goes on heartbroken because evidence point to the woman he still loves.
Three provocative short stories. An American in Paris seduces a young man only to have the tables turned; a tourist recovering from an accident is alone but far from lonely; and an exchange... See full summary »
When a striptease dancer is brutally murdered in Las Vegas, detective Rita Cates and her partner J.D. Prejon are put on the case. There's not much to go on, but the evidence they've got ... See full summary »
Bridget Gregory has a lot going for her: she's beautiful, she's intelligent, she's married to a doctor. But all of this isn't enough, as her husband Clay finds out. After she persuaded him to sell medicinal cocaine to some drugdealers, she takes off with the money, almost a million dollars, and goes undercover in a mid-American smalltown. Because Clay has to pay off a loan shark who'll otherwise damage him severely, he keeps sending detectives after her, trying to retrieve the money. When Bridget meets Mike Swale, a naive local who is blinded by her beauty and directness, she devises an elaborate, almost diabolical scheme to get rid of Clay once and for all. Written by
Peter Zweers <email@example.com>
"The Last Seduction" was produced with theatrical distribution in mind, but it premiered on cable TV, thereby ensuring that Linda Fiorentino's sultry performance--the most acclaimed by a female in 1994--would be disqualified for Oscar consideration. Too bad. She would likely have claimed the prize for her smolderingly sexy turn as a promiscuous man killer. Other than Fiorentino, this film is strictly OK, a modern R-rated update of the kind of 1940's melodramas that offered Bette Davis, Joan Crawford, and Barbara Stanwyck some of their meatiest roles.
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