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The Last Outlaw (1993)

TV Movie  -   -  Western  -  30 October 1993 (USA)
6.5
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Ratings: 6.5/10 from 1,335 users  
Reviews: 24 user | 5 critic

After a bloodbath of a robbery taken right out of "The Wild Bunch" and then being betrayed by his gang, Graff joins the side of the law to hunt his enemies and kill them one by one.

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Cast

Cast overview, first billed only:
...
...
Eustis
...
...
Wills
...
...
Lovecraft
...
Loomis
...
Marshal Sharp
...
Banker McClintock
Tom Connor ...
Bank Teller
Sid Klinge ...
Young Man
Phil Mead ...
Bartender
...
Posseman Grubb
Greg Doty ...
Posseman #1
...
Posseman #2 (as John David Garfield)
Edit

Storyline

After a bloodbath of a robbery taken right out of "The Wild Bunch" and then being betrayed by his gang, Graff joins the side of the law to hunt his enemies and kill them one by one. Written by Jason Ihle <jrihl@conncoll.edu>

Plot Summary | Add Synopsis

Taglines:

Your're looking at the face of a killer with nothing left to lose.

Genres:

Western

Motion Picture Rating (MPAA)

Rated R for strong, graphic violence, and for language | See all certifications »
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Details

Country:

Language:

Release Date:

30 October 1993 (USA)  »

Also Known As:

Az utolsó törvényenkívüli  »

Filming Locations:

 »

Box Office

Budget:

$5,500,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Goofs

When they reach the Rio Grande, they are heading south into Mexico, but the river is flowing left to right. When approaching the river from Texas, the flow is always right to left. See more »

Quotes

Potts: [looking across the Rio Grande at a desert] That ain't Mexico. Where's the women?
See more »

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User Reviews

 
Best made-for-TV movie ever?
17 January 2010 | by (United States) – See all my reviews

For a long time - since I first saw it way back when - I thought Steven Spielberg's "Duel" the best made-for-TV movie ever. Not anymore.

The cinematography by Conroy pushes this way beyond the "Duel" envelope. It is magnificent, accomplishing everything for the television format that one would expect from wide-screen. But it is well supported by a generally tight and able script and direction and great performances by all the actors involved.

This is a taught "thriller" Western, rather than a rehash of old conventions. The film opens with nods of respect to "The Wild Bunch" and Hill's "The Long Riders," but then establishes itself as its own study in the demoralization of men of violence. There is no right or wrong in this story, in the last analysis, only the struggle for survival, and a final contest between two strong men.

A brutal yet thoughtful presentation of such a struggle, leaving some questions to the audience for answer; but again, the highest marks go to the cinematography, and the editing that enhances it. This is a gorgeous film, visually, despite its troubling content.


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