Frank T. Wells has just been released from prison after serving a term for manslaughter. Frank's a reasonably honest man and a good rodeo rider. When he meets up with Scarlett, a bank ... See full summary »
A psychiatrist moves out west after he is brought up on charges of sexual misconduct, for which his adoring, female attorney eventually gets the charges dropped... with the hope that this ... See full summary »
Anthony Michael Hall
Johnny Walker is a cowboy and a boxer. He is very shy and a bit of a fool. He is in love with Ruby, but he cannot tell her. He is also a bit old to keep on boxing, but its the only thing he... See full summary »
Convicted corporate criminal Howard engineers a prison break as he and a number of fellow inmates are being transferred to a new facility. The escapees storm a shopping mall and take a ... See full summary »
Matt Earl Beesley
The tough biker Harley and his no less tough cowboy friend Marlboro learn that an old friend of theirs will lose his bar, because a bank wants to build a new complex there and demands 2.5 ... See full summary »
Butch "Bullet" Stein is a Jewish junkie from the mean streets of Brooklyn, is paroled after eight years in prison. Butch rips off a runner for local drug dealer, Tank, and is soon right ... See full summary »
A film-and-music interpretation of the Gothic poetry and short stories of Edgar Allan Poe. A unique musical suite into an accessible music film combing CGI, real-world imagery and live ... See full summary »
After a bloodbath of a robbery taken right out of "The Wild Bunch" and then being betrayed by his gang, Graff joins the side of the law to hunt his enemies and kill them one by one. Written by
Jason Ihle <firstname.lastname@example.org>
The song that Graff repeatedly whistles, and is sung by the men accompanying him, is Unreconstructed Rebel aka Good Ol' Rebel. The song was not written until 1914, many years after the setting of the movie. See more »
[looking across the Rio Grande at a desert]
That ain't Mexico. Where's the women?
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For a long time - since I first saw it way back when - I thought Steven Spielberg's "Duel" the best made-for-TV movie ever. Not anymore.
The cinematography by Conroy pushes this way beyond the "Duel" envelope. It is magnificent, accomplishing everything for the television format that one would expect from wide-screen. But it is well supported by a generally tight and able script and direction and great performances by all the actors involved.
This is a taught "thriller" Western, rather than a rehash of old conventions. The film opens with nods of respect to "The Wild Bunch" and Hill's "The Long Riders," but then establishes itself as its own study in the demoralization of men of violence. There is no right or wrong in this story, in the last analysis, only the struggle for survival, and a final contest between two strong men.
A brutal yet thoughtful presentation of such a struggle, leaving some questions to the audience for answer; but again, the highest marks go to the cinematography, and the editing that enhances it. This is a gorgeous film, visually, despite its troubling content.
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