IMDb > Lamerica (1994)
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Lamerica (1994) More at IMDbPro »

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Release Date:
4 October 1995 (USA) See more »
Two Italian racketeers come to Albania just after the fall of the communists to set up a fictive firm and pocket the grants... See more » | Add synopsis »
23 wins & 9 nominations See more »
User Reviews:
The last "silent" masterpiece? See more (10 total) »


  (in credits order) (verified as complete)

Enrico Lo Verso ... Gino

Michele Placido ... Fiore
Piro Milkani ... Selimi
Carmelo Di Mazzarelli ... Spiro (alias Michele Talarico)
Elida Janushi ... Selimi's Cousin
Sefer Pema ... Prison Governor
Idajet Sejdia ... Dr. Kruja
Marieta Ljarja ... Factory's manager
Elina Ndreu ... Singer in night club
Ilir Ara ... Orphanage's guard
Liliana Subashi ... Hospital's doctor
Artan Marina ... Ismail
Vassjan Lammi ... Cop at cafe
Nikolin Elezi ... Man dying
Fatmir Gjyla ... Innkeeper
Elona Hoti ... Little girl dancing
Besim Kurti ... Interrogator
Esmeralda Ara ... Girl teaching italian
Luan Ujkai
Shkelqim Daja
Dritan Alia
Elinor Cekliqi
Ferit Nutai
Klodian Rakaj
Saimir Tila
Marian Tifozi
Gezim Nutai
Altin Garupi
Gezim Garupi
Ismail Kukaj
Nuredin Ujkaj
rest of cast listed alphabetically:

Julian Sands ... (uncredited)

Directed by
Gianni Amelio 
Writing credits
(in alphabetical order)
Gianni Amelio 
Andrea Porporati 
Alessandro Sermoneta 

Produced by
Mario Cecchi Gori .... producer
Vittorio Cecchi Gori .... producer
Enzo Porcelli .... executive producer
Original Music by
Franco Piersanti 
Cinematography by
Luca Bigazzi 
Film Editing by
Simona Paggi 
Production Design by
Giuseppe M. Gaudino 
Costume Design by
Liliana Sotira 
Claudia Tenaglia 
Makeup Department
Esmé Sciaroni .... key makeup artist (as Esme Sciaroni)
Production Management
Claudio Vecchio .... production manager
Sound Department
Angelo Amatulli .... boom operator
Alessandro Zanon .... sound
Special Effects by
Luca Ricci .... special effects technician
Camera and Electrical Department
Alessandro Saulini .... eletrician
Costume and Wardrobe Department
Cristina Francioni .... assistant costume designer
Music Department
Angelo Giovagnoli .... orchestra coordinator
Other crew
Susan Jacobs .... publicist

Production CompaniesDistributors

Additional Details

Also Known As:
116 min
Color (Eastmancolor)
Aspect Ratio:
2.35 : 1 See more »
Sound Mix:
Filming Locations:

Did You Know?

Selimi:Sorry, no water today. Today holiday. Maybe tomorrow.See more »
Movie Connections:
References Paisan (1946)See more »
L'ItalianoSee more »


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25 out of 26 people found the following review useful.
The last "silent" masterpiece?, 12 June 2004
Author: paul2001sw-1 ( from Saffron Walden, UK

I first saw 'Lamerica' at its British premiere at the Edinburgh film festival. After the screening, director Gianni Ameilo, a wonderful man in love with his own film, gave an effusive talk about how it had been made: how he had wanted for years to make a film about his father's emigration from post-war Italy to America, but chose, at the time of the Albanian refugee crisis in Italy in the 1990s, to tell the tale allegorically instead; how he cast amateurs in almost all the roles; how he plucked the amazing Carmelo de Mazzarelli from a Scicilian street to play the role of Michele because he to liked his face; and how he directed him, never showing him the full script but merely telling him what was required from each individual scene. This may be an unconventional style of film-making, but the result is triumphant.

'Lamerica' is both epic and comic, some elements bring to mind David Lean and others Mike Leigh (a feat otherwise only managed, in my opinion, by the films of Emil Kusturica). The acting is superb, the comedy dry, laced with sad irony (even the occasional Albanian mis-translation of Italian is inspired). At the centre of this film is a conventional road-movie, a story of an odd couple who bond; but it's put into a wider context by the extraordinary scenes, set in Tirana, that top and tail the movie: this film is political as well as personal, addressing not just the contemporary Albanian reality but also wider questions, such as racism and the relationship of the affluent west to the poorer world. But what stands out most of all is the remarkable visuals, both of the stunning Albanian landscape and also of the people: few directors make as much use of the widescreen format as Amelio, and the way he creates landscapes from faces so expressive they are almost fluourescent is in a class of its own. In some ways, he is almost too effective in doing so: the film feels manipulative because of the power of the images in making its point (and one wonders, can life in Albania really have been this bad?). This is a film that might almost be silent, the pictures tell the story. When, for example, Enrico la Verso's character drinks the milk, the significance of this simple act hits home with the force of a sledgehammer.

Now released on DVD, 'Lamerica', one of the least typical but best films of the 90s, is well worth seeking out. And even if (like me) you have to wait 9 years for a second viewing, I promise that its imagery will linger in your mind.

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