Kaspar Hauser is the son of the duke of Baden. At the age of one he was swapped by another baby that has been killed right after the change. The real Kaspar Hauser grew up in prison without... See full summary »
Herzog's film is based upon the true and mysterious story of Kaspar Hauser, a young man who suddenly appeared in Nuremberg in 1828, barely able to speak or walk, and bearing a strange note;... See full summary »
Arriving on a deserted beach in the Mediterranean sea, in a time and a place unspecified, Kaspar Hauser is forced to confront the evil of a Grand Duchess who feels threatened by the power she exercises over the community.
In the beginning of the 19th century, Johannes Elias Alder is born in a small village in the Austrian mountains. While growing up he is considered strange by the other villagers and ... See full summary »
Gunter Wallraff is a journalist seeking to expose the unethical journalism practiced by The Standard, a very popular and powerful German newspaper. He goes undercover, using forged identity... See full summary »
Kaspar Hauser is the son of the duke of Baden. At the age of one he was swapped by another baby that has been killed right after the change. The real Kaspar Hauser grew up in prison without light, social contacts and education for more than ten years. As teenager he came to public again. First he had to learn a language and other basic skills. Before Kaspar Hauser, meanwhile well educated, found out his real idendity, he was killed. Written by
I must disagree with Alice Liddel (which by the way should be spelt Liddell). The story of Kaspar Hauser is a well known historical fact and Sehr's film presents one of the mooted explanations for the appearance and origin of the 'wildboy' Kaspar Hauser, a youth who had lost almost entirely the ability to speak or write due to more than a decade of mistreatment. Sehr's sumptuous production covers not only the experiences of Hauser, but the courtly intrigues surrounding his incarceration and attempted murder and is cast in the light of tensions between the States of Bavaria and Baden. The acting is superb, lighting and cinematography are exquisite.
The previous reviewer's (Alice Liddel) comments in relation to the Nazi fascism and the 'cover-up' of Germany's past are frankly ludicrous.
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