| Maggie Cogan | ... | Herself | |
| rest of cast listed alphabetically: | |||
| Katina Pendleton | ... | Herself | |
Directed by | |||
| Michel Negroponte | |||
Writing credits(in alphabetical order) | ||
| Gabriel Morgan | ||
| Michel Negroponte | ||
Produced by | |||
| Doug Block | .... | co-producer | |
| Michel Negroponte | .... | producer | |
| Jane Weiner | .... | co-producer | |
Original Music by | |||
| Beo Morales | |||
| Brooks Williams | |||
Cinematography by | |||
| Michel Negroponte | |||
Film Editing by | |||
| Michel Negroponte | |||
Sound Department | |||
| Beo Morales | .... | sound designer | |
| Brooks Williams | .... | sound designer | |
Editorial Department | |||
| Carrie Ansell | .... | associate editor | |
| Alan Oxman | .... | associate editor | |
| Deborah Rosenberg | .... | consulting editor | |
| Don Wyllie | .... | post-production editor | |
Other crew | |||
| Alvin Bowens | .... | title designer | |
| Jennifer Cato | .... | additional researcher | |
| Robert Freedman | .... | legal services: Leavy, Rosensweig & Hyman | |
| Paul Gulielmetti | .... | legal services: Gulielmetti & Gemer | |
| Bonnie Rowan | .... | additional researcher | |
Thanks | |||
| Austin Pendleton | .... | special thanks | |
| Katina Pendleton | .... | special thanks | |
| Lisa Ryan | .... | special thanks | |
|
|
|
|
|
| The Nanny Diaries | Chris & Don. A Love Story | I'm Not There. | Don't Look Now | Religulous |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| IMDb Documentary section | IMDb USA section |
This is a very unusual documentary film. A film maker (Michel Negroponte) happens upon a mentally ill homeless lady (Maggie) who lives in New York's Central Park and befriends her--getting her to agree to be filmed over a period lasting several years. It is interesting to see the lady, as she clearly has schizophrenia and it's an interesting portrait of her life. Despite her being homeless and having a very tenuous hold on reality, Michel does not seem to get her assistance or call in competent psychological help. Instead, and this is the part that is pretty weird, he spends years trying to tease out what this woman's prior life had been based on her irrational though occasionally metaphorical speech as well as by making friends with people who know her. In some ways, his invasive following of the woman with a camera seems rather bizarre (perhaps exploitative) and his need to discover the truth about her made me occasionally wonder if BOTH of them were perhaps ill! Still, despite Michel's strange obsession and desire to make sense of Maggie's life, it is interesting and shows you the often marginal existence the severely mentally ill often have.
This is a great film for a psychology or social work class or for anyone who has a family member who is struggling with severe mental illness.