Pre-teen jungle boy Mowgli gets to human world and is pursued by P.T.Barnum circus scout Harrison who wants to take him to circus as curiosity. Harrison hires local grandee Buldeo for help ... See full summary »
An adaptation of Rudyard Kipling's classic tale of Mowgli the jungle boy who is raised by wolves after being lost when a tiger attacked an encampment and killed his father. Years later he finds himself re-united with his childhood love Kitty and back in the "civilization" of Colonial India which he finds far less civilized then his jungle haunts. The search for a lost treasure shows who the truly civilized members of society are. Written by
Susan Southall <email@example.com>
Filming in Monkey City proved to be quite difficult. It was already extremely hot in India (where the scenes were filmed) and the flame ledges used toward the end of the film, routinely caused the ambient temperature to reach 137 degrees Fahrenheit. See more »
When Mowgli sees Kitty after his fight with Kaa in the monkey city, right after he jumps towards her, a part of his costume unbuttons then the camera flashes to Kitty. When it flashes back to Mowgli his costume is buttoned. See more »
Life is a spinning wheel, it has been said. With each spoke, a tale to be told. So keep silence along the banks, and I will tell you one of these tales; a story as enchanting as the jungle itself. It is about pride, and power, and treasure... and about fangs, and claws, and talons... but mostly, it is about love. My new command was at the edge of the world, surrounded by a million miles of jungle. With me was my daughter Katherine, whom everyone called Kitty. Leading us ...
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Fine performances and direction in the spirit of Kipling.
The switch here, and Jason Scott Lee does it with skill and heart of genius, is that Mowgli talks to the animals in their languages. We do not hear the animal speaking English. But from the moment Bagheera offers his tail to the tiny Mowgli and Mowgli grasps that tail, we are in intimate communication with the animals. Mowgli, his pet wolfcub and the rescued bearcub Balu follow the panther through the jungle and I went with them. Every actor modulates his or her performance to make the story happen, to balance the telling. Kitty, Mowgli's childhood friend, does not let one drop of saccharine spoil her natural young woman. Cary Elwes as a villain is frighteningly archetypal (just as he is a beautiful hero in other films). . . But the animal actors are what compel me to fork over dollars for my own copy of the video. Since they are surrounded by masterful cinema storytelling and heartfelt human performances, their work carries the main theme of this film. We know now how fragile the jungle and its inhabitants are as man approaches with guns and bulldozers. The delicate balance of man and animal, the diplomacy of Mowgli at times, the essence of courage and loyalty -- all this is portrayed. If you know the original Jungle Book and the moral spirit of its author, you recognize that the character of the jungle inhabitants is respected. In this film, while we are given an adventure extrapolated from the original literary situation, the Law of the Jungle is kept. For sophisticated Kipling see the Michael Caine/Sean Connery film "The Man Who Would Be King".
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