This Hong Kong martial-arts extravaganza tells of evil emperors and true love. The secret Red Lotus Flower Society is committed to the overthrow of the evil Manchu Emperor and his minions. ... See full summary »
Set in late 19th century Canton this martial arts film depicts the stance taken by the legendary martial arts hero Wong Fei-Hung (1847-1924) against foreign forces' (English, French and ... See full summary »
Two friends, ex Shaolin monks, part ways as they brush with the ongoing rebellion against the government. The ambitious one rises up to be a powerful military commander, while his betrayed friend resorts to learn the calm ways of Tai Chi.
In the sequel to the Tsui Hark classic, Wong Fei-Hung faces The White Lotus society, a fanatical cult seeking to drive the Europeans out of China through violence, even attacking Chinese ... See full summary »
A young father and his infant son are beset by forces of evil and corruption. They wander China, upholding their sense of honor and protecting the weak. When they are forced into combat, ... See full summary »
An undercover cop struggling to provide for his son and ailing wife, must infiltrate a ruthless gang. But things turn sour when another cop blows his cover and he quickly finds himself battling for his life and the lives of his family.
The Cantonese hero Fong Sai Yuk becomes involved in the secret brotherhood "The Red Flower", who are trying to overthrow the Manchurian emperor and re-establishing the Ming dynasty. The ... See full summary »
A corrupt businessman commits a murder and the only witness is the girlfriend of another businessman with close connections to the Chinese government, so a bodyguard from Beijing is ... See full summary »
Chen Zhen, a Chinese engineering student in Kyoto, who braves the insults and abuse of his Japanse fellow students for his local love Mitsuko Yamada, daughter of the director, returns in 1937 to his native Shangai, under Japanse protectorate -in fact military occupation- after reading about the death of his kung-fu master Huo Yuan Jia in a fight against the Japanese champion Ryuichi Akutagawa. While overcoming suspicion and ambition within the kungfu school, Chen exhumes his master to prove Hou's defeat was the result of poisoning. Both nationalities make the case a test of honor, so Chinese and Japanese pride are at stake when it culminates in Chen's final epic duel against the ruthless, undefeated Japanese general Fujita. Written by
A remake of Bruce Lee's Fist of Fury, this movie gives us amazing martial arts sequences, with good plot and acting in between.
The fights are spectacular. A lot of martial arts movies incorporate wonderful movements and acrobatics, designed to show off the skill and grace of the fighter. However in a life or death struggle, these sometimes seem out of place. This is a "realistic" martial arts movie. You almost feel yourself cringing with each hit. As the man said: "These lads are out to hurt each other." This is fighting in its purest, taking cue from Bruce Lee's personal style, where the aim is to defeat your opponent in the most efficient manner possible. The opening fight of the movie sets its style right away and continues to its climax.
But what made this movie go above and beyond a martial arts flick is the storyline and plot. This movie deals with themes of racism, tolerance and acceptance not only between the Chinese and Japanese, but within each group as well. Here Jet Li shines in his performance. While events cause him to lose his composure and give in to his feelings, at the core you see that he is a righteous person. When he realizes the correct course of action, either by himself, or when it is pointed out by others, he does what is right. And we see the people around him learn from his behavior and they seek to emulate it.
The movie also tries to present a rather fair view of both the Chinese and Japanese. Neither side is portrayed as good or evil, rather as normal human beings, running the whole spectrum from selfish to noble, from hateful to kind.
As a martial arts movie, this is one of the best ever made, but it stands on its own as a good film, one dealing with a historical subject that has a very strong resonance even today.
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