| Photos (see all 4 | slideshow) |
| Yekaterina Golubeva | ... | Daiga | |
| Richard Courcet | ... | Camille | |
| Vincent Dupont | ... | Raphael | |
| Laurent Grévill | ... | le docteur | |
| Alex Descas | ... | Theo | |
| Irina Grjebina | ... | Mina | |
| Tolsty | ... | Ossip | |
| Line Renaud | ... | Ninon | |
| Béatrice Dalle | ... | Mona | |
| Sophie Simon | ... | Alice | |
| Patrick Grandperret | ... | Abel | |
| rest of cast listed alphabetically: | |||
| Serge Abattucci | ... | Detective | |
| Philippe Besson | ... | Policeman | |
| Jean-Paul Bonnaire | ... | Detective | |
| Simone Bonte | ... | Ninon's Mother | |
| Arnaud Carbonnier | ... | Neighbor | |
| Antoine Chappey | ... | Car Buyer | |
| Jean-Quentin Châtelain | ... | Detective | |
| Dani | ... | Dressmaker | |
| Denise Dax | ... | Karate Class Woman | |
| Solveig Dommartin | ... | Blonde Woman | |
| Jean-Marc Emier | ... | Babysitter | |
| Serge Esposito | ... | Detective | |
| Didier Flamand | ... | Le commissaire / Detective | |
| Thierry Flamand | ... | Policeman | |
| Muriel Foures | ... | Redheaded Woman | |
| Catherine Frot | ... | La femme à la bibliothèque | |
| Lionel Goldstein | ... | Detective | |
| Manuela Gourary | ... | Mona's Mother | |
| Arlette Havet | ... | Victim | |
| Sohiab Heshmati | ... | Brown-haired Man | |
| Alice Hurtaux | ... | Victim | |
| Daniel Isoppo | ... | Detective | |
| Philippe Kara-Mohamed | ... | Policeman | |
| Gabriel Laferrière | ... | Policeman | |
| Hopi Lebel | ... | Set Decorator | |
| Francis Lemonnier | ... | Cafe Patron | |
| Fabienne Mai | ... | Victim | |
| Ira Mandella-Paul | ... | Little Harry | |
| Hilton McConnico | ... | Doctor's Friend | |
| Jacques Nolot | ... | Le spectateur au cinéma | |
| David Sako | |||
| Marion Stalens | ... | Neighbor | |
| Kamil Tchalaev | ... | Sacha | |
| Ysé Tran | ... | Comedienne | |
| Danielle van Bercheycke | ... | Fleur | |
| Michel Gondoin | ... | Extra (uncredited) | |
Directed by | |||
| Claire Denis | |||
Writing credits(in alphabetical order) | ||
| Claire Denis | writer | |
Produced by | |||
| Bruno Pésery | .... | producer | |
| Fabienne Vonier | .... | associate producer | |
| Ruth Waldburger | .... | associate producer | |
Original Music by | |||
| Jean-Louis Murat | |||
| John Pattison | |||
Cinematography by | |||
| Agnès Godard | |||
Film Editing by | |||
| Nelly Quettier | |||
Casting by | |||
| Nalini de Rozario | |||
| Frédérique Moidon | |||
Production Design by | |||
| Arnaud de Moleron | |||
| Thierry Flamand | |||
Costume Design by | |||
| Claire Fraisse | |||
Makeup Department | |||
| Laurent Cazeau | .... | hair stylist | |
| Anne-Marie Demeur | .... | makeup artist | |
| Danièle Vuarin | .... | makeup artist | |
Production Management | |||
| Didier Carrel | .... | production manager | |
| Catherine Chouridis | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Olivier Coutard | .... | second assistant director | |
| Nils Hoffet | .... | assistant director | |
| Gabriel Laferrière | .... | assistant director | |
Sound Department | |||
| Vincent Arnardi | .... | sound re-recording mixer | |
| Thierry Lebon | .... | sound | |
| Santiago Thévenet | .... | assistant sound editor | |
| Emmanuel Ughetto | .... | boom operator | |
| Jean-Louis Ughetto | .... | sound | |
Other crew | |||
| Patrick Boshart | .... | location scout | |
| Zoe Zurstrassen | .... | script supervisor | |
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| Rent | Freeway II: Confessions of a Trickbaby | Nettoyage à sec | Ronda nocturna | De battre mon coeur s'est arrêté |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb France section | Add this title to MyMovies |
This film is a fictional portrayal based on the true story of Thierry Paulin, who with the help of his lover murdered twenty or so elderly women in the Montmartre area of Paris, during the eighties. He was known as the "granny killer." What I think confused the viewer who commented before me was the following: The United States has created a crime genre in which the detectives are heroes and the murderers are detestable yet mysterious. In a way, the pleasure in these films comes from watching the murderer act out our unconscious aggressions without our having to admit any identification with him. Claire Denis tried for a truer, more sociological portrait of the situation. She attempted to show the murderer's daily life and interactions with his community in a fashion that proved that, in some ways, he was no different than any other human being. There are no heroes or villains in this film, just a group of immigrants interwoven by the forces of urban life, and one of them happens to be a murderer. The film is a demystification of the "noir" genre. Since people are so used to seeing crime portrayed according to the usual formula, this film can be confusing at first glance. But the achievement of this film is monumental because it manages to draw us into the intimate life of a murderer without hyperbole and without demonizing him. It abandons the sensationalism created by the media to bring us face to face with a real situation.