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Interview with the Vampire: The Vampire Chronicles (1994)

7.6
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Ratings: 7.6/10 from 194,826 users   Metascore: 59/100
Reviews: 383 user | 106 critic | 19 from Metacritic.com

A vampire tells his epic life story: love, betrayal, loneliness, and hunger.

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(screenplay), (novel)
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Title: Interview with the Vampire: The Vampire Chronicles (1994)

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Nominated for 2 Oscars. Another 19 wins & 18 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
Virginia McCollam ...
...
Gambler
...
Mike Seelig ...
Pimp
...
Tavern Girl
...
Lyla Hay Owen ...
Widow St. Clair
Lee E. Scharfstein ...
Widow's Lover (as Lee Emery)
Indra Ové ...
New Orleans Whore (as Indra Ove)
...
2nd Whore
Monte Montague ...
Plague Victim Bearer
...
Nathalie Bloch-Lainé ...
Maid (as Nathalie Bloch)
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Storyline

It hadn't even been a year since a plantation owner named Louis had lost his wife in childbirth. Both his wife and the infant died, and now he has lost his will to live. A vampire named Lestat takes a liking to Louis and offers him the chance to become a creature of the night: a vampire. Louis accepts, and Lestat drains Louis' mortal blood and then replaces it with his own, turning Louis into a vampire. Louis must learn from Lestat the ways of the vampire. Written by <VincentVga@aol.com>

Plot Summary | Add Synopsis

Taglines:

Drink From Me And Live Forever

Genres:

Horror | Romance

Motion Picture Rating (MPAA)

Rated R for vampire violence and gore, and for sexuality | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

11 November 1994 (USA)  »

Also Known As:

Interview with the Vampire  »

Box Office

Budget:

$60,000,000 (estimated)

Opening Weekend:

£2,334,399 (UK) (20 January 1995)

Gross:

£9,540,239 (UK) (17 February 1995)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

|

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

The first film production to be given permission to close down two lanes of traffic on the Golden Gate Bridge. See more »

Goofs

When Louis kisses Widow St. Claire, he gets some lipstick stain on his nose and in the next shot it's gone. See more »

Quotes

[first lines]
Louis: So you want me to tell you the story of my life?
See more »

Crazy Credits

In Memory of River Phoenix 1970-1993 See more »

Connections

Referenced in Psych: This Episode Sucks (2011) See more »

Soundtracks

Terpsichore and Harp Concerto in B Flat
Written by George Frideric Handel (as George Frederick Handel)
Adapted by George Fenton
Performed by The King's Consort
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Vampire essence
9 October 2003 | by (England) – See all my reviews

I have a passion for films with dark settings. What's even better is when the film is not only dark and dismal but also deep and engrossing. With a combination of Anne Rice's script and Neil Jordan's direction, the overlooked Interview with the Vampire not only looks great but contains good material. Most of the time when a film is based on a novel it will try to capture the themes of the novel by choosing areas to work from. Luckily Anne Rice also writes the screenplay and understands more than anyone else what areas need addressing, providing the backbone to the dialogue and plot.

Set in 1791 Orleans and progressing through different periods of time, IWTV is technically excellent and aware of its surroundings. From the first moment your eyes are fixed on the screen. This is the sign of great art direction coupled with costume design and set pieces that are more than pleasing on the eye. Far from in your face the film allows a taste of each period with a mixture of light and colourful scenes to the more prominent dreary settings it encompasses. Moonlit streets, abandoned plague ridden residential and underground gothic architectures all add to the great detail that has been taken in creating a believable and picturesque look to the films periods it contains. Helped also by a musical score that really lurks in the background, depicts the time and in some areas the feeling aptly.



The story, told with a mixture of narration from the protagonist (Brad Pitt in this case) and a screenplay with enough room for all the stars makes a tight little package. At just over 2 hours long though, this may put off the viewer looking for an all out action vampire piece or those with little patience. Interview after all is a drama at heart with horror elements but what sets it apart from others is the humane way in which it's dealt with. A point in the film that leans on stereotypical vampire views sets the tone of the film perfectly, fiction aside Vampires aren't so unlike humans which is portrayed through the emotions (or rejection of them) throughout. One of the key players in such a task is surprisingly Tom Cruise as the bad influence Lestat. In one of his more challenging roles, Cruise conveys a charm that fits the theatricals of his character perfectly. Through excellent makeup and clothes from a period he refuses to break free from, Cruise is less distinguishable but all the more better for losing the usual side of him that may have been too familiar. Left only with a look of ferocity and impertinence Cruise works his role to a brilliant combination that really brings out the character of Lestat making him extremely fun to watch. Lestat's mood swings and cruel insinuations really spark the film up, stealing every scene he's in.

What makes the film interesting is how every character has a background and each character has different things that make them tick. Along for the ride with Cruise and Pitt is a very young Kirsten Dunst as the disillusioned vampire child Claudia. It seems that Jordan is a good director for getting performances as Dunst gives a fine performance at such a young age, definitely showing more promise than the usual teenage focal points she has set herself on since. While Lestat is the most enjoyable character and practically the teacher, Louis and Claudia are the key elements to a story of self-discovery concerning the dark world they have joined. Other than this Christian Slater and Antonio Banderas share little screen time but enough to make their characters wholesome enough.

One area that I applaud but others may disclude is the vivid scenes of a gory nature used profusely throughout. Jordan, going for realism and with blood being an important part of vampire life includes graphic details.. and with no holds barred. Jordans realistic touches add only to the plausibility of the vampire way of life, emphasising the grotesque way of living they are lumbered with for eternity. Such a eternal damnation is one of the main themes of the film exploring the depreciation of Louis and Claudia and how they come to terms with their new life. It would seem that such a serious tone to a fictional tale would make it hard to enjoy but with a mixture of dark humour throughout the film knows not to take itself 'too' seriously. The end clearly establishes this fact nicely.

Minor quibbles aside like some hokey dialogue from time to time and despite Pitt underplaying his performance a little, among the Vampire genre and even as a drama this is a classy piece of work from a intelligent director with a flair for dark style (in most of his other films too), and more importantly produces a epic tale with sturdy direction. If you have the interest for a drama, specifically based around vampires there is little other choice than this. Through its fine performances and stunning look one things for sure, you wont forget this one easily.

7.5 out of 10


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Recent Posts
Who should have played Armand ? durufle2
Meyer ripped this off BIG TIME abrina7
Julian Sands Should Have Played Lestat. indigoblue-1
What if they didThe Vampire Chronicles The Series atomgirl6
What for you would be the worst thing to happen in the vampire genre ? TJensen0022
Oh Louis, Louis. Still whining Louis. EvilSaraMonster

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