A psychiatrist (Gere) has an affair with his patient's sister (Basinger) who is married to a Greek mobster (Roberts). The mobster is a tyrant over his wife. The psychiatrist wants her to ... See full summary »
Juan is a young Spanish man whose dream is to become one of the famous toreros. When he was caught making an illegal (and in fact for the real torero life endangering) night bullfight with ... See full summary »
After a young woman is attacked in the elevator she meets her neighbours (two brothers) for the first time. One of the brothers has a secret, the other has a crush on her. Her analyst tries... See full summary »
Keen young Raymond Avila joins the Internal Affairs Department of the Los Angeles police. He and partner Amy Wallace are soon looking closely at the activities of cop Dennis Peck whose ... See full summary »
Carly Norris is a book editor living in New York City who moves into the Sliver apartment building. In the apartment building, Carly meets two of her new neighbors, author Jack Lansford who... See full summary »
Eddie, a Chicago cop on the edge, goes undercover as hitman. A man and a mysterious woman want him to kill a merciless New Orleans criminal kingpin. The sting goes sour and Eddie's partner is killed. All Eddie wants now is revenge.
Upon taking a new job, young lawyer Rick Hayes is assigned to the clemency case of Cindy Liggett, a woman convicted of first degree murder and sentenced to death. As Hayes investigates the ... See full summary »
1 of 3 Paramount movies that Richard Gere drives a Mercedes. Other two movies are American Gigolo and Primal Fear. See more »
After the little girl gives Vincent something to eat she gets in her grandfather's truck and only partially closes the door. As the truck pulls out in the next shot the door is properly shut. See more »
You'd think with all those bridges you guys wouldn't be afraid to burn one every once and a while
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This unpopular film showcases wonderfully nuanced performances that flesh out a simple story with an interesting twist. Multiple flashbacks (or shifting timescape) delineate the story, making for a complex movie, but the patient viewer is rewarded in the end.
Richard Gere, Sharon Stone, and Lolita Davidovich breathe life into the three corners of a love triangle. Stone is especially good as the calculating Sally, whose formidable personality holds together only at the fast pace of high-end social and professional success. Gere manifests the ambiguity of a man who must choose not only between women but between parts of his soul. Spirited Davidovich is very appealing as a vital woman deeply connected to fundamental contentedness and freedom.
Some philosophy is in order when considering this intimate, thoughtful film. It portrays various aspects of the human condition without embodying them. For instance, Richard Gere plays a man in the grip of profound indecision, but director Mark Rydell's hand is sure and his intent clear (`Whatever you're going to do, do it!'). The movie compresses the many small but meaningful moments that make up a lifetime into a taut montage of images flashing before the viewer's eyes, evoking the close link between life, time, and death. It shows how the simplest, smallest gesture can trigger an epiphany of profound meaning as someone struggles to find clarity in their life. Best of all, the movie illustrates how, even in tragedy, everyone can come away with something positive worth clinging to, whether it's a message on an answering machine, a hurtful letter undelivered, or a plunge into the depths of peace.
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