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Improper Conduct (1994)

A woman seeks her own brand of justice when her sister's sexual harassment case is smothered by acts of foul play.



(screenplay), (story)


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Cast overview, first billed only:
Michael Miller
Lee Anne Beaman ...
Patsy Pease ...
Jo Ann
Matt Roe ...
Defense Attorney
Everett Lamar ...
Kurtis (as Everette Lamar)
Wendy MacDonald ...
Gabby (as Wendy McDonald)
Stephen Fiachi ...
Lydia Bushfield ...
Tarik Ergin ...


The Chairman of an advertising company announces the new corporate manager at the company Christmas party - his son-in-law. This is a nightmare to the long time employees, but the nightmare increases when he sexually harasses the good looking women in the company. But after he assaults one in an elevator, she decides to fight back. Hiring an attorney, she takes him to court - and loses. Because of her desperation, she ends up being killed in an auto crash. Her sister then goes undercover at the company to take revenge on the manager. Written by John Sacksteder <jsackste@bellsouth.net>

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R | See all certifications »




Release Date:

28 September 1994 (USA)  »

Also Known As:

Akatallili diagogi  »

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Did You Know?


Defense Attorney: Do you engage in sex in public places with ALL your friends?
See more »


Referenced in Rewind This! (2013) See more »

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User Reviews

A New Function For Sexual Harassment - Sexploitation.
28 January 2005 | by (Mountain Mesa, California) – See all my reviews

This item, marketed as being a "psychological thriller", is devoid of thrills and requires scant astuteness to understand that psychology has no noteworthy function within its story that, although avowedly targeting the evils of sexual harassment, is in fact simply another fully clichéd tale of wayward lust, utilized here as excuse for young women to remove their clothing as they go about conducting plot-impelled affairs. Tahnee Welch plays Ashley, a young graphic artist of depicted loose morals who, in rather incongruous fashion, decides to withhold from her new supervisor Michael Miller (John Laughlin) those favours that she has proffered freely to others sharing her workplace, yet goes even farther by filing a lawsuit against Miller for his alleged sexual harassment of her. Shortly after losing her case due to lack of evidence, Ashley departs from the storyline, fortunately for viewers as Welch is a poor actress with a stunted emotional range and a proclivity for blurting her lines. During the movie's second half, Ashley's sister Kay (Lee Anne Beaman) replaces her as the primary female character in the scenario as well as in the prurient eye of Miller, with Kay nurturing a bold tactic of restoring her sister's stained reputation through a sirenic plan that she believes Michael will not be able to withstand. Beaman is the sole player in the film who manages to build a little something of value from a role, albeit her lines are equally as Johnny One Note dreadful as is all of the dialogue, most of which seemingly is written to force its simplistic meaning into skulls of viewers who may otherwise overlook a continuing stream of single entendres. Generic formulae are maintained throughout the course of this poorly scripted and directed affair that even conforms to that rule of scoring that requires a solo wailing saxophone during obligatory and hackneyed lovemaking activity, the purpose of which is presumably to harass sexually any of those watching who may be suffering from an extended period of puberty.

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