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Directed by | |||
| Bernard Rose | |||
Writing credits(WGA) | ||
| Bernard Rose | (written by) | |
Produced by | |||
| Bruce Davey | .... | producer | |
| Stephen McEveety | .... | executive producer | |
Cinematography by | |||
| Peter Suschitzky | (director of photography) | ||
Film Editing by | |||
| Dan Rae | |||
Casting by | |||
| Marion Dougherty | |||
Production Design by | |||
| Jirí Hlupý | |||
Art Direction by | |||
| John Myhre | (supervising art director) | ||
| Olga Rosenfelderova | |||
Costume Design by | |||
| Maurizio Millenotti | |||
Makeup Department | |||
| Ivana Chlostova | .... | makeup artist | |
| Grazia De Rossi | .... | head hair stylist | |
| Italo Di Pinto | .... | hair stylist | |
| Enrico Iacoponi | .... | makeup artist | |
| Alessandra Sforza | .... | makeup artist | |
| Fabrizio Sforza | .... | makeup designer | |
| Jirí Farkas | .... | hair stylist (uncredited) | |
| Bobo Sobotka | .... | makeup artist (uncredited) | |
Production Management | |||
| Chris Silver Finigan | .... | production manager | |
| Jaroslav Kucera | .... | production manager: Czech Republic | |
| Jim Lemley | .... | production manager | |
| Ivan Stefka | .... | unit manager: Czech Republic | |
| Jan Balzer | .... | production supervisor (uncredited) | |
| Katerina Schauerová | .... | production supervisor (uncredited) | |
Art Department | |||
| Milan Babik | .... | assistant props | |
| Gary Dawson | .... | stand-by props | |
| Marek Hlupy | .... | assistant art director | |
| Michael Kraus | .... | assistant props | |
| Vladimir Planansky | .... | assistant art director | |
| Karel Vanásek | .... | property master | |
| Jan Vlasák | .... | assistant art director | |
Special Effects by | |||
| Ian Corbould | .... | special effects assistant | |
| Paul Corbould | .... | special effects assistant | |
| Garth Inns | .... | special effects coordinator | |
| Jirí Zavrel | .... | special effects assistant | |
| Barbora Kolarova | .... | special effects assistant (uncredited) | |
| Steven Warner | .... | special effects trainee (uncredited) | |
Visual Effects by | |||
| Isa Alsup | .... | computer graphics supervisor | |
| Tricia Henry Ashford | .... | visual effects executive producer (as Tricia Ashford) | |
| Andrew Eio | .... | motion control supervisor | |
| David Fuhrer | .... | digital artist: CFC | |
| Rob Hodgson | .... | composite artist | |
| Steven T Puri | .... | visual effects producer | |
| Stuart Robertson | .... | visual effects supervisor | |
| Janek Sirrs | .... | composite artist | |
| Christopher Walsh | .... | computer animator | |
| Eric Withee | .... | digital film technician: RGA/LA (uncredited) | |
Stunts | |||
| Leo Stransky | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Adolf Borl | .... | rigger | |
| Ivan Chalupa | .... | best boy grip | |
| Sandra Dillon | .... | camera intern | |
| Charlie Freess | .... | key grip | |
| Jean-Yves Freess | .... | dolly grip | |
| Artur Frys | .... | rigger | |
| Michel Garçon | .... | generator operator | |
| Pal Gyulay | .... | chief lighting technician | |
| Keith Hamshere | .... | still photographer | |
| Rawdon Hayne | .... | first assistant camera | |
| Lukas Klika | .... | electrician | |
| Zdenek Manych | .... | playback operator | |
| Jan Ptacek | .... | rigger | |
| Miroslav Ptack | .... | rigger (as Miroslav Ptacek) | |
| Patrick Renault | .... | rigging gaffer | |
| Lubos Simecek | .... | assistant chief lighting technician | |
| Pavel Stark | .... | electrician | |
| Petr Sulc | .... | electrician | |
| Adam Suschitzky | .... | second assistant camera | |
| Jiri Svenha | .... | electrician | |
| Jaroslav Ungr | .... | grip | |
| Jirí Vrána | .... | electrician | |
| Petr Zavrel | .... | video assist operator | |
| Jaroslav Zeman | .... | grip | |
| Daryn Okada | .... | additional photographer (uncredited) | |
Casting Department | |||
| Petr Hartl | .... | casting: Czech Republic | |
| Jina Jay | .... | casting associate: England | |
| Lucie Stocková | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Pierre Bechir | .... | tailor | |
| Rosemary Burrows | .... | wardrobe supervisor | |
| Giovanni Casalnuovo | .... | assistant costume designer (as Gianni Casalnuovo) | |
| Alfonsina Lettieri | .... | assistant costume designer | |
| Zuzana Máchová | .... | costumer | |
| Mila Vyborny | .... | costumer | |
| Bela Friedlová | .... | wardrobe (uncredited) | |
Editorial Department | |||
| Mo Henry | .... | negative cutter | |
| David Orr | .... | color timer | |
| Warren Paeff | .... | assistant film editor | |
| Diana Seel | .... | assistant film editor | |
Music Department | |||
| Dean Beville | .... | music editor | |
| Georg Solti | .... | musical director (as Sir Georg Solti) | |
| John Stronach | .... | music supervisor | |
| Richard King | .... | music scoring engineer (uncredited) | |
Transportation Department | |||
| Jiri Husak | .... | transportation captain | |
| Mike Kreinbrink | .... | transportation coordinator | |
Other crew | |||
| Eva Z. Cabrera | .... | script supervisor | |
| Sabrina Calley | .... | assistant production coordinator | |
| Diane Chittell | .... | production coordinator | |
| Kyle Cooper | .... | title designer | |
| Susan d'Arcy | .... | publicist | |
| Penny Dyer | .... | dialect coach | |
| Joy Ellison | .... | dialect coach: Ms. Rossellini | |
| Zdenek Fiala | .... | location manager | |
| Marie Grochová | .... | production secretary | |
| Monika Hanzlikova | .... | production assistant | |
| Lil Heyman | .... | production coordinator | |
| Charles Kaye | .... | executive assistant: to Sir Georg Solti | |
| George Komrower | .... | production assistant | |
| Jana Kraliková | .... | unit interpreter | |
| Martin Krauka | .... | production assistant | |
| Shauna L. Kroen | .... | production accountant | |
| Lucienne Lane | .... | assistant: Mr. Oldman | |
| Alena Lichvarov | .... | production secretary | |
| Ingrid Mohelska | .... | unit interpreter | |
| Daniela Pavlova | .... | unit interpreter | |
| Silvia Ranfagni | .... | assistant: Mr. Millenotti | |
| Lisa Roberts | .... | researcher | |
| Katarina Slampova | .... | assistant: Mr. Rose (as Katarina Slampová) | |
| Ken Smith | .... | piano consultant | |
| Ivana Stefková | .... | assistant to production managers | |
| Petr Stemberk | .... | assistant location manager | |
| Jessica Stoltz | .... | accounting clerk | |
| Ian Stone | .... | production assistant | |
| Zuzana Strejckov | .... | assistant to production managers (as Zuzana Strejcková) | |
| Sinclair Tenenbaum | .... | legal services: Olesiuk & Co. Inc. | |
| Samantha Thomas | .... | assistant to producers | |
| Ian Townsend | .... | piano tutor: Mr. Oldman | |
| Dita Valentinova | .... | unit interpreter | |
| Bonnie F. Watkins | .... | assistant: Mr. Davey | |
| Tristan Whalley | .... | international publicist | |
| Sandra L. Yeary | .... | assistant accountant | |
| Joëlle François | .... | press attache: France (uncredited) | |
| Nelly Jencíková | .... | financial supervisor (uncredited) | |
| Anne Lara | .... | press attache: France (uncredited) | |
| Michal Prikryl | .... | location coordinator: Prague (uncredited) | |
| Michal Prikryl | .... | location manager: Prague (uncredited) | |
| Steven T Puri | .... | title producer (uncredited) | |
| Jiri Tichacek | .... | assistant accounting (uncredited) | |
Thanks | |||
| Gerardo Sacco | .... | special thanks | |
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| The Phantom of the Opera | Total Eclipse | Boy A | The Red Violin | Isadora |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Biography section | IMDb UK section |
Once again, a film of such glory fell on deaf ears - no pun intended - in this country. I have spent hours reading reviews on this film, stating how awful it was, because it was not true to the real Beethoven's life.... Well, I believe that early on in my life, I learned about some- thing called "Poetic License"....and, in fact, this film IS, basically, a poem. The movie is BASED on a letter that Beethoven actually DID write, to his mystery lover. No one knows, for sure, who the woman really was. And, this is simply a beautiful interpretation of someone's dream of who she COULD'VE been.
This was regarded as an AWFUL thing to do, by many Beethoven authorities - and by people who simply DOUBTED.
Yet, what went overlooked because of these critics' lack of open-mindedness - was an exquisite blend of glorious music, and SUPREME acting.
Once again, Mr. Oldman gave a performance like no other actor in the world can quite match. His style, sensitivity, and
genius as the Tragic Beethoven, was magnificent.
Jeroen Krabbe's portrayal of Anton Schindler, Beethoven's friend and champion - was marvelous.
Johanna ter Steege - who portrayed Johanna, Beethoven's sister- in-law - was exquisite. Why did they ignore HER? It would've been nice to have her stay here, rather than return to her Dutch homeland - to become a major motion picture star, as well. She had one special attribute - she could ACT.
The sets, costuming, sound, and editing were all BEAUTIFUL. But the film was ignored.
Above all, however, Gary Oldman's performance ranked among the best in the world - but it, too, was ignored.
Give the film another chance. It deserves FAR more than it GOT. It was, simply, beautiful...