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Immortal Beloved (1994)

R  |   |  Biography, Drama, Music  |  6 January 1995 (USA)
7.5
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The life and death of the legendary Ludwig van Beethoven. Beside all the work he is known for, the composer once wrote a famous love letter to a nameless beloved and the movie tries to find... See full summary »

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Title: Immortal Beloved (1994)

Immortal Beloved (1994) on IMDb 7.5/10

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Cast

Cast overview, first billed only:
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Anna Marie Erdödy
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Nanette Streicherová
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Gerard Horan ...
Nikolaus Johann van Beethoven
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Kaspar Anton Carl van Beethoven
Alexandra Pigg ...
Luigi Diberti ...
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Jakob Hotscevar
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Karl Holz
Matthew North ...
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Storyline

The life and death of the legendary Ludwig van Beethoven. Beside all the work he is known for, the composer once wrote a famous love letter to a nameless beloved and the movie tries to find out who this beloved was. Not easy as Beethoven has had many women in his life. Written by Smoothhoney1265

Plot Summary | Plot Synopsis

Taglines:

The genius behind the music. The madness behind the man. The untold love story of Ludwig von Beethoven.


Motion Picture Rating (MPAA)

Rated R for scenes of violence and sexuality | See all certifications »

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Details

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Release Date:

6 January 1995 (USA)  »

Also Known As:

Amada inmortal  »

Filming Locations:

 »

Box Office

Gross:

$14,351,546 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(8 channels)|

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

What Beethoven says to Schindler during their first meeting (a rehearsal of the Kreutzer sonata) is taken from Tolstoy's short story "The Kreutzer Sonata". See more »

Goofs

At his first public recital, Ludwig was eight years-old (some sources report seven) and his father announced him as six, yet the movie conveys, via voiceover, that Ludwig was "12 and his father told the court he was nine". See more »

Quotes

Ludwig van Beethoven: [in reference to "Violin Sonata in A Major, Op. 47" - "Kreutzer"... ] Do you like it?
Anton Felix Schindler: Shh!
Ludwig van Beethoven: I cannot hear them, but I know they are making a hash of it. What do you think? Music is... a dreadful thing. What is it? I don't understand it. What does it mean?
Anton Felix Schindler: It - it exalts the soul.
Ludwig van Beethoven: Utter nonsense. If you hear a marching band, is your soul exalted? No, you march. If you hear a waltz, you dance. If you hear a mass, you take communion. It is the power of music to carry one directly into the mental ...
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Connections

Spoofed in Burn-E (2008) See more »

Soundtracks

All Recordings Above Courtesy Of Sony Classical
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User Reviews

 
Oldman Brings Beethoven To Life
19 March 2001 | by (Salem, Oregon) – See all my reviews

Ludwig van Beethoven was one of the greatest composers-- some would say THE greatest-- in the history of the world. But what of the man himself? His passions, his loves? The humanness behind the genius? `Immortal Beloved,' written and directed by Bernard Rose, examines the man behind the music in a dramatization focusing on the mystery behind a letter-- written by Beethoven-- found among his effects after his death in 1827. The letter bears no name or address, but was written to a woman to whom he refers as his `immortal beloved,' with nary a clue as to her identity. But in his final will, it is she to whom he bequeaths his estate, and it therefore falls to Beethoven's secretary, Anton Schindler (Jeroen Krabbe), to unravel the mystery and discover her identity. And as Schindler pursues his quest, a portrait of Beethoven, in his most human aspect, emerges. Reminiscent of the approach taken by Orson Welles with `Citizen Kane,' Rose presents a riveting study of the enigmatic genius that was Beethoven. He suggests a man driven by passion and ego, who was under appreciated during his lifetime (as great artists often are), and who grew bitter in the wake of the slings and arrows fate so surreptitiously hurled at him. The great irony of his life, of course, was the deafness that deprived him of the aural beauty of his own creation, an affliction Rose implies was brought about through the brutality of a drunken father who would beat his son about the head and ears (And in retrospect, what a testimony to his genius, that he could write such music in his head without ever hearing an actual note). As Beethoven, Gary Oldman gives an outstanding performance, one for which he should have received acclaim that somehow was never forthcoming. His ability to create a total character, with such incredible emotional depth as he does here, is astounding. It's puzzling as to why so many of his performances are overlooked, especially at Oscar time. Besides this film, consider his work in `Sid and Nancy,' or more recently in `The Contender.' He is simply a tremendous actor who has yet to have his day in the sun. As Beethoven, he so completely immerses himself in the character that his soul is veritably reflected in his eyes. You feel the silent world in which he was confined for most of his life, and it allows you to identify with the inner turmoil with which he had to cope and endure without respite. Most importantly, Oldman makes you feel that unabashed passion that motivated and drove Beethoven on. It's quite simply a remarkable performance. Turning in notable performances as well are Isabella Rossellini, as Anna Marie Erdody, one of the women in Beethoven's life who may or may not have been the one to whom the letter was intended, and Johanna ter Steege, as Johanna, Beethoven's sister-in-law and the mother of his beloved nephew, Karl (Marco Hofschneider). The supporting cast includes Miriam Margolyes (Nanette), Barry Humphries (Clemens), Valeria Golino (Giulietta), Gerard Horan (Nikolaus), Christopher Fulford (Casper), Alexandra Pigg (Therese) and Luigi Diberti (Franz). Beethoven's renown today, of course, exceeds even mythological proportions, which often facilitates the blending of fiction with fact. But with `Immortal Beloved,' whether or not the finer points are historically accurate or not is of little consequence, for at it's heart this is a love story that is engrossing drama that is altogether transporting. It's a memorable film, highlighted by Oldman's performance and, of course, the music. And there are a number of scenes, as well, that are unforgettable and demand mention. One depicting the debut performance of the `Ode to Joy,' and another in which the young Beethoven (played by Leo Faulkner) runs at night through the streets of the city to escape his drunken father (Fintan McKeown), coming at last to a lake, into which he wades to float on his back; and with the camera positioned directly above, looking down upon him, a billion stars are reflected in the water around him. Then slowly the camera pulls back until the young Ludwig blends with the reflected stars to seemingly take his place among all the brightest lights of the firmament. It's a scene that will leave you breathless and remain etched in your memory forever. And it's but one of the more astounding moments from an astounding motion picture that absolutely must not be missed. I rate this one 10/10.


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'Copying Beethoven' or 'Immortal Beloved'? Felonious-Punk
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