6.6/10
1,182
13 user 9 critic

Imaginary Crimes (1994)

A recently widowed, small-time hustler struggles to raise his two teenage daughters on his own and still make a dishonest living in 1950s Indiana.

Director:

Writers:

(book), (screenplay) | 1 more credit »
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Cast

Cast overview, first billed only:
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Valery Weiler
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Abigail Tate
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Margaret
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Greta Weiler
Richard Venture ...
Judge Klein
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Eddie
Tori Paul ...
Young Sonya
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Gigi Rucklehaus
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Ginny Rucklehaus
Bill Geisslinger ...
Bud Rucklehaus
William G. Schilling ...
Mr. Garrity
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Storyline

Coming-of-age story set in the 1950's stars Harvey Keitel as a small-time hustler/dreamer, recently widowed, who tries his best to care for his two daughters, 17-year-old Sonya, and 12-year-old Greta, while Sonya's rapid disulisionment with her father puts her at odds with him more times than nessessary. Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

When a father doesn't live up to his dreams... a daughter has to stand up for hers.

Genres:

Biography | Drama

Motion Picture Rating (MPAA)

Rated PG for theme and some very mild language | See all certifications »
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Details

Country:

Language:

Release Date:

14 October 1994 (USA)  »

Also Known As:

Crimes Imaginários  »

Filming Locations:

 »

Box Office

Gross:

$89,611 (USA)
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Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Quotes

Sonya Weiler: Never has a man less equipped for parenthood tried so hard.
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Connections

Featured in Siskel & Ebert: Memo to the Academy - 1995 (1995) See more »

Soundtracks

Dont Fence Me In
Written by Cole Porter
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User Reviews

A nice gem For Kietel
14 February 2002 | by (La La Land) – See all my reviews

Everyone who thinks Harvey can only inhabit violent, suffering Martin Scorcese type stories will be amazed at his affecting and emotional turn here, as a father struggling to raise his 2 daughters. Guilt and regret figure prominently in the plot line, which is narrated from a diary by the wonderful Fairuka Balk. Kelly Lynch gives a brief but sad performance as the mother. One of Kietel's best contains his usual trademark shouting scenes but overall: his least bloody and tortured character is also his finest time on film.


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