| Photos (See all 13 | slideshow) |
| Tim Robbins | ... | Ed Walters | |
| Meg Ryan | ... | Catherine Boyd | |
| Walter Matthau | ... | Albert Einstein | |
| Lou Jacobi | ... | Kurt Gödel | |
| Gene Saks | ... | Boris Podolsky | |
| Joseph Maher | ... | Nathan Liebknecht | |
| Stephen Fry | ... | James Moreland | |
| Tony Shalhoub | ... | Bob Rosetti | |
| Frank Whaley | ... | Frank | |
| Charles Durning | ... | Louis Bamberger | |
| Keene Curtis | ... | Eisenhower | |
| Alice Playten | ... | Gretchen | |
| Danny Zorn | ... | Dennis | |
| Helen Hanft | ... | Rose | |
| Roger Berlind | ... | Duncan | |
| Arthur Berwick | ... | Academic | |
| Timothy Jerome | ... | Academic | |
| John McDonough | ... | Academic | |
| Lewis J. Stadlen | ... | Moderator | |
| Jeff Brooks | ... | Reporter | |
| Rex Robbins | ... | Suit | |
| Richard Woods | ... | Suit | |
| Daniel von Bargen | ... | Secret Service Agent | |
| Jack Koenig | ... | First Reporter | |
| Sol Frieder | ... | Professor Loewenstein | |
| Michelle Naimo Bird | ... | Nurse | |
| Theodore Conant | ... | Dinner Guest | |
| Scotty Bloch | ... | Dinner Guest | |
| Chet Carlin | ... | Dinner Guest | |
| Alice Drummond | ... | Dinner Guest | |
| Leo Leyden | ... | Dinner Guest | |
| Le Clanché du Rand | ... | Dinner Guest | |
| Brook Berlind | ... | Dinner Guest | |
| rest of cast listed alphabetically: | |||
| Jill Church | ... | Waitress (uncredited) | |
| Greg Germann | ... | Bill Riley, Times Reporter (uncredited) | |
| Mary Ann Hannon | ... | Princeton Professor (uncredited) | |
Directed by | |||
| Fred Schepisi | |||
Writing credits(WGA) | ||
| Andy Breckman | (story) | |
| Andy Breckman | (screenplay) and | |
| Michael Leeson | (screenplay) | |
Produced by | |||
| Carol Baum | .... | producer | |
| Sandy Gallin | .... | executive producer | |
| Neil A. Machlis | .... | co-producer | |
| Scott Rudin | .... | executive producer | |
| Fred Schepisi | .... | producer | |
Original Music by | |||
| Jerry Goldsmith | |||
Cinematography by | |||
| Ian Baker | (director of photography) | ||
Film Editing by | |||
| Jill Bilcock | |||
Casting by | |||
| David Rubin | |||
Production Design by | |||
| Stuart Wurtzel | |||
Art Direction by | |||
| W. Steven Graham | |||
Set Decoration by | |||
| Gretchen Rau | |||
Costume Design by | |||
| Ruth Myers | |||
Makeup Department | |||
| C. Romania Ford | .... | makeup artist | |
| Sally Hershberger | .... | hair stylist: Ms. Ryan | |
| Michael Kriston | .... | key hair stylist | |
| Michael Laudati | .... | key makeup artist | |
| Francesca Paris | .... | hair stylist | |
| Edward St. George | .... | hair stylist: Mr. Robbins | |
| Mary Cooke | .... | hair stylist (uncredited) | |
Production Management | |||
| Michele Imperato | .... | unit production manager | |
| Robert Le Tet | .... | post-production supervisor | |
| Neil A. Machlis | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Frank Capra III | .... | first assistant director | |
| Alison C. Rosa | .... | dga trainee | |
| Angela C. Tortu | .... | second second assistant director | |
| John Wildermuth | .... | second assistant director (as John Wildermuth Jr.) | |
| Joe Dunne | .... | second unit director (uncredited) | |
Art Department | |||
| David Scott Gagnon | .... | set dresser | |
| Peter Gelfman | .... | lead person | |
| Peter Hackman | .... | scenic artist | |
| Martin Lasowitz | .... | set dresser | |
| Michael Leather | .... | set dresser (as Mike Leather) | |
| Byron K. Lovelace | .... | set dresser | |
| Jon Ringbom | .... | scenic artist (as Jon Carl Ringbom) | |
| Michael Saccio | .... | assistant property master | |
| Thomas Saccio | .... | property master | |
| Amy Safhay | .... | greensperson | |
| Raymond M. Samitz | .... | construction coordinator | |
| Dick Tice | .... | property person | |
| Victor J. Zolfo | .... | set dresser | |
| Jonathan Arkin | .... | assistant art director (uncredited) | |
| Nicholas Lundy | .... | assistant art director (uncredited) | |
| Jeffrey Rollins | .... | set dresser: New York reshoots (uncredited) | |
Sound Department | |||
| Peter Burgess | .... | supervising sound editor | |
| Steve Burgess | .... | foley mixer | |
| Cindy Clarkson | .... | dialogue editor | |
| Peter Fenton | .... | sound re-recording mixer | |
| James Harvey | .... | sound editor | |
| Stephen Kent | .... | assistant sound editor | |
| Gerard Long | .... | foley artist | |
| Peter McBain | .... | assistant sound editor | |
| Danny Michael | .... | sound mixer | |
| Glenn Newnham | .... | sound editor | |
| Martin Oswin | .... | sound re-recording mixer | |
| Paul Pirola | .... | assistant sound mixer | |
| Terry Rodman | .... | adr supervisor | |
| Livia Ruzic | .... | dialogue editor | |
| Andrew Schmetterling | .... | cable person | |
| Anthony Starbuck | .... | boom operator | |
Special Effects by | |||
| Stan Parks | .... | special effects coordinator | |
| Daniel Sudick | .... | special effects | |
Visual Effects by | |||
| Paul Cross | .... | optical and workprint conformer | |
Stunts | |||
| G.A. Aguilar | .... | stunts | |
| Sandy Alexander | .... | stunts | |
| Stuart Alexander | .... | stunts | |
| Bill Anagnos | .... | stunts (as William Anagnos) | |
| Dana D. Bertolette | .... | stunts | |
| Blaise Corrigan | .... | stunts | |
| Ned Corrigan | .... | stunts | |
| Norman Douglass | .... | stunts | |
| Joe Dunne | .... | stunt coordinator | |
| Joe Dunne | .... | stunts | |
| Frank Ferrara | .... | stunts | |
| Bob Hern | .... | stunts | |
| Hugh Karraker | .... | stunts | |
| Jennifer Lamb | .... | stunts | |
| Shawn Lane | .... | stunt double: Tim Robbins | |
| Gaetano Lisi | .... | stunts | |
| Jim Lovelett | .... | stunts | |
| Lisa Lustmann | .... | stunts | |
| Seth Pendleton | .... | stunts | |
| Walter Robles | .... | stunts | |
| Todd Thurston | .... | stunts | |
| Peter Bucossi | .... | stunts (uncredited) | |
| John Cenatiempo | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Bill Coe | .... | first assistant camera (as William R. Coe) | |
| Ken Connors | .... | assistant chief lighting technician | |
| Mark Duncan | .... | second assistant camera | |
| Russell Engels | .... | chief lighting technician | |
| Kenneth Fundus | .... | grip | |
| Richard Guinness Jr. | .... | first company grip | |
| Alec Hirschfeld | .... | director of photography: second unit | |
| Tom Houghton | .... | director of photography: second unit | |
| Billy Kerwick | .... | second company grip | |
| Edward W. Lowry | .... | dolly grip (as Ed Lowry) | |
| Bruce MacCallum | .... | camera operator | |
| Peter A. Mian | .... | video assist operator | |
| Kyle Rudolph | .... | Steadicam operator | |
| Demmie Todd | .... | still photographer | |
| James F. Walsh Jr. | .... | electrician | |
| Michael Leonard | .... | assistant Steadicam operator (uncredited) | |
Casting Department | |||
| Melissa Adams | .... | extras casting assistant | |
| Barbara Harris | .... | adr voice casting | |
| Bill Kaufman | .... | casting assistant | |
| Marshall Peck | .... | extras casting | |
| Jennifer Madeloff | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Timothy Alberts | .... | costumer | |
| Amy Andrews | .... | costumer | |
| Irene Ferrari | .... | costumer | |
| Gail Just | .... | costumer | |
| Michelle Kurpaska | .... | costume supervisor | |
| Tom Macdonald | .... | costumer (uncredited) | |
| Rebeka L. Roberts | .... | costume ager/dyer (uncredited) | |
Editorial Department | |||
| Terry Haggar | .... | color timer | |
| Heather McDermott | .... | assistant film editor | |
| Jane Moran | .... | first assistant film editor | |
| Theresa Repola Mohammed | .... | negative cutter | |
| Kate Williams | .... | first assistant film editor | |
Music Department | |||
| Bob Bornstein | .... | music preparation | |
| Alexander Courage | .... | orchestrator | |
| Jerry Goldsmith | .... | conductor | |
| Robin Gray | .... | music mixer | |
| Robin Gray | .... | music recordist | |
| Kenneth Hall | .... | music editor | |
| Ron Layton | .... | orchestra contractor | |
| Arthur Morton | .... | orchestrator | |
| Rudolf Osadnik | .... | musician: violin solo | |
| Maurie Sheldon | .... | music production coordinator | |
| Dan Goldwasser | .... | soundtrack producer (uncredited) | |
| James Thatcher | .... | musician: French horn (uncredited) | |
Transportation Department | |||
| Michael Connolly | .... | transportation co-captain | |
| Kevin Keefe | .... | transportation captain | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
I just watched I. Q. again tonight and had forgotten how much I love this movie. It is wonderfully entertaining and leaves you feeling that all is right with the world. I love the allusions to Mozart all throughout from the opening with "Einstein" playing "Twinkle, Twinkle Little Star" on the violin to him humming Eine Kleine Nachtmusik during the IQ testing of the Ed Walters. I love that a woman is portrayed as intelligent and encouraged to have a career, an especially unique situation for the 1950's, the time in which this movie is set. (I myself have been a teacher but stayed at home to raise my children, so please don't think I am some staunch women's libber.) It's wonderful how a man who is "only a grease monkey" is finally seen to be just as important and worthy as Catherine's fiance, a clinical behavioral researcher. The message to me is that we are not what we do, but who we are is defined by so much more - no labels. There are so many little gags and one-liners that are almost throwaways if you don't watch and listen carefully.
I did catch a few things in the movie that are not listed on the goofs page. In the scene when Ed Walters is to speak at symposium, there are 3 instruments (protractor, ruler, etc.) hanging on the right from the chalk ledge. In the next camera shot, there only 2. In the credits on our video, it lists Tony Shaloub's character as Bob Watters, not Bob Rosetti as he introduces himself in the movie and is listed here on Imdb.
I highly recommend this movie. It may be a piece of fluff in some estimations, but has lots more substance than many give it credit for. Not only that, what a great cast is assembled here. Watch it and enjoy!