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A veteran reporter, Peter Brackett who is enjoying his newly found fame through his book "White Lies" is asked by his newspaper " Chicago Chronicle" to report a train crash. At the accident site he takes notice of a new lady reporter , Sabrina Peterson. Brackett's complacency is given a rude shock by Sabrina with her report in the Chicago Globe on the train crash. What follows next is a mad race between the two professional rivals to cook up the events leading up to the crash. After the initial mad reporting, both settle down to get the facts , which lead them to complimentary facts. Both gets setup to get killed at the same spot, from which they evade and they agree to work together. Initially they lack the trust on each other. They join hands together at work and in life to reveal the bigger truth that got concealed beneath the train crash. Written by
Thejus Joseph Jose
Composer Elmer Bernstein wrote the original score for this film. That score was rejected by the filmmakers, and replaced last minute with David Newman's score. Some of the early movie posters actually showed Elmer's name as the composer. See more »
The car which attempts to run over Peter and Sabrina but hits several cars has its left headlight knocked out by the accident. Two shots later it is shown turning a corner with the light illuminated. See more »
Pete, it's good to see you, buddy. I'm dyin' to read your book, man. When's it comin' out on tape?
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Had potential but has big failings in the script, atmosphere and in the two stars
When a train crash happens, veteran newspaperman Peter Brackett is sent from the Tribune to cover the story despite him being a columnist. At the scene of the crash he meets the beautiful young reporter Sabrina Peterson who he tries to hit on without much success, before dismissing her as an inexperienced youth. The next morning she scoops him in the Globe, getting an angle on the story that he didn't have. This sparks a rivalry between the two journalists but, as they find out more about the story they find themselves in mortal danger and are forced to form an uneasy partnership.
In case you are film-illiterate, this film has even called a character `Thin Man' to help you realise what it is clearly aspiring to be. The fast talking, battling characters aspire to be like those in the Thin Man series. However the main problem here is that this film has none of the wit, spark or fun of that series at it's best; instead it is all a bit lifeless and flat. The plot is good but it doesn't decide to be a mystery thriller until very late in the game; the final set piece is good but, because the film had been aiming for `playful' up till that point, it just doesn't work out well and it can't just suddenly create tension out of nowhere.
The rest of the film tries to be light and witty but it doesn't manage it either. A major fault in this regard is with the script; it doesn't have any really good lines or sequences. As much as I accept that Woody Allen is not everyone's cup of tea, he would have been the perfect part of a writing team here - witty dialogue in The Thin Man style is really his thing. The other problem is with the cast. Nolte and Roberts may both be big names, but they sadly have ZERO chemistry and this is a big problem. The two have no lines and their lack of spark just makes it worse, to compare this with the Thin Man series does that a great disservice. The support cast fares a bit better and contains quite a few famous faces such as Rubinek, Rebhorn, Loggia, Dukakis, Levy, Martin Smith and Gleason. They all do OK but they can't help the failings in the script, atmosphere and in the two stars.
Overall this is just about watchable but it's hard to ignore what it clearly intended to be. It is pretty much a big failure as it fails to amuse, excite or entertain on anywhere near the level that it was aiming for.
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