A pregnant peasant woman seeks redress from the Chinese bureaucracy after the village chief kicks her husband in the groin in this comedy of justice. As she is frustrated by each level of ... See full summary »
In 1930s China a young woman is sent by her father to marry the leprous owner of a winery. In the nearby red sorghum fields she falls for one of his servants. When the master dies she finds... See full summary »
A woman married to the brutal and infertile owner of a dye mill in rural China conceives a boy with her husband's nephew but is forced to raise her son as her husband's heir without ... See full summary »
In a remote mountain village, the teacher must leave for a month, and the mayor can find only a 13-year old girl, Wei Minzhi, to substitute. The teacher leaves one stick of chalk for each ... See full summary »
During the Japanese occupation of China, two prisoners are dumped in a peasant's home in a small town. The owner is bullied into keeping the prisoners until the next New Year, at which time... See full summary »
Fugui and Jiazhen endure tumultuous events in China as their personal fortunes move from wealthy landownership to peasantry. Addicted to gambling, Fugui loses everything. In the years that follow he is pressed into both the nationalist and communist armies, while Jiazhen is forced into menial work. They raise a family and survive, managing "to live" from the 40's to the 70's in this epic, but personal, story of life through an amazing period. Written by
This is Zhang Yimou's and Gong Li's crowning triumph -- a top candidate for the greatest Chinese film of all time. Splendidly photographed and composed, consumately acted and faithfully scored, "To Live" is a three or four hour film novel lovingly packed into two hours and fifteen minutes. For a long time, Ingmar Bergman's "Fanny and Alexander" stood by itself as the greatest family epic in my moviegoing experience. "The Best Years of Our Lives" ran a distant second. But since 1995 "To Live" has moved into a very close second.
Most Chinese who lived through Mao's Revolution say this film tells it like it was at the simple townsperson level. Though it can serve as an overview of Chinese history 1944 to 1970 or so, unlike Lean's "Gandhi" or "Lawrence of Arabia", this is not a hero's biopic. Instead we see a foolish, once rich but now fallen heir and his wife blown about by the winds of fortune for three decades and challenged as parents trying to raise two children under increasingly harsh and punitive communist tyranny. What you sense in this film, that I've never seen before in any Chinese film, is how the ethical and moral principles that have prevailed in Chinese culture for 2500 years - a mix of transcendence and pragmatism, humility and grit, cosmic harmonic balance and social duty - allows an ordinary couple to accept unbearable tragedy and keep going. It also shows what this survival strategy costs them in their Communist context. The screenplay is full of cosmic irony. It makes us aware, without shouting, that this is just one family among millions. As Yimou's transitional screen message says: "...leaving no family unaffected". It is to that extent, a tribute film.
Maybe ten hours of Kieslowski's "Decalogue" might accomplish the same broad survey of of human happenstance and emotion. Maybe Kurosawa in three or four hours. But never in two plus hours have I seen the scope Zhang Yimou achieves here. "To Live" also contains as wise a moral lesson as any film I've seen, and it's a gentle one despite the surrounding violence. I couldn't paraphrase the lesson for you. I wouldn't try. Just watch. It will reach you non-verbally in about 90 minutes. Just know, this isn't Shakespeare, Hollywood or soap opera. It's something else.
Gong Li's work is as powerful as anything Streep or Sarandon have ever done in the west - which is all the more inspiring since the camera doesn't lavish star-level attention on her. As her husband, Ge You turns in an emotionally riveting, charming, sometimes funny and devastatingly honest performance. The direction is sure handed, the shooting unfailingly gorgeous. Zhang Yimou's cinematic canvass has never been so big or his palette so colorful and controlled. Full of spectacle, great sweeps of time and onrushing tides of humanity, "To Live" is still, in the end, a sweet and poignant epic with an intimate, observant heart. Great story telling. Do not miss! Try to view a letterbox version on a big screen.
44 of 45 people found this review helpful.
Was this review helpful to you?