Fugui and Jiazhen endure tumultuous events in China as their personal fortunes move from wealthy landownership to peasantry. Addicted to gambling, Fugui loses everything. In the years that ... See full summary »
In 1930s China a young woman is sent by her father to marry the leprous owner of a winery. In the nearby red sorghum fields she falls for one of his servants. When the master dies she finds... See full summary »
In a remote mountain village, the teacher must leave for a month, and the mayor can find only a 13-year old girl, Wei Minzhi, to substitute. The teacher leaves one stick of chalk for each ... See full summary »
Zhao is an aging bachelor who hasn't been lucky in love. Thinking he has finally met the woman of his dreams, Zhao leads her to believe he is wealthy and agrees to a wedding far beyond his ... See full summary »
At the beginning of the twentieth century, Yu-liang leaves a brothel in a small Chinese town, to become the second wife of Mr. Pan. While Pan is away at the revolution in Yunnan, Yu-liang ... See full summary »
Lu and Feng are a devoted couple forced to separate when Lu is arrested and sent to a labor camp as a political prisoner during the Cultural Revolution. He finally returns home only to find that his beloved wife no longer remembers him.
During China's Tang dynasty the emperor has taken the princess of a neighboring province as wife. She has borne him two sons and raised his eldest. Now his control over his dominion is complete, including the royal family itself.
Fugui and Jiazhen endure tumultuous events in China as their personal fortunes move from wealthy landownership to peasantry. Addicted to gambling, Fugui loses everything. In the years that follow he is pressed into both the nationalist and communist armies, while Jiazhen is forced into menial work. They raise a family and survive, managing "to live" from the 40's to the 70's in this epic, but personal, story of life through an amazing period. Written by
Clint Eastwood's personal favorite of the competition entries at the 1994 Cannes Film Festival where Eastwood was Jury President. See more »
[playing with chickens]
When will they grow up?
And then... the chickens will turn into geese... and the geese will turn into sheep... and the sheep will turn into oxen.
And after the oxen?
After oxen, Little Bun will grow up.
I want to ride on an ox's back.
You will ride on an ox's back.
Little Bun won't ride on an ox... he'll ride trains and planes... and life will get better and better.
See more »
I think most of us can watch Freddy Krueger rip people apart and barely flinch. Not that Nightmare on Elm Street is a bad film, it never inflicts pain on the viewer.
But this film is so beautiful and so real, that it's unbearably heartbreaking at times. Every time I watch it, and I know a particular heartbreaking scene is coming up, I almost want to turn it off, but I'm just frozen in place, forced to experience the pain of the people on screen, that I've traveled three decades with. Zhang's understanding of the people of China, and the tragedy of history is full of empathy, respect, and adoration. In every scene, Gong Li embodies strength and beauty. Zhang's study of communism and of the Chinese government, isn't a villifying one sided argument, but one with complete understanding of the tragedy of this huge social experiment, that effected not only China, but the whole world.
As a Korean American, I draw some appreciation at the parallel effects on Communism on Korea. Mao-Kim, Taiwan-SouthKorea. But this is a truly universal movie, and anyone would enjoy it.
28 of 33 people found this review helpful.
Was this review helpful to you?