A pair of whacked-out cartoon-like exterminator/hitmen kill the owner of a burglar-alarm company, and stalk the partner who hired them, his wife, and a nerd framed for the murder, who tells the story in flashback from the electric chair.
When Waring Hudsucker, head of hugely successful Hudsucker Industries, commits suicide, his board of directors, led by Sidney Mussberger, comes up with a brilliant plan to make a lot of money: appoint a moron to run the company. When the stock falls low enough, Sidney and friends can buy it up for pennies on the dollar, take over the company, and restore its fortunes. They choose idealistic Norville Barnes, who just started in the mail room. Norville is whacky enough to drive any company to ruin, but soon, tough reporter Amy Archer smells a rat and begins an undercover investigation of Hudsucker Industries. Written by
The main theme music of the film is the uncredited Adagio of Spartacus and Phrygia from the ballet Spartacus by Aram Khachaturyan. This music was also used as the main theme for BBC TV's series The Onedin Line (1971). The music played behind the black and white newsreel is Non-Stop by John Malcolm, used by Independent Television News in the UK in the 1950s and 1960s to introduce their main news bulletins. Malcolm apparently composed the piece to blow a raspberry at the musical prejudices of his tutor. See more »
When the crossword editor asks about "a six letter word for a condition of the hypothalamus", Amy replies with "goiter". A goiter is a condition of the thyroid, not the hypothalamus. See more »
The foregoing was a fictional account of the development of the HULA HOOP® and the characters bear no resemblance to any real person or business concern. The HULA HOOP® was actually developed by the founders of the toy company WHAM-O®, a true American success story. WHAM-O® was subsequently responsible for the development of the FRISBEE® and numerous other toy products. See more »
I have to admit, there aren't many movies that warrant a 10 rating from me, but this is absolutely one of them.
Something about the film just works. The Coens are geniuses when it comes to making movies that I really can enjoy. I admit, I first saw "O, Brother, Where Art Thou?" and loved it so much. I had no idea this was by them too, and had I not seen a "Making of" on a show on Discovery years ago that showed how the scene where they fall off the building was done, I probably wouldn't have ever decided to TiVo this fine film.
The direction technique, acting, jokes, everything just works. This is the kind of movie that stands out in the crowd, makes me want to buy it on DVD and show it to everyone I know just to make them see what people miss when they read reviews by people like Siskel and Ebert, who gave it two thumbs down, but don't give a reason on their site.
Other movies I would recommend are O, Brother (Also directed by the Coen's) and Army of Darkness, which, maybe coincidentally, stars Bruce Campbell who plays a reporter in this movie. Bruce is his same old self. he has a presence, and is great in the few scenes he's in.
Tim Robbins is wonderfully cast as the lead in this role.
The elevator operator lent a wonderful character to the movie.
The two Cab drivers in the Café who perform the "I got gas" Bromo commercial type bit, were great narrating Norville's encounter with Amy.
The guy in the News room creating the Crossword puzzle with a Scrabble set asking people questions for clues. "The guy's a real moron, as in a five-letter word for Imbecile."
The music, oh, the music is wonderfully suited to the film.
There isn't one part of this movie I didn't like, honestly. I could watch it quite a few times before I got sick of it, then take a break, then come back and watch it again.
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