When Waring Hudsucker, head of hugely successful Hudsucker Industries, commits suicide, his board of directors, led by Sidney Mussberger, comes up with a brilliant plan to make a lot of money: appoint a moron to run the company. When the stock falls low enough, Sidney and friends can buy it up for pennies on the dollar, take over the company, and restore its fortunes. They choose idealistic Norville Barnes, who just started in the mail room. Norville is whacky enough to drive any company to ruin, but soon, tough reporter Amy Archer smells a rat and begins an undercover investigation of Hudsucker Industries. Written by
The main theme music of the film is the uncredited Adagio of Spartacus and Phrygia from the ballet Spartacus by Aram Khachaturyan. This music was also used as the main theme for BBC TV's series The Onedin Line (1971). The music played behind the black and white newsreel is Non-Stop by John Malcolm, used by Independent Television News in the UK in the 1950s and 1960s to introduce their main news bulletins. Malcolm apparently composed the piece to blow a raspberry at the musical prejudices of his tutor. See more »
When the crossword editor asks about "a six letter word for a condition of the hypothalamus", Amy replies with "goiter". A goiter is a condition of the thyroid, not the hypothalamus. See more »
The foregoing was a fictional account of the development of the HULA HOOP® and the characters bear no resemblance to any real person or business concern. The HULA HOOP® was actually developed by the founders of the toy company WHAM-O®, a true American success story. WHAM-O® was subsequently responsible for the development of the FRISBEE® and numerous other toy products. See more »
The comic and fantastic overflow in this joyous romp
This movie is the exception to the rule when they say, "They don't make 'em like they used to." Because the Coen Brothers and Sam Raimi sure did top them all with this one. Tim Robbins, along with the rest of the cast, is pitch perfect. From the first second of the movie to the last, my eyes are glazed over with utter fascination. Composer Carter Burwell is the next John Williams in my book. His score accents brilliantly every emotion witnessed. This movie is funny, romantic, perverse, and whimsical. It says a lot that after years of not making movies, Paul Newman chose to make this one.
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