| Photos (See all 34 | slideshow) | Videos (see all 3) |
| William Gates | ... | Himself | |
| Arthur Agee | ... | Himself | |
| Emma Gates | ... | Herself - William's Mother | |
| Curtis Gates | ... | Himself - William's Brother | |
| Sheila Agee | ... | Herself - Arthur's Mother | |
| Arthur 'Bo' Agee | ... | Himself - Arthur's Father | |
| Earl Smith | ... | Himself - Talent Scout | |
| Gene Pingatore | ... | Himself - High School Basketball Coach | |
| Isiah Thomas | ... | Himself - Professional Basketball Player | |
| Marlyn Hopewell | ... | Herself - High School Guidance Counselor (as Sister Marlyn Hopewell) | |
| Bill Gleason | ... | Himself - Television Reporter | |
| Patricia Weir | ... | Herself - President: Encyclopedia Brittanica | |
| Marjorie Heard | ... | Herself - High School Guidance Counselor | |
| Luther Bedford | ... | Himself - High School Basketball Coach | |
| Aretha Mitchell | ... | Herself - High School Guidance Counselor | |
| Shannon Johnson | ... | Himself - Arthur's Friend | |
| Tomika Agee | ... | Herself - Arthur's Sister | |
| Joe 'Sweetie' Agee | ... | Himself - Arthur's Brother | |
| Jazz Agee | ... | Herself - Tomika's Daughter and Arthur's Niece | |
| Catherine Mines | ... | Herself - William's Girlfriend | |
| Alicia Mines | ... | Herself - William's Daughter | |
| Alvin Bibbs | ... | Himself - William's Brother-in-Law | |
| Willie Gates | ... | Himself - William's Father | |
| James Kelly | ... | Himself - High School Teacher and Registrar | |
| Michael O'Brie | ... | Himself - High School Finance Director | |
| Dick Vitale | ... | Himself - Television Sports Commentator | |
| Kevin O'Neill | ... | Himself - Marquette University Head Basketball Coach | |
| Bobby Knight | ... | Himself - Indiana University Head Basketball Coach | |
| Joey Meyer | ... | Himself - DePaul University Head Basketball Coach | |
| Frank DuBois | ... | Himself - Camp Academic Director | |
| Spike Lee | ... | Himself - Film Director | |
| Bo Ellis | ... | Himself - Marquette University Assistant Backetball Coach | |
| Bob Gibbons | ... | Himself - Basketball Scout | |
| Dennis Doyle | ... | Himself - High School Assistant Basketball Coach | |
| Clarence Webb | ... | Himself - High School Science Teacher | |
| Stan Wilson | ... | Himself - Basketball Scout | |
| Derrick Zinneman | ... | Himself - High School Basketball Player | |
| Tim Gray | ... | Himself - Junior College Basketball Coach | |
| Myron Gordon | ... | Himself - Junior College Basketball Player | |
| Steve James | ... | Narrator | |
| rest of cast listed alphabetically: | |||
| Elijiah Ephraim | ... | Himself | |
| Eric Anderson | ... | Himself (uncredited) | |
| Bobby Cremins | ... | Himself (uncredited) | |
| Juwan Howard | ... | Himself (uncredited) | |
| Mike Krzyzewski | ... | Himself (uncredited) | |
| Rick Pitino | ... | Himself (uncredited) | |
| Jalen Rose | ... | Himself (uncredited) | |
| John Thompson | ... | Himself (uncredited) | |
| Chris Webber | ... | Himself (uncredited) | |
Directed by | |||
| Steve James | |||
Writing credits(in alphabetical order) | ||
| Steve James | ||
| Frederick Marx | ||
Produced by | |||
| Catherine Allan | .... | executive producer | |
| Peter Gilbert | .... | producer | |
| Steve James | .... | producer | |
| Frederick Marx | .... | producer | |
| Gordon Quinn | .... | co-producer | |
| Gordon Quinn | .... | executive producer | |
Original Music by | |||
| Ben Sidran | |||
Cinematography by | |||
| Peter Gilbert | |||
Film Editing by | |||
| William Haugse | |||
| Steve James | |||
| Frederick Marx | |||
Production Management | |||
| Emily Stevens | .... | production manager: KTCA | |
| Suzanne Suffredin | .... | post-production supervisor | |
Sound Department | |||
| Cory Coken | .... | sound mixer | |
| Ric Coken | .... | sound mixer | |
| Bryen Hensley | .... | sound mixer | |
| Bill Jenkins | .... | additional sound | |
| Margaret M.S. Marvin | .... | sound mixer | |
| Mirko Popadic | .... | additional sound | |
| Chuck Rapp | .... | sound mixer | |
| Ed Scott | .... | additional sound | |
| Adam Singer | .... | sound | |
| Tom Yore | .... | sound | |
Editorial Department | |||
| Lou Anastas | .... | assistant editor | |
| Linda Balek | .... | assistant editor | |
| Fenell Doremus | .... | assistant editor | |
| Fenell Doremus | .... | post-production coordinator | |
| Jim Fetterley | .... | assistant editor | |
| Sarah Galloway | .... | assistant editor | |
| Lisa Hubbard | .... | assistant editor | |
| Robert Jung | .... | colorist | |
| Neil Laird | .... | assistant editor | |
| Craig Leffel | .... | colorist | |
| Oscar Oboza | .... | colorist (as Oscar Oboza Jr.) | |
Music Department | |||
| Ben Sidran | .... | music producer | |
| Tom Yore | .... | composer: additional music | |
Other crew | |||
| Paul Andrews | .... | additional on-line | |
| David A. Baran | .... | intern: Kartemquin (as David Baran) | |
| Gerry Berlin | .... | legal assistance | |
| Brian Boyl | .... | intern: Kartemquin (as Brian Boyd) | |
| Brian Boyl | .... | production assistant (as Brian Boyd) | |
| Tony Creer | .... | intern: Kartemquin | |
| Ena Dahm | .... | accountant | |
| Fenell Doremus | .... | staff member: Kartemquin | |
| George Eastman | .... | title designer | |
| Joanne Elam | .... | accountant | |
| Brian Farley | .... | intern: Kartemquin | |
| Brian Farley | .... | production assistant | |
| Than Feis | .... | intern: Kartemquin | |
| Jim Fetterley | .... | staff: Kartemquin | |
| Betsy Fil | .... | title designer | |
| Vanessa Finch | .... | intern: Kartemquin | |
| Julia Gibbs | .... | intern: Kartemquin | |
| Julia Gibbs | .... | production assistant | |
| Kim Harper | .... | additional on-line | |
| Laura Hoffman | .... | researcher | |
| Jenny Sioux Hopkins | .... | on-line: IPA | |
| John Jackson | .... | intern: Kartemquin | |
| Tricia John | .... | accountant | |
| Quentin King | .... | legal assistance | |
| Lucy Kinsella | .... | intern: Kartemquin | |
| Neil Laird | .... | production assistant | |
| Anne LaPorte | .... | additional on-line (as Anne 'Closure' LaPorte) | |
| Ken Leshin | .... | additional on-line | |
| Frederick Marx | .... | on-line: Kartemquin | |
| Teddy Mattera | .... | intern: Kartemquin | |
| Marcy McCall | .... | staff: Kartemquin | |
| William Morris | .... | production assistant (as Bill Morris) | |
| William Morris | .... | staff: Kartemquin (as Bill Morris) | |
| Jim Morrissette | .... | technical advisor | |
| Laura Mulhauser | .... | intern: Kartemquin | |
| Bob Musker | .... | intern: Kartemquin | |
| Bob Musker | .... | production assistant | |
| Mark Nielson | .... | staff: Kartemquin | |
| Jim Olen | .... | additional on-line | |
| Mike Perelstein | .... | legal assistance | |
| Brian T. Pitts | .... | production assistant (as Brian Pitts) | |
| Gordon Quinn | .... | creative consultant | |
| Tim Reyna | .... | additional on-line | |
| Gerald Richman | .... | executive in charge of KTCA | |
| Pam Schmidt | .... | intern: Kartemquin | |
| Eric Scholl | .... | on-line: IPA | |
| Pete Senten | .... | additional on-line | |
| Bill Siegel | .... | researcher | |
| John Sloss | .... | legal assistance | |
| Jill Soloway | .... | staff: Kartemquin | |
| April Sopkin | .... | intern: Kartemquin | |
| Melissa Sterne | .... | on-line: Kartemquin | |
| Tom Sullens | .... | intern: Kartemquin | |
| Eric Torres | .... | intern: Kartemquin | |
| Ralph Walsh | .... | intern: Kartemquin | |
| Stephanie Wertlake | .... | staff: Kartemquin | |
| Angela Wood | .... | intern: Kartemquin | |
Thanks | |||
| Michael Apted | .... | thanks | |
| D.L. Bean | .... | thanks | |
| Luther Bedford | .... | special thanks: Marshall High School | |
| Frank Beidler | .... | special thanks: program support (as Pru and Frank Beidler) | |
| Pru Beidler | .... | special thanks: program support (as Pru and Frank Beidler) | |
| Alvin Bibbs | .... | thanks (as Alvin and Peggy Bibbs) | |
| Peggy Bibbs | .... | thanks (as Alvin and Peggy Bibbs) | |
| David Blair | .... | thanks | |
| Jerry Blumenthal | .... | thanks | |
| Patricia Boero | .... | thanks | |
| Bob Boone | .... | thanks: Glencoe Study Center | |
| Jim Bostrum | .... | thanks | |
| Ray Boyer | .... | thanks | |
| Walter Brody | .... | thanks: Sound Ideas | |
| Beverly Brooks | .... | thanks | |
| Steve Brown | .... | thanks | |
| Margaret Caples | .... | thanks | |
| Al Cohn | .... | thanks | |
| Johnny Lee Davenport | .... | thanks (as Johnnie Lee Davenport) | |
| Frank DuBois | .... | thanks | |
| Bob Ebel | .... | thanks | |
| Harry Edwards | .... | thanks | |
| Bill Firnbach | .... | thanks | |
| Michael Flaherty | .... | special thanks: St. Joseph High School (as Principal Brother Michael Flarherty) | |
| Greg Gaither | .... | thanks | |
| Don Garvey | .... | thanks | |
| John O. Gibson | .... | special thanks: Marshall High School (as Principal John O. Gibson) | |
| Arnie Gilbert | .... | thanks: life support | |
| Dru Gilbert | .... | thanks: life support | |
| Temmie Gilbert | .... | thanks: life support | |
| Tim Gray | .... | thanks | |
| Larry Hawkins | .... | thanks | |
| Sandra Heberer | .... | thanks | |
| John Hefferon | .... | thanks (as Dr. John Hefferon) | |
| Jim Hennessey | .... | thanks (as Jim Hennessey and Katje Rooney) | |
| Tod Himmel | .... | thanks | |
| Kathy Hurley | .... | thanks | |
| John Iltis | .... | thanks (as David Sikich & John Iltis) | |
| Scott Jacobs | .... | thanks | |
| Imogene James | .... | thanks: life support | |
| William James | .... | thanks: life support | |
| Michael Jordan | .... | thanks | |
| David Kaplan | .... | thanks | |
| Jack Kaplan | .... | thanks | |
| Barbara Kopple | .... | thanks | |
| Tom Kowalski | .... | thanks | |
| Peter Kuttner | .... | thanks | |
| Richard Lapchick | .... | thanks | |
| Kirk LaVine | .... | thanks | |
| Richard Mandeberg | .... | thanks | |
| Don Marbury | .... | thanks | |
| Ellen Marx | .... | thanks: life support | |
| Larry Marx | .... | thanks: life support | |
| Miriam Marx | .... | thanks: life support | |
| Bernard McKune | .... | thanks | |
| Edonnya Merritt | .... | thanks | |
| Rich Moskel | .... | thanks | |
| Salim Muwakkil | .... | thanks | |
| William Nelson | .... | thanks | |
| Margie Nicholson | .... | thanks | |
| Delano O'Bannion | .... | thanks | |
| Jim O'Boyle | .... | thanks: KOST Broadcast Sales | |
| Kevin O'Neill | .... | thanks | |
| Carol Obertubbesing | .... | thanks | |
| Mary Patton | .... | thanks | |
| Richard Pena | .... | thanks | |
| John Pierson | .... | thanks | |
| Francine Pope | .... | thanks | |
| Tom Radtke | .... | thanks | |
| Jenny Rohrer | .... | thanks | |
| Katje Rooney | .... | thanks (as Jim Hennessey and Katje Rooney) | |
| Judy Roth | .... | thanks: life support | |
| John Schram | .... | thanks: Sports Management Network | |
| Jane Schrepel | .... | thanks | |
| Barbara Searle | .... | thanks | |
| Michael Shepley | .... | thanks | |
| Alan Siegel | .... | thanks | |
| David Sikich | .... | thanks (as David Sikich & John Iltis) | |
| Margot Stern Strom | .... | thanks | |
| Art Taylor | .... | thanks | |
| Carol Taylor | .... | thanks | |
| Jim Taylor | .... | thanks | |
| Susan Taylor | .... | thanks: life support | |
| Isiah Thomas | .... | thanks | |
| Barbara Trent | .... | thanks | |
| Joyce Washington | .... | special thanks: Marshall High School | |
| Howard Weinberg | .... | thanks | |
| Tom Weinberg | .... | thanks | |
| Woody Wickham | .... | thanks | |
| Chuck Wielgus | .... | thanks | |
| Janette Wilson | .... | thanks | |
| Alexander Wolff | .... | thanks | |
| Preston Wolin | .... | thanks (as Dr. Preston Wolin) | |
| Gary Wood | .... | thanks | |
| Dan Woods-Lindley | .... | special thanks: program support (as Dan and Lucia Woods-Lindley) | |
| Lucia Woods-Lindley | .... | special thanks: program support (as Dan and Lucia Woods-Lindley) | |
| Clarence Wordlaw | .... | thanks | |
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| Fathers of the Sport | Half Nelson | Coach Carter | Hoosiers | Love & Basketball |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
The filmmakers here show an admirable dedication to their art and to the underprivileged, spending five years tracking two kids, Arthur and William, and their dreams of basketball stardom. The two subjects and their families are simple and somewhat naive, in an endearing way. Their struggles, sometimes unflattering, are put forth for us to relate to, and we all can. Of course this is about two kids and their love for basketball, and about the "road to" that takes place as they try to get there, but it's really about the way people in near-poverty live, the education system and its downfalls, the manipulation of organized sports and tendency for people to try and achieve their goals through others (Arthur's father, William's brother), and the situation between blacks and whites in America. In one scene, Arthur laments being around mainly white kids for the first time in his life, and says it'll be difficult but he'll manage. That kind of relaxed confidence is so rewarding to watch. The film has endless insights into the black urban experience. Of course not every family in the ghetto is in a position where a father is a criminal and drug user, but when two kids in the same story are in that situation, it's got to be somewhat prevalent.
It's the kind of movie that's sustaining, and there are so many transcendent, revealing moments that stand out: Arthur's mother, such an inspirational woman to watch, as she gets her nurse certification; Arthur's family talking to another family in a cafeteria, with his mother high-fiving an elderly white lady; the descent into and path out of drug addiction; and a scene where the man who recruits these boys says that sometimes he has doubts about himself when he sees the pain that's a part of these kids' lives. Spike Lee makes a brief appearance giving a speech to the kids, and his pessimism is the only sore spot in the film.
We don't have to work for any of this, we don't have to question it. There's nothing to clean away before we can get to the real thing. This is the real thing. A curious moment, however, is one scene where Arthur's mother explains to us at one point she had her electricity cut off, which suggests that the crew wasn't there to film that period. But the next scene has her walking in the dark with a lamp, that seems like an undeclared "reenactment" of something they missed, for editing purposes. But the criticism of manipulation in documentaries is tired. Yes, the possibility of tricking an audience into believing something with a documentary is greater, but unless it's political in some respect it doesn't matter. Documentaries are supposed to be presented how the filmmaker sees fit. With no license, we'd have 350-hour documentaries.
At one moment near the end, William's coach says goodbye to him and as he walks out his coach mentions that that's the system: one goes out, another comes in. It feels like we're saying bye to a member of the family. This is a life-affirming experience, a family that should be visited again. 10/10