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Heavenly Creatures (1994)

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Two girls have an intense fantasy life; their parents, concerned the fantasy is too intense, separate them, and the girls take revenge.

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Writers:

(screenplay) (as Frances Walsh), (screenplay)
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4,181 ( 215)
Nominated for 1 Oscar. Another 16 wins & 11 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
Sarah Peirse ...
Honora Parker Rieper
Diana Kent ...
Clive Merrison ...
Dr. Henry Hulme
Simon O'Connor ...
Herbert Rieper
...
John / Nicholas
...
Bill Perry
Gilbert Goldie ...
Dr. Bennett
Geoffrey Heath ...
Rev. Norris
Kirsti Ferry ...
Wendy
Ben Skjellerup ...
Jonathan Hulme
Darien Takle ...
Miss Stewart
Elizabeth Moody ...
Miss Waller
Liz Mullane ...
Mrs. Collins
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Storyline

Based on the true story of Juliet Hulme and Pauline Parker, two close friends who share a love of fantasy and literature, who conspire to kill Pauline's mother when she tries to end the girls' intense and obsessive relationship. Written by Alexander Lum <aj_lum@postoffice.utas.edu.au>

Plot Summary | Plot Synopsis

Taglines:

Not all angels are innocent. See more »


Motion Picture Rating (MPAA)

Rated R for a chilling murder and some sexuality | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

|

Country:

|

Language:

|

Release Date:

14 October 1994 (New Zealand)  »

Also Known As:

Heavenly Creatures: The Uncut Version  »

Filming Locations:

 »

Box Office

Budget:

$5,000,000 (estimated)

Gross:

$3,049,135 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (uncut)

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Kate Winslet was one of 175 girls who auditioned for the role of Juliet Hulme. See more »

Goofs

When Pauline, Juliet, and Honora are riding in the bus, they are clearly on the upper part of Dyer's Pass Road approaching Sign of the Kiwi, which means they have gone past their destination of Victoria Park. See more »

Quotes

[first lines]
[Director Peter Jackson opens with the scene that should, logically, end the film: that is, the moments immediately following the murder. The girls Juliet and Pauline run screaming up the hill-path to the tea-house, sobbing and covered in blood. The scene is intercut with b&w visions of the two running across a ship deck to meet Dr. and Mrs. Hulme, whom they both refer to as their mother, as the first three exclamations of "Mummy!" demonstrate]
Juliet Hulme: Mummy!
Pauline Parker: Mummy!
Juliet Hulme: Mummmmy!
[...]
See more »

Crazy Credits

Preceding the opening credits: "During 1953 and 1954 Pauline Yvonne Parker kept diaries recording her friendship with Juliet Marion Hulme. This is their story. All diary entries are in Pauline's own words." See more »

Connections

Referenced in The Frighteners (1996) See more »

Soundtracks

Sono Andati
from "La Boheme"
Written by Giacomo Puccini
Performed by Kate Winslet
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Not just for teens, this is...well...awesome...
16 January 1999 | by (Seattle, WA) – See all my reviews

I understand why teenage girls would like this movie--the thrilling rush of new found deep friendship tied together with nascent sexuality and all that comes with it...the defying of the confines of the world around them...the incredible power of unfettered creativity and self-delusional belief...

What's amazing is that a jaded thirty-something man like myself would consider it to be his favorite film of all time. Peter Jackson shows a deftness in handling interpersonal characterizations and blending in amazing special effects in a way that seems so natural...so fluid...that you while you're awed by what you see, you're not so aware of the process that you're distracted. The oh-so-1993 effect of "morphing" is used better here than any other film (save, perhaps, Terminator 2--but in that movie, the morphing WAS the film...when here, it is merely one element.)

The direction is exemplary. The cinematography is awe inspiring. The script is sharp. The acting...down the line...is superb. Melanie Lynskey delivers a brave performance--giddy, childish, frightening, sexual, clouded... She's everything Christina Ricci pretends to be. Kate Winslet--hyper-bright and wonderful...her performance here reminds you that her "Titanic" performance was "sunk" (sorry!) by the extremely poor dialogue she was given. Her character's overly cheerful demeanor is a mask that covers her disappointment in her parents--but it's extended so far that it no longer seems like a mask...it seems to be a force of nature that drags Lynskey's Pauline along for a dangerous ride...a ride that Winslet's Juliet is in no position to control. There are crisp performances from all of the supporting cast as well.

Jackson should be listed with Gilliam and even Lynch when it comes to directors who can achieve a glorious, if dark, vision. The fact that Jackson's movies (save for "Meet the Feebles") are mainstream accessible--in ways that Lynch, especially, could barely consider (although "The Frighteners" was painfully overlooked by the US market)--makes me wish that he'd try his hand at more mainstream material.

Imagine what a Peter Jackson "Titanic" would have been like...and compare that to what a James Cameron "Heavenly Creatures" would have been like and you get my point.


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