After thirteen and half years in prison for kidnapping and murdering the boy Park Won-mo, Geum-ja Lee is released and tries to fix her life. She finds a job in a bakery; she orders the ... See full summary »
John has lost all his money. He sits outside a diner in the desert when Sydney happens along, buys him coffee, then takes him to Reno and shows him how to get a free room without losing ... See full summary »
Paul Thomas Anderson
Philip Baker Hall,
John C. Reilly,
In late 1950s New York, Tom Ripley, a young underachiever, is sent to Italy to retrieve a rich and spoiled millionaire playboy, named Dickie Greenleaf. But when the errand fails, Ripley takes extreme measures.
Based on the true story of Juliet Hulme and Pauline Parker, two close friends who share a love of fantasy and literature, who conspire to kill Pauline's mother when she tries to end the girls' intense and obsessive relationship. Written by
Alexander Lum <email@example.com>
In art class, Mrs. Collins says "...and decide who wants to model and who wants to draw." In a wide shot of the class, the long pole of a boom mic being slowly lowered is clearly reflected in the windows on the right side of the room. See more »
[Director Peter Jackson opens with the scene that should, logically, end the film: that is, the moments immediately following the murder. The girls Juliet and Pauline run screaming up the hill-path to the tea-house, sobbing and covered in blood. The scene is intercut with b&w visions of the two running across a ship deck to meet Dr. and Mrs. Hulme, whom they both refer to as their mother, as the first three exclamations of "Mummy!" demonstrate]
[...] See more »
Preceding the opening credits: "During 1953 and 1954 Pauline Yvonne Parker kept diaries recording her friendship with Juliet Marion Hulme. This is their story. All diary entries are in Pauline's own words." See more »
This film is astonishing. Really, I rank it tied in first place as the best film of 1994, shared with PULP FICTION.
Peter Jackson's masterpiece (thougth I love the Lord of the Rings films) is definitely HEAVENLY CREATURES. It's a challenging film, very difficult to watch at times. But it brilliantly captures the brightly burning, constantly changing, wild emotions of these two intelligent and creative but seriously damaged teenage girls.
Sarah Peirse as the mother is incredible in her role. Melanie Lynskey reaches such a depth with her character...I actually think it's a bit frightening how good she is. And Kate Winslet...ahhh KATE WINSLET! At first glance...the performance might just be blown off as over the top and amateur. But that's only at first glance. Look closer, and stay with it, and you will see what amazing things she has done with this character. It's a remarkable achievement unlike any other acting I've seen in any film of this kind, which is to say a true life crime thriller.
Heavenly Creatures is, and I say this with absolute certainty, the best true life crime thriller ever made. Because instead of trying to be a classic thriller with cheap tricks, Peter Jackson gets you inside the twisted minds of these two girls, and whether you hate them in the end or not, you completely understand why these girls did what they did...and that it was doomed from the start. Kate Winslet is just brilliant. WHY wasn't she given every award under the sun for this?!?!??!
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