Heidi, the star of the "Meet The Feebles Variety Hour" discovers her lover Bletch, The Walrus, is cheating on her, and with all the world waiting for the show the assorted co-stars must ... See full summary »
After a tragic car accident that killed his wife, a man discovers he can communicate with the dead to con people but when a demonic spirit appears, he may be the only one who can stop it from killing the living and the dead.
Michael J. Fox,
Forgotten Silver is a mockumentary which details the prodigious life of "lost" filmmaker Colin McKenzie and his incredible advances that were lost to history...until now. This supergenius ... See full summary »
Hideous Kinky is the story of two sisters (seven and five years old) traveling with their hippie mother from London to Morocco. They encounter many adventures, new experiences, and ... See full summary »
While on a journey of discovery in exotic India, beautiful young Ruth Barron falls under the influence of a charismatic religious guru. Her desperate parents then hire PJ Waters, a macho ... See full summary »
A thousand years ago, in England, the crazy monk Elmer wears a pair of wings and tries to fly from a high tower. He dies, and his soul is doomed to the eternity in hell for committing ... See full summary »
What the "spider-pit" sequence from the original King Kong (1933) probably looked like (the original sequence was cut out of the original movie because it was deemed "too gruesome" and was subsequently lost).
Based on the true story of Juliet Hulme and Pauline Parker, two close friends who share a love of fantasy and literature, who conspire to kill Pauline's mother when she tries to end the girls' intense and obsessive relationship. Written by
Alexander Lum <firstname.lastname@example.org>
Since the Parker-Hulme murder had been an infamous crime that was strongly sensationalized in New Zealand history Jackson decided rather than do a film that would be a historical look back at the crime to instead create a drama about Parker and Hulme's intense friendship. In addition to reading Pauline Parker's diary Jackson and company undertook a nation wide search for anyone who had known the girls and interviewed them to get a closer look at their life. See more »
Near the beginning of the film, we see the girls running past a poster of _Creature from the Black Lagoon_ (1954) in 1952. It could be an advance poster, but this seems highly unlikely since "Creature" wasn't released until March 1954 in the States - let alone New Zealand. See more »
[Director Peter Jackson opens with the scene that should, logically, end the film: that is, the moments immediately following the murder. The girls Juliet and Pauline run screaming up the hill-path to the tea-house, sobbing and covered in blood. The scene is intercut with b&w visions of the two running across a ship deck to meet Dr. and Mrs. Hulme, whom they both refer to as their mother, as the first three exclamations of "Mummy!" demonstrate]
[...] See more »
Preceding the opening credits: "During 1953 and 1954 Pauline Yvonne Parker kept diaries recording her friendship with Juliet Marion Hulme. This is their story. All diary entries are in Pauline's own words." See more »
Lesbian murderers ? I'm sort of guessing that I might not like this movie very much . No doubt we'll be seeing some polemical do gooder film maker with zero talent making a movie where anyone who gets murdered by the gay girls probably asked for it because they were a rabid homophobe
That was my abstract opinion of HEAVENLY CREATURES when it was released to some critical acclaim ten years ago , with much of the acclaim going to writer/director Peter Jackson whose previous gory horror comedies I'd enjoyed . Yeah the guy was talented I remember thinking , but in a liberal climate we'd no doubt be hearing a myriad of excuses via the film for the girls crime and it was this attitude that stopped me from watching the movie until it was broadcast on BBC 2 tonight
I was fooling myself if I thought Jackson was going to make a bad movie . This is another piece of heart melting , intelligent movie making from the Kiwi genius and I'm sorry for doubting Jackson for a moment . What Jackson has done has made a movie where it's difficult to think of the two protagonists as " lesbian lovers " , Pauline Reiper and Juliet Hulme are two teenagers who love each other full stop and the screenplay doesn't once make any excuses for anything that happens , we're not supposed to feel disgusted by their relationship , we're not supposed to feel that they are victims in any way and we're not supposed to feel that a conservative , homophobic society is to blame for what happened . Jackson deserves much credit for making an amoral movie without an agenda , it's up to the free thinking audience to make up their own minds on the case. Take for example the murder of Mrs Rieper who kindly takes the girls to a tea house then for a walk in the countryside . It's difficult not to notice that if she'd been an uncaring cruel dragon with absolutely no conscience the girls wouldn't have had an opportunity to murder the woman .
It's also a movie that captures the spirit of being a teenager in love . When for whatever reason you have to say goodbye to your first love it's the end of the world . You'll do anything to stop it happening - ANYTHING - and you won't forgive anyone who caused it to happen . Fantasy sequences similar to the ones shown here are also a staple diet of the teenage mind and if you disagree with me you're either being dishonest or you're under twelve years of age . Believe me this movie reminded me , perhaps a little too much , of my own teenage angst
Jackson also deserves credit for his casting Melanie Lynskey and ( A then totally unknown ) Kate Winslet as Pauline and Juliet . Neither of them can be described as strikingly attractive and you do have to worry who we would have got instead if this was a Hollywood production , but they play the star crossed lovers with absolute conviction , as indeed do the rest of the cast
HEAVENLY CREATURES is beautiful , haunting , thoughtful and incisive . With the exception of Martin Scorsese I rate Peter Jackson as the world's greatest living film maker and HEAVENLY CREATURES is the first movie that showed the true greatness Jackson is capable of
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