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Paul Thomas Anderson
Philip Baker Hall,
John C. Reilly,
In late 1950s New York, Tom Ripley, a young underachiever, is sent to Italy to retrieve a rich and spoiled millionaire playboy, named Dickie Greenleaf. But when the errand fails, Ripley takes extreme measures.
Based on the true story of Juliet Hulme and Pauline Parker, two close friends who share a love of fantasy and literature, who conspire to kill Pauline's mother when she tries to end the girls' intense and obsessive relationship. Written by
Alexander Lum <firstname.lastname@example.org>
Melanie Lynskey was cast as Pauline Parker two weeks before filming began. Co-writer Fran Walsh discovered her at the last minute while scouring local high schools for Parker lookalikes. See more »
When Juliet drops the gem, Pauline then points it out and we see a shot of it. Then we see a second shot of it, as Honora picks it up. Between the two shots the position of leaves and twigs around the gem changes. See more »
[Director Peter Jackson opens with the scene that should, logically, end the film: that is, the moments immediately following the murder. The girls Juliet and Pauline run screaming up the hill-path to the tea-house, sobbing and covered in blood. The scene is intercut with b&w visions of the two running across a ship deck to meet Dr. and Mrs. Hulme, whom they both refer to as their mother, as the first three exclamations of "Mummy!" demonstrate]
[...] See more »
Preceding the end credits: "In the hours following Honora's murder, a police search of the Rieper house unearthed Pauline's diaries. This resulted in her immediate arrest for the murder of her mother. Juliet was arrested and charged with murder the following day. After Pauline's arrest it was discovered that Honora and Herbert Rieper had never married. Pauline was therefore charged under her mother's maiden name of Parker. In August 1954, a plea of insanity was rejected by the jury in the Christchurch Supreme Court trial, and Pauline Parker and Juliet Hulme were found guilty of murder. Too young for the death penalty, they were sent to separate prisons to be 'Detained at Her Majesty's Pleasure.' Juliet was released in November, 1959 and immediately left New Zealand to join her mother overseas. Pauline was released two weeks later but remained in New Zealand on parole until 1965. It was a condition of their release that they never meet again." See more »
Based on a true story that took place in New Zealand in the mid-1950s, "Heavenly Creatures" is one of those films that seems tame at first glance, but is full of explosive devices. Co-writer/director Peter Jackson (of "The Lord of the Rings" fame) crafts a highly-disturbing motion picture about two teenaged girls (Melanie Lynsky and Kate Winslet, in the role that put her on the cinematic map) who have a highly potent relationship that is based on their love for literature and their love for a conjured-up fantasy world. Their intense friendship borders the line on a deep obsession as the two become inseparable. Their parents believe that lesbianism may be part of the partnership. Even though there are dream sequences and undertones aplenty to point to that, the girls' friendship does not go that way in real life. As others try to separate them for good, the girls come up with a devious plan to destroy who they feel is the major culprit (Lynskey's mother, played by Kirsti Ferry). The movie goes into a dark place and its somewhat sweet candy-coating tries to hide the fact that this was a truly major incident in a time and place where things like this just did not occur. Jackson was going for something like Peter Weir's equally disturbing "Picnic at Hanging Rock", but ends up creating a film that runs rings around that disappointing work. Jackson's smart direction just enhances a really intelligent Oscar-nominated screenplay. Kate Winslet does truly steal the show from Lynskey who was meant to be the real focal point of the production. A good film that would lead to even better works for the major players involved. 4 stars out of 5.
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