On her deathbed, a mother makes her son promise never to get married, which scars him with psychological blocks to a commitment with his girlfriend. They finally decide to tie the knot in ... See full summary »
Sarah Jessica Parker
When Andrew Sterling, a successful black urbanite writer buys a vacation home on a resort in New England the police mistake him for a burglar. After surrounding his home with armed men, ... See full summary »
E. Max Frye
Samuel L. Jackson,
1936, Italian army is invading Ethiopia. Lieutenant Silvestri suffering toothache decides to reach the nearest camp hospital. But the lorry has an accident and stop near a rock, so ... See full summary »
After he accidentally kills his father, Mike, during a sting, Joe tries to carry out Mike's dying wish by recovering valuables that Mike's twin brother Lou stole from him years earlier. But... See full summary »
Bored with her marriage to burnt out poet turned corporate executive Thierry, Zandalee falls prey to an old friend of her husband, the manipulative and egotistical Johhny and becomes ... See full summary »
Doug is a Secret Service Agent who has just completed his stint in charge protecting Tess Carlisle, widow of a former U.S. President, and close personal friend of the President. He finds that she has requested that he not be rotated but instead return to be her permanent detail. Doug is crushed. He wants off her detail. She is very difficult to guard and makes her detail crazy with her whims and demands. Doug returns with no idea of how to continue dealing with her. Written by
John Vogel <email@example.com>
When Chesnik is grilling Earl about the location of Mrs. Carlisle he shoots one of his toes. He begins counting down to shoot the next and cocks his revolver but does not shoot. When he asks Earl "An abandoned farmhouse? I don't think so!", flashing the gun in Earl's face. It is uncocked. See more »
[standing next to him]
Where is she Earl?
[dismissively, sitting the hospital bed]
Speak to my lawyer Agent... Agent Dougie.
See more »
Ich Gehe, Doch Rate Ich Dir
from Die Entführung aus dem Serail
Composed by Wolfgang Amadeus Mozart
Performed by Weiner Symphoniker, Bruno Weil
Güther Missenhardt, Elzbieta Szmytka
Courtesy of Sony Classical
By Arrangement with Sony Music Licensing See more »
Like the earlier poster, the key in it is the scene in the bar. Prior to it Tess's son came to see her on Christmas Day, only because his probably shady business partners wanted to use her name on their project (which is doubtless the only reason they brought him on board). She smells a rat and refuses. She is forcibly confronted with the fact that she cannot trust her own son and aside from his occasional need to use her for his own financial advantage, they have no relationship (I guess it is hard to avoid feeling like an underachiever if you are the son of a president. Especially when you go through life trading on your last name the way I suspect Tess's son has. I loved the disappointment welling up in Tess's face as her son continued his obviously planned pitch. He had only come because he wanted something. She knew some scam, some manipulation was coming.).
In the bar with Chesnic, Tess acknowledges that she hasn't been much of a mother and because of this she is all alone. She asks Doug about himself, gently bringing up a very brief marriage on his file.
He simply, sadly says, "Everybody but me could see what she was really like."
You conjure up a vista of someone who is a guardian, a protector, trying to be a knight in shining armor to someone who had no wish to be saved. These characters have such depth that in one line you see a whole other very plausible side to his character; a disastrous love life driven by his need to find basket cases to 'save'. Both Tess and Doug have failed, made mistakes at the fundamental relationships of their lives and their loneliness pulls them together.
It is pleasant to see Nicholas Cage understated.
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