It is a satire about life in Cuba. The members of a funeral procession and some truckdrivers who have to take the same route begin to talk about god and the world ending up in discovering ... See full summary »
A scientist invents a potion that allows vampires to be able to live under the rays of the sun. When the word gets out to the vampires of the world, they fly to Cuba to gain control of the ... See full summary »
In a tale akin to Romeo and Juliet, the friendship between two children is threatened by their parents' differences. Malu is from an upper-class family and her single mother does not want ... See full summary »
Juan Carlos Cremata Malberti,
Iraida Malberti Cabrera
Malú Tarrau Broche,
Luisa María Jiménez Rodríquez
Over several years, we follow three households and their emotions in a barrio of Havana. Magalis is a nurse, rarely happy. An older man, Ignacio, professes his love for her; her father and ... See full summary »
Als Fidel Castro in Kuba die Macht übernimmt,zittern die Reichen. Familie Orozco versucht panisch,ihren Besitz zu retten. Kaum ist Hab und Gut zu Geld gemacht,läßt die Regierung neue ... See full summary »
Tomás Gutiérrez Alea
This Oscar nominated film is the story of two men who are opposites, one gay, the other straight, one a fierce communist, the other a fierce individualist, one suspicious, the other accepting, and how they come to love each other.
Tomás Gutiérrez Alea,
Juan Carlos Tabío
In a poor rural Cuban town, Bernardo's large extended family can just make ends meet. Then they learn about a trial to distribute among the many bearers of their name the proceeds of a ... See full summary »
Juan Carlos Tabío
It is a satire about life in Cuba. The members of a funeral procession and some truckdrivers who have to take the same route begin to talk about god and the world ending up in discovering that life for both groups has many similarities as well as a lot of differences depending on the point of view. Written by
The movie seems ambitious in its elements - a satire of bureaucratic Cuba (via the red tape associated with cross-country funeral delivery arrangements), frequent broad comedy (mainly in the truck driver's entanglements with his various women), much romantic wistfulness as the old man deals with a life largely wasted through lack of courage and Gina realizes the aridity of her marriage to Alonzo, within which her own creativity is stifled; the economic and cultural diversity of Cuba sketched in bits and pieces along the way. As executed, the overall framework for all of this - that of a loosely structured road movie - sets the tone more fully than might have been advisable: the rhythm reflects the leisurely procession along the road and the jauntily resigned renditions of the title song, which makes for good but not very provocative entertainment. The film seems to look back more than forward, with a pervasive sense of quiet nostalgia and regret about it, although there's also a gentle postivism that things can be overcome (with no thanks to the political infrastructure, it subtly suggests).
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