It is a satire about life in Cuba. The members of a funeral procession and some truckdrivers who have to take the same route begin to talk about god and the world ending up in discovering ... See full summary »
Als Fidel Castro in Kuba die Macht übernimmt,zittern die Reichen. Familie Orozco versucht panisch,ihren Besitz zu retten. Kaum ist Hab und Gut zu Geld gemacht,läßt die Regierung neue ... See full summary »
Tomás Gutiérrez Alea
Matanzas, Cuba, 1913. Two young people who are in love communicate through letters written by penman. When the young man leaves town, to become a pilot, the girl discovers she is really in ... See full summary »
Tomás Gutiérrez Alea
Ivonne López Arenal,
After a violent storm, Ali awakens on a deserted beach, sick and disoriented. They'll be looking for him and he must keep moving. Ivan, a local Cuban, takes Ali to the apartment of his ... See full summary »
Three characters in present-day Havana must choose between clinging to their self-restricting beliefs, or getting rid of them to live more freely. Ballerina Mariana has promised God ... See full summary »
When her country is taken over by socialist revolutionaries, a wealthy woman can't bear to give up all of her wealth and possessions to the new government, so she hides all of her treasures... See full summary »
Tomás Gutiérrez Alea
In Havana, a post office branch is more than a place of bureaucratic rules and regulations to ensure effective public services. This is where Carla Perez works. A young dreamer, this ... See full summary »
A young girl's academic asperation conflict with her family's struggle against poverty. Both these aspects are made all the more potent by the clear view they have of Ernest Hemingway's mansion in their home town just outside Havana.
In a poor rural Cuban town, Bernardo's large extended family can just make ends meet. Then they learn about a trial to distribute among the many bearers of their name the proceeds of a ... See full summary »
Juan Carlos Tabío
It is a satire about life in Cuba. The members of a funeral procession and some truckdrivers who have to take the same route begin to talk about god and the world ending up in discovering that life for both groups has many similarities as well as a lot of differences depending on the point of view. Written by
Guantanamera, a Cuban light drama by accomplished director Tomas Gutierrez Alea (1928-1996), is a tropical road movie. The setting is the 1990s, following withdrawal of USSR support for its little-brother Communist regime. A woman dies, some distance removed from Havana, and the goal is to transport her to the capital for burial. A tiny entourage of family accompanies the hearse.
Some snippets, though not central to the plot: How do government-run funeral homes work exactly, in a Communist country? Well, first, there is a per-person quota of refreshments for the bereaved and acquaintances who are paying last respects. But doesn't this attract inauthentic freeloaders? Second, there is a scene involving a meeting of regional mortuary-manager bureaucrats. If travel expenses for hearse trips are allocated according to the relative mileage of the territories through which vehicles traipse, the funeral home functionary in a crossroads region takes more than her share of budgetary hits. Is that fair? Third, there is the question of why the burial in Havana in the first place. If everybody and everywhere in Cuba are socialistically equal, what's wrong with the deceased staying put where she was? Meanwhile, we also have organized hitchhiking. Officials have the power to commandeer vacant seats from those who have for those who need.
There is some Latino romance, and some lightly subversive free enterprise. All in all, a likable movie. Mirta Ibarra, who starred twelve years earlier in Alea's 1983 film, Up To a Certain Point, gets an encore. She plays the niece of the deceased, who is also the wife of the over-serious Daniel Ortega-looking official who's in charge of the expedition.
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