IMDb > A Great Day in Harlem (1994)

A Great Day in Harlem (1994) More at IMDbPro »

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Overview

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7.3/10   317 votes »
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Release Date:
24 February 1995 (USA) See more »
Genre:
Plot:
Art Kane, now deceased, coordinated a group photograph of all the top jazz musicians in NYC in the year 1958... See more » | Add synopsis »
Awards:
Nominated for Oscar. Another 1 win See more »
User Reviews:
Best documentary about jazz ever See more (6 total) »

Cast

  (in credits order) (complete, awaiting verification)

Quincy Jones ... Himself / Narrator
Dizzy Gillespie ... Himself

Sonny Rollins ... Himself
Buck Clayton ... Himself
Art Blakey ... Himself
Hank Jones ... Himself
Art Farmer ... Himself
Johnny Griffin ... Himself
Milt Hinton ... Himself
Chubby Jackson ... Himself
Scoville Browne ... Himself
Felix Maxwell ... Himself
Paula Morris ... Herself
Taft Jordan Jr. ... Himself
Everard Powell ... Himself
Marian McPartland ... Herself
Bud Freeman ... Himself
Max Kaminsky ... Himself
Eddie Locke ... Himself
Gerry Mulligan ... Himself
Benny Golson ... Himself
Ernie Wilkins ... Himself
Elaine Lorillard ... Herself
Nat Hentoff ... Himself
Mona Hinton ... Herself
Robert Altschuler ... Himself
Mike Lipskin ... Himself
Steve Frankfurt ... Himself
rest of cast listed alphabetically:
Horace Silver ... Himself
Henry 'Red' Allen ... Himself (archive footage) (uncredited)
Count Basie ... Himself (archive footage) (uncredited)

Robert Benton ... Himself (uncredited)
Vic Dickenson ... Himself (archive footage) (uncredited)
Roy Eldridge ... Himself (archive footage) (uncredited)
Sonny Greer ... Himself (archive footage) (uncredited)

Coleman Hawkins ... Himself (archive footage) (uncredited)
Jo Jones ... Himself (archive footage) (uncredited)
Gene Krupa ... Himself (archive footage) (uncredited)
Charles Mingus ... Himself (archive footage) (uncredited)
Thelonious Monk ... Himself (archive footage) (uncredited)
Jimmy Rushing ... Himself (archive footage) (uncredited)
Pee Wee Russell ... Himself (archive footage) (uncredited)
Zutty Singleton ... Himself (archive footage) (uncredited)
Stuffy Smith ... Himself (archive footage) (uncredited)
Willie 'The Lion' Smith ... Himself (archive footage) (uncredited)
Rex Stewart ... Himself (archive footage) (uncredited)
Maxine Sullivan ... Herself (archive footage) (uncredited)
Lester Young ... Himself (archive footage) (uncredited)
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Directed by
Jean Bach 
 
Writing credits
(in alphabetical order)
Jean Bach 
Susan Peehl 
Matthew Seig 

Produced by
Terrell Braly .... executive producer
Stuart Samuels .... associate producer
Matthew Seig .... co-producer
 
Cinematography by
Steve Petropoulos 
 
Film Editing by
Susan Peehl 
 
Sound Department
Judy Benjamin .... sound recordist
Chris Burke .... sound effects
Neal Gettinger .... sound recordist (as Neil Gettinger)
Steven Hertzog .... sound recordist
Jerry Stein .... sound mixer
Roy B. Yokelson .... post-production sound
 
Camera and Electrical Department
Del Hall .... additional cinematographer
Ralph Pitre .... animation camera operator
 
Animation Department
Michael Bianchi .... animator: title animation
 
Editorial Department
Phil Fallo .... on-line editor
 
Music Department
Rick Eisenstein .... music clearances
Johnny Mandel .... music consultant
 
Other crew
Mark Cantor .... archival consultant
Andreas Combuchen .... title designer
Milt Hinton .... source: original 8 mm film
Mona Hinton .... source: original 8 mm film
 

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Additional Details

Runtime:
60 min
Country:
Language:
Sound Mix:
Certification:

Did You Know?

Movie Connections:
Referenced in The Terminal (2004)See more »

FAQ

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4 out of 5 people found the following review useful.
Best documentary about jazz ever, 12 March 2006
Author: michael-1012 from United States

The best documentary about jazz ever. If you want to know what jazz performers are like, you will learn more from this one hour film than all the hours of Ken Burns' documentary put together. It makes Burns' film insignificant by comparison. Jazz performers shine in this work because Jean Bach is such a skillful interviewer. You can tell the musicians all like her, and since they are always shown talking to the camera, not to her, it comes across as if they all like you, too, the viewer. The film makes you feel very privileged. I own this film and I watch it over and over and never get tired of it. Who could get tired of hanging out for an hour with Dizzy Gillespie, Sonny Rollins, Bud Freeman, Art Farmer, etc. and listening to the excellent narration of Quicy Jones?

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