| Photos (See all 26 | slideshow) | Videos (see all 2) |
| Alec Baldwin | ... | Carter 'Doc' McCoy | |
| Kim Basinger | ... | Carol McCoy | |
| Michael Madsen | ... | Rudy Travis | |
| James Woods | ... | Jack Benyon | |
| David Morse | ... | Jim Deer Jackson | |
| Jennifer Tilly | ... | Fran Carvey | |
| James Stephens | ... | Harold Carvey, DVM | |
| Richard Farnsworth | ... | Slim | |
| Philip Seymour Hoffman | ... | Frank Hansen (as Philip Hoffman) | |
| Burton Gilliam | ... | Gollie | |
| Royce D. Applegate | ... | Gun Shop Salesman | |
| Daniel Villarreal | ... | Luis Mendoza | |
| Scott McKenna | ... | Red Shirt | |
| Alex Colon | ... | Ramon | |
| Justin Williams | ... | Soldier | |
| Peppi Sanders | ... | Bookkeeper | |
| Jo Ann Soto | ... | Woman on Train | |
| Louis Martinez | ... | Train Station Cop | |
| Boots Southerland | ... | Cab Driver | |
| Maurice Orozco | ... | Jose, Customs Official | |
| George Dobbs | ... | City Jail Guard | |
| Kenny Endoso | ... | Sheriff's Van Driver | |
| Don Pulford | ... | Guard in Counting Room | |
| Rick Taylor | ... | Ralph E. Hall | |
| Phil Allen | ... | Newscaster #1 | |
| Bill Mosley | ... | Newscaster #2 | |
| Debbie Dedo | ... | Newscaster #3 | |
| Gary Kirk | ... | Policeman | |
| J.W. 'Corkey' Fornof | ... | Pilot (as J.W. 'Corky' Fornof) | |
| Peter Donaldson | ... | Boy in Cafe | |
| Michele Hawk | ... | Waitress | |
| Sammy Hernandez | ... | Bartender | |
| rest of cast listed alphabetically: | |||
| Kacee DeMasi | ... | Horse Trainer (uncredited) | |
| Lee Hollingsworth | ... | Police Officer (uncredited) | |
| Bob Huff | ... | Racetrack Patron (uncredited) | |
| Elaine Huff | ... | Racetrack Patron (uncredited) | |
| Elske McCain | ... | Driver (uncredited) | |
| Robert Sucato | ... | Bar Patron (uncredited) | |
| Tracy Sucato | ... | Racetrack Patron (uncredited) | |
Directed by | |||
| Roger Donaldson | |||
Writing credits(WGA) | ||
| Jim Thompson | (novel) | |
| Walter Hill | (screenplay) and | |
| Amy Holden Jones | (screenplay) (as Amy Jones) | |
Produced by | |||
| David Foster | .... | producer | |
| John Alan Simon | .... | producer | |
| Lawrence Turman | .... | producer | |
| Marilyn Vance | .... | associate producer | |
Original Music by | |||
| Mark Isham | |||
Cinematography by | |||
| Peter Menzies Jr. | (director of photography) | ||
Film Editing by | |||
| Conrad Buff IV | (as Conrad Buff) | ||
Casting by | |||
| Allison Cowitt | |||
| Mike Fenton | |||
Production Design by | |||
| Joseph C. Nemec III | (as Joseph Nemec III) | ||
Art Direction by | |||
| Dan Olexiewicz | |||
Set Decoration by | |||
| R.W. 'Inke' Intlekofer | |||
Costume Design by | |||
| Marilyn Vance | |||
Production Management | |||
| Jack Roe | .... | unit production manager | |
Art Department | |||
| Steve Callas | .... | construction coordinator | |
| Mickey Cruz | .... | plaster foreman | |
| David Scott Gagnon | .... | assistant property master | |
| Gordon Huggins | .... | painter | |
| Larry D. Koszakovszky | .... | set dresser | |
| William J. Law III | .... | set designer (as Wm.J. Law III) | |
| John Mann | .... | storyboard artist | |
| Syd Moore | .... | set dresser | |
| Herb Morris | .... | set dresser | |
| Peggy Parker | .... | property master | |
| Vlad Pelinovschi | .... | labor foreman | |
| Michael J. Ray | .... | lead man | |
| Michael Schmidt | .... | lead man (as Mike Schmidt) | |
| William Solomon | .... | painter | |
| Kimberly A. Street-Lennon | .... | prop assistant (as Kim Street Lennon) | |
| Robert Webb | .... | construction foreman | |
| Mike Wells | .... | general foreman | |
| Christopher Woodworth | .... | paint supervisor | |
| Christopher Woodworth | .... | scenic supervisor | |
| Samuel Hughes | .... | carpenter (uncredited) | |
Special Effects by | |||
| Phil Cory | .... | special effects | |
| Steve Galich | .... | special effects | |
| Rocky Gehr | .... | special effects | |
| Ray Svedin | .... | special effects foreman | |
Stunts | |||
| Pete Antico | .... | stunts | |
| Chick Bernhardt | .... | stunt driver | |
| Charlie Brewer | .... | stunt double | |
| Tori Bridges | .... | stunt performer | |
| William H. Burton Jr. | .... | stunts | |
| Bill Catching | .... | stunts (as J.P. Bill Catching) | |
| Tommy J. Huff | .... | stunts (as Tom Huff) | |
| Tracy Keehn-Dashnaw | .... | stunt double: Kim Basinger (as Tracy Dashnaw) | |
| Steven Lambert | .... | stunts (as Steve Lambert) | |
| Ray Lykins | .... | assistant stunt coordinator | |
| Ray Lykins | .... | stunt double: Michael Madsen | |
| Gar Stephen | .... | stunts | |
| Gary Tacon | .... | stunts | |
| Amy Stephen Wilder | .... | stunts (as Amy Wilder) | |
| Glenn R. Wilder | .... | stunt coordinator | |
| Rodd Wolff | .... | stunts | |
| Jimmy Ortega | .... | stunts (uncredited) | |
Casting Department | |||
| Julie Ashton | .... | casting assistant | |
| Ross Corsair | .... | casting assistant | |
| Rachel Davies | .... | casting assistant | |
| Colleen Gardiner | .... | extras casting (as Coleen Gardiner) | |
| Barbara Harris | .... | adr voice casting | |
| Anita Olivar | .... | extras casting | |
| Judy Young | .... | extras casting | |
Costume and Wardrobe Department | |||
| Myron Baker | .... | costumer: Mr. Baldwin | |
| Wingate Jones | .... | costumer | |
| Daniel J. Lester | .... | associate costume designer (as Dan Lester) | |
| Lisa Lovaas | .... | costume supervisor | |
| Donna O'Neal | .... | costumer: Ms. Basinger (as Donna D. O'Neal) | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| Phil Hetos | .... | color timer | |
| Joel Negron | .... | assistant editor | |
| Tom Nelson | .... | assistant editor | |
| Clarinda Wong | .... | assistant editor | |
Music Department | |||
| Danny Bramson | .... | music supervisor | |
| Sandy DeCrescent | .... | orchestra contractor | |
| Alex Gibson | .... | music editor | |
| Gary Jones | .... | music coordinator | |
| Stephen Krause | .... | scoring mixer | |
| Ken Kugler | .... | conductor | |
| Ken Kugler | .... | orchestrator | |
| Craig Pettigrew | .... | music editor | |
| James Thatcher | .... | musician: french horn | |
| Seth Wittner | .... | music proof reader (uncredited) | |
Transportation Department | |||
| Tim Abbatoye | .... | driver | |
| Fritz Braden | .... | transportation coordinator | |
| Michael W. Broomer | .... | driver | |
| Pat Carman | .... | picture vehicle coordinator | |
| Martin Coblenz | .... | transportation captain | |
| Mike Shannon | .... | picture vehicle captain | |
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| The Getaway | Blood In, Blood Out | Reindeer Games | Layer Cake | Body Heat |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
Roger Donaldson's remake of Sam Peckinpah's 1972 gangster movie classic "The Getaway" is alright, but cannot - as many remakes - reach the power, humor and style of the original version. There are some plus points - the bloody and lengthened showdown in the hotel at the end tries to overpower the impact of the original version, and it works.
There are some good supporting roles from James Woods and Michael Madsen (with dreadful hair style that belongs rather into an Ace Ventura or Wayne's World movie). The plot, even many story details, are just repetitions of the Peckinpah movie, but the tempo of the film is okay as well.
Otherwise there are also too many low points: the score is boring and can't compete with Quincy Jones' original jazz funk fusion grooves. The photography is to clean despite all the Mexican dust and sometimes too MTV style and without the dirty atmosphere that was typical for many Peckinpah movies.
Kim Basinger is alright in the Ali McGraw role, but Alec Baldwin is trying too hard to copy an image of Steve McQueen which isn't working at all. The dialogues aren't as witty as with McQueen and McGraw, and Donaldson would have done a far better job if he could have managed to give an individual life to this picture instead of just doing a 1994 techno grunge remix of an early seventies classic.
Anyway, if you like to watch an entertaining contemporary gangster and road movie, the 1993 version of "The Getaway" is still fun to watch. But if you have the choice to take the original VHS or DVD, skip the remake.