Doc McCoy is put in prison because his partners chickened out and flew off without him after exchanging a prisoner with a lot of money. Doc knows Jack Benyon, a rich "business"-man, is up ... See full summary »
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hardened criminal Maggie Hayward's consistence violence, even in police custody, ends in the execution chamber. However, top-secret US government agency official 'Bob' arranges a staged ... See full summary »
A man is discovered breaking into his own jewelery shop in the dead of night. Questioned closely, it is learnt that his wife is being held hostage by an extortionist who demands the ... See full summary »
Doc McCoy is put in prison because his partners chickened out and flew off without him after exchanging a prisoner with a lot of money. Doc knows Jack Benyon, a rich "business"-man, is up to something big, so he tells his wife (Carol McCoy) to tell him that he's for sale if Benyon can get him out of prison. Benyon pulls some strings and Doc McCoy is released again. Unfortunately he has to cooperate with the same person that got him to prison. Written by
Lars J. Aas <firstname.lastname@example.org>
Roger Donaldson's remake of Sam Peckinpah's 1972 gangster movie classic "The Getaway" is alright, but cannot - as many remakes - reach the power, humor and style of the original version. There are some plus points - the bloody and lengthened showdown in the hotel at the end tries to overpower the impact of the original version, and it works.
There are some good supporting roles from James Woods and Michael Madsen (with dreadful hair style that belongs rather into an Ace Ventura or Wayne's World movie). The plot, even many story details, are just repetitions of the Peckinpah movie, but the tempo of the film is okay as well.
Otherwise there are also too many low points: the score is boring and can't compete with Quincy Jones' original jazz funk fusion grooves. The photography is to clean despite all the Mexican dust and sometimes too MTV style and without the dirty atmosphere that was typical for many Peckinpah movies.
Kim Basinger is alright in the Ali McGraw role, but Alec Baldwin is trying too hard to copy an image of Steve McQueen which isn't working at all. The dialogues aren't as witty as with McQueen and McGraw, and Donaldson would have done a far better job if he could have managed to give an individual life to this picture instead of just doing a 1994 techno grunge remix of an early seventies classic.
Anyway, if you like to watch an entertaining contemporary gangster and road movie, the 1993 version of "The Getaway" is still fun to watch. But if you have the choice to take the original VHS or DVD, skip the remake.
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