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Genesis: The Creation and the Flood (1994)
"Genesi: La creazione e il diluvio" (original title)

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Ratings: 5.3/10 from 186 users  
Reviews: 8 user | 1 critic

An all-enveloping darkness. Suddenly, a child's voice, frightened, questioning, pierces the darkness... The first flickering rays of light begin to sculpt mysterious shapes out of the ... See full summary »

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Title: Genesis: The Creation and the Flood (1994)

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Cast

Credited cast:
Annabi Abdelialil ...
Omero Antonutti ...
Sabir Aziz ...
B. Haddan Mohammed ...
...
(voice)
Haddou Zoubida ...
Eve
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An all-enveloping darkness. Suddenly, a child's voice, frightened, questioning, pierces the darkness... The first flickering rays of light begin to sculpt mysterious shapes out of the darkness ... Among them, a very old man. He reassures the child, exhorting him to see the wonders of the earth. And it is with this child's eyes that we will witness the creation of the world. Nature comes to life at the first light of dawn, recreating the seven days of the Creation. Adam appears, and is soon joined by Eve. Paradise could be theirs, but as time goes by, they grow restless, inquisitive... They approach the Tree of Knowledge - and discover pain, suffering and mortality. Their sons Cain and Abel play out a story that will continue to darken the Creation until the end of time. And angered by the corruption of Cain's progeny, by the lust and greed ruling the cities, God vows to wipe away his creatures and begin anew. With Noah and his family. The ark is built, the animals led into their pens,... Written by Anonymous

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noah | animal | old man | noah's ark | ship | See more »


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16 September 1994 (Italy)  »

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User Reviews

Hand-led by Noah.
16 May 2004 | by (United States) – See all my reviews

I was very moved by the images in this lyric evocation of the Book of Genesis by the great Italian director Ermanno Olmi, whose TREE OF WOODEN CLOGS is one of my favorite films of all time.

Through a series of painterly images, and the calming, soothing narration of Omero Antonutti (Paul Scofield in the English version,) we are hand-led from the creation of man (in simple, elemental, but effective brush-strokes) to the fall of man, to what constitutes the longest segment of the film, Noah's construction of the ark, and the first of mankind's redemptions. Omero Antonutti plays the old man, the prophet-vessel of God himself as his boat is the vessel of a new humanity. The loading of the animals, the sense among Noah's extended family during the voyage that they are part of something greater than themselves, the dove at Ararat with the olive branch in its mouth, the vista of a subsiding ocean, all create, with the simplest of means, an impression that can be sublimely moving. And we ask ourselves why. What special gift can make a film director convert images, words, and sounds into the sacramental?

The music and musical selections by Ennio Morricone (with a great deal of Bulgarian women's chants incorporated) create a haunting impression as well. One does not have to be a great believer or even a believer at all, to be swayed by this work of wondrous poetry.


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