When Max Taylor wins the ancestral home of Callum Chance in a game of Poker, little does he realise that the game is far from over... One by one, Max's family are murdered by the Funny Man,... See full summary »
A masked killer, wearing World War II U.S. Army fatigues, stalks a small New Jersey town bent on reliving a 35-year-old double murder by focusing on a group of college kids holding an annual Spring Dance.
A psychopath, troubled by his childhood abuse, loose in New York City, kills young women and takes their scalps as his trophies. Will he find the perfect woman in a photographer, and end his killing spree?
When Max Taylor wins the ancestral home of Callum Chance in a game of Poker, little does he realise that the game is far from over... One by one, Max's family are murdered by the Funny Man, a demonic jester with a varied and imaginative repertoire of homicidal techniques and an irreverent sense of humour. Meanwhile, Max's brother is on his way to the mansion with a bunch on hitchhikers who will be lucky to survive the night. Written by
When the wheel of fortune spins, an ancient game of chance begins, but who could know or guess the rules, adrift upon the ship of fools.
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During the credits a song called "Funny man" is played, The Funny Man talks over the top of this song telling the audiance to sing amongst other things. After the credits finish we see Funny Man standing in a garden. He looks at the camera and says "No rest for the wicked!" he then walks off camera. See more »
"Funny Man" is most likely an abhorrent oddity to the more serious & 'intelligent' horror fan amongst the audience and pretty much a fun ride to those who enjoy a loose horror cannon with blood fodder every now and then. It's like Ken Russell's "Gothic" meets "Spookies" on acid without the monsters but with gore and a villain that's a cross between Leprechaun or Rumpelstiltskin (just pick your favorite ) and Freddy Krueger. Virtually no plot, but rather a rigging together of insane gags, with a few effectively gory bits thrown in the mix that would have been very suitable in early Peter Jackson/Sam Raimi movies. So, you may take that as a compliment. Obviously, the absurd - and often pretty dumb - humor is something you'll have to tolerate. Either you fly with it, or you'll get annoyed by it. Christopher Lee makes a cameo appearance that feels much like just a narrator's part in the wraparound story of some B-horror anthology film. And as nothing more than a cameo, his contribution oddly enough works like a silly charm, almost. Because, well, "Funny Man" is a British nonsensical B-horror flick made with enthusiasm, a fair amount of creativity and perfectly acceptable little rippings-off left & right. It's all not to be taken seriously at all. If you do, you're on the wrong track.
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