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Fresh (1994)

 -  Crime | Drama | Thriller  -  24 August 1994 (USA)
7.7
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Ratings: 7.7/10 from 8,076 users  
Reviews: 57 user | 27 critic

Michael (or Fresh as he's well known) is a 12-year-old drug pusher who lives in a crowded housing project with his cousins and aunt. His father has become a street bum, but still meets with... See full summary »

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Title: Fresh (1994)

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4 wins & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
Sam
...
Ron Brice ...
Corky
Jean-Claude La Marre ...
Jake (as Jean LaMarre)
...
Luis Lantigua ...
Chuckie
...
Chillie
Cheryl Freeman ...
Aunt Frances
Anthony Thomas ...
Red
Curtis McClarin ...
Darryl (as Curtis L. McClarin)
...
Smokey
Víctor González ...
Herbie
...
Spike
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Storyline

Michael (or Fresh as he's well known) is a 12-year-old drug pusher who lives in a crowded housing project with his cousins and aunt. His father has become a street bum, but still meets with Fresh on occasion to play chess. Fresh is rather quiet in a crazy world. Fresh's sister is a junkie who sleeps with the dealers who Fresh sells for. As the story progresses Fresh realizes that he doesn't want to sell drugs anymore, he wants out. Written by ns74212@students.salisbury.edu

Plot Summary | Add Synopsis

Taglines:

In a world where criminals make the rules an innocent boy is out to beat them at their own game. See more »

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for intense, realistic depiction of urban violence, and for drug content, pervasive language, and some sexuality | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

Release Date:

24 August 1994 (USA)  »

Also Known As:

Kint az utcán  »

Box Office

Budget:

$3,500,000 (estimated)

Gross:

$8,094,616 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Goofs

In the final scene at the park, the same blonde girl walks behind Fresh twice (the first time just as he makes it to the chess table, then again once he has sat down; by then the girl, walking at an uninterrupted pace, should've been out of the shot). See more »

Quotes

Jake: [shooting people at the playground, everybody starts running] Yeah, go ahead run motherfuckers, *run*! You punk pussy-ass motherfuckers. That's right, go tell somebody you saw something, I'll come back for all you monkey motherfuckers! You pussy-ass punks!
See more »

Connections

References The Wizard of Oz (1939) See more »

Soundtracks

Ah-Vah
Written by Aida Periera
Published by Full Keel Music Co. (ASCAP)
Performed by Tito Punete Orchestra
Courtesy of GNP Crescendo Records Co., Inc.
See more »

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User Reviews

A movie to make your jaw drop open
4 August 1999 | by (NAS Whidbey Island, WA) – See all my reviews

Now I have witnessed the third truly great film to have come out of America in 1994. One that can hold its own, and more, against such films released that year as "Pulp Fiction," "Natural Born Killers," and "Vanya on 42nd Street." It's called "Fresh," and I'll go out on a limb to say it's as powerful an urban drama as any other I've seen in my life.

There are no fancy cinematic magic tricks going on in this film, aside from an instance of superimposed images that is so simple it almost seems like a throwback to old silent dramas. There are no choreographed gun fights, no switching film stocks to produce psychedelic effects, nothing like that. Not to say that these things cannot be used appropriately and judiciously to enhance the effect of a particular film, but "Fresh" is stripped bare, and must depend on its performances, direction, and writing alone.

For starters, a young Sean Nelson delivers a performance that puts the lion's share of veteran actors to shame. He's completely lacking in self-consciousness, almost like he's unaware that the camera is on him for nine out of ten of the shots in "Fresh." His character, for which the film takes its title, may be the smartest youth in motion picture history for whom genius is not a gimmick or a joke (i.e. "Good Will Hunting," "Real Genius," stuff like that). Watching him, you see a wise old actor in a teen's body; he does not "act" any emotions or thoughts, but merely feels them and thinks them. He seems to embody bits of screen legend: a little Bogart stalwartness there, some of Jimmy Stewart's quiet charm here, and most of all Morgan Freeman's ability to communicate much while doing or saying very little.

That'd be just enough for most movies, but Nelson is backed by a choice supporting cast: the two most recognizable names are obviously Samuel L. Jackson (Fresh's chessmaster/alcoholic father) and Giancarlo Esposito (the slimy, high-living drug dealer Esteban), and both are perfect in award-caliber performances. Two lesser known actors, N'Bushe Wright (Fresh's junkie sister Nichole) and Jean LaMare (as Jake, the hot tempered low-man-on-the-totem-pole employee of Corky) are also terrific in key roles.

The screenplay, by director Boaz Yakin, is doggedly unpredictable, but in retrospect it all makes perfect sense -- nothing in the movie pushes the bounds of credibility. I've seen truckloads of thrillers, most of them are wearily proficient at making you guess what's next. None but a few, however, kept me guessing WHEN to guess, or surprised me with such affecting emotional developments. None but a few moved along with such self-assured grace and style. "Fresh" knows its territory, the time and place it's set in, and it provides characters who talk like they do in real life -- not ones that sound like they're in a movie where they talk like they do in real life.

The use of violence is admirably restrained. Most of it takes place off camera, silhouetted, or cut away from quickly. The two scenes of bloodletting, when they are shown to us, are literally heartbreaking. Not only does "Fresh" keep us off guard on a psychological level, but on an emotional one as well, something few films ever think of doing.

If I were to offer one criticism, it would be that the chess metaphor was pressed just a bit too hard by Yakin (though the final scene is devastating): we already know that this kid is thinking like a master strategist, we don't need quite so many shots of him playing the game in his room. That's a small quibble, though, because the chess metaphor is entirely appropriate, and Jackson's early speech about the game is an ingenious device.


36 of 40 people found this review helpful.  Was this review helpful to you?

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