Michael (or Fresh as he's well known) is a 12-year-old drug pusher who lives in a crowded housing project with his cousins and aunt. His father has become a street bum, but still meets with... See full summary »
The Serengeti is a huge area of grassland in Tanzania, Africa. Once a year, in the time of drought, about two million herd animals like antelopes travel north to feed and mate before moving... See full summary »
Häjyt tells a story of two friends who have a hard time finding their place in the society. Antti and Jussi are released from jail. While they were doing time for bank robbery, the third ... See full summary »
Michael (or Fresh as he's well known) is a 12-year-old drug pusher who lives in a crowded housing project with his cousins and aunt. His father has become a street bum, but still meets with Fresh on occasion to play chess. Fresh is rather quiet in a crazy world. Fresh's sister is a junkie who sleeps with the dealers who Fresh sells for. As the story progresses Fresh realizes that he doesn't want to sell drugs anymore, he wants out. Written by
In the final scene at the park, the same blonde girl walks behind Fresh twice (the first time just as he makes it to the chess table, then again once he has sat down; by then the girl, walking at an uninterrupted pace, should've been out of the shot). See more »
Don't Aunt Frances think you ain't nothing. She think you're something.
Aunt Frances is a fuckin' saint. Aunt Frances loves every damn dog on the street the same as she loves me. Ain't no shit to be loved by no fuckin' saint.
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Written by Hathaway & Hutson
Published by Peer International Corp./Don Pow Music
Performed by Johnny Gill
Produced by Chuckii Booker for Big Dog Productions
Courtesy of Motown Records See more »
This is simply an incredible film. Deeply thought provoking, it is not for those of you who like your films to have guns, sex and violence. This is NOT a typical 'hood' film - there are no banging hiphop beats, no flash cars, and no cheesy action scenes.
It tells the story of a clever 12 year old brought up in a culture of danger, mistrust and urban decay. Sean Nelson displays a maturity which would guarantee any adult actor many millions a film, and the film never wavers from the incredibly high standards set by its fabulous scripting and casting.
The storyline is oddly compelling throughout, and never veers either towards the 'nannying' line that plagues so many drugs films, or the insane satire that kills off others. It moves at a healthy, but not crazy pace, and there are some truly chilling moments, which really make you ponder over humanity's capacity for mindless violence.
This is certainly the best film I have ever had the pleasure of seeing, and I advise anyone who craves intelligent, thoughtful films to go out and buy this one.
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