Michael (or Fresh as he's well known) is a 12-year-old drug pusher who lives in a crowded housing project with his cousins and aunt. His father has become a street bum, but still meets with... See full summary »
There are still efficient ways to produce healthy fresh organic food in a time where most food is being mass produced by corporations in less than hygienic ways. Country farmers and urban farmers explain.
Ana Sofia Joanes
Ex-con attempting to go straight runs accross serious problems. His girlfriend gets arrested for dealing crack to an undercover police officer. In a desperate attempt to get the charges ... See full summary »
William James Stiggers Jr.,
Michael (or Fresh as he's well known) is a 12-year-old drug pusher who lives in a crowded housing project with his cousins and aunt. His father has become a street bum, but still meets with Fresh on occasion to play chess. Fresh is rather quiet in a crazy world. Fresh's sister is a junkie who sleeps with the dealers who Fresh sells for. As the story progresses Fresh realizes that he doesn't want to sell drugs anymore, he wants out. Written by
In the scene with Fresh and his father playing chess, right before Fresh cries, the Queen and King are set up incorrectly (interchanged) on the board. It occurs in only one shot and is all right in all the other shots. See more »
[to Red, about some guy who owes him 50 dollars]
I'ma grease that motherfucker like Sunday bacon, you hear me motherfucker? I'ma go drop that motherfucker! I'ma *drop* him, man! I'ma go *drop* him!
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Written by Hathaway & Hutson
Published by Peer International Corp./Don Pow Music
Performed by Johnny Gill
Produced by Chuckii Booker for Big Dog Productions
Courtesy of Motown Records See more »
This is simply an incredible film. Deeply thought provoking, it is not for those of you who like your films to have guns, sex and violence. This is NOT a typical 'hood' film - there are no banging hiphop beats, no flash cars, and no cheesy action scenes.
It tells the story of a clever 12 year old brought up in a culture of danger, mistrust and urban decay. Sean Nelson displays a maturity which would guarantee any adult actor many millions a film, and the film never wavers from the incredibly high standards set by its fabulous scripting and casting.
The storyline is oddly compelling throughout, and never veers either towards the 'nannying' line that plagues so many drugs films, or the insane satire that kills off others. It moves at a healthy, but not crazy pace, and there are some truly chilling moments, which really make you ponder over humanity's capacity for mindless violence.
This is certainly the best film I have ever had the pleasure of seeing, and I advise anyone who craves intelligent, thoughtful films to go out and buy this one.
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