Martin works at the local radio station, which just hired a new scriptwriter with a reputation for great drama, Pedro Carmichael. Martin's aunt Julia, not related by blood, returns home ... See full summary »
Jane and Will are familiar faces on the Los Angeles club scene. They meet officially at drug rehab after Jane OD'ed and Will crashed her motorcycle driving stoned. They hit it off ... See full summary »
Sissy Hankshaw is born with enormous thumbs that help her hitchhiking through the US from a young age. She becomes a model in advertising and her NY agent 'the Countess' sends her to his ... See full summary »
Neal Cassady is living the beat life during the 1940s, working at The Tire Yard and and philandering around town. However, he has visions of a happy life with kids and a white picket fence.... See full summary »
The story behind the rise and fall of New York's 42nd Street. The cinemas, the films, the people, the crime and the rebirth of the block as "New 42nd Street" - this is the document of the world's most notorious movie strip.
When David Sinclair, a popular and talented high school student commits suicide, his best friend Chris takes over many of his responsibilities; from the school production of "HMS Pinafore" ... See full summary »
When her great aunt dies, famous horror hostess Elvira heads for the uptight New England town Falwell to claim her inheritance of a haunted house, a witch's cookbook and a punk rock poodle.... See full summary »
Larry Flash Jenkins
A company that produces a toxic chemical tries to improve its image via a popular spokesperson, Ricky Coogan. Ricky travels to South America to get a first-hand look at the chemical's effects and finds himself at a mutant freak farm. Elijah, who runs the farm, is only too happy to have new subjects on which to try his freak machine. The very chemical that Ricky is supposed to promote is the one responsible for creating the great variety of freaks. Written by
Christine Sai-Halasz <email@example.com>
It's a very punk rock sort of film, not unlike something Alex Cox would cook up. This film is essentially an environmentally-themed comedy along the lines of THE APPLEGATES, only this movie is about toxic chemicals and not deforestation (and there is a nice bit about styrofoam). But watching this film made me a bit sad as well, because I realized that Hollywood isn't going to give people the carte blanche needed to realize unique projects like this again during this age of endless remakes and sequels to films nobody liked in the first place.
The digital effects, although over 11 years old as I write this, still look great, and the make-up, especially close to the end, is very inspired, and resembles a live-action Basil Wolverton cartoon. I am eagerly anticipating the DVD, as well as watching Alex Winter's follow-up film, FEVER.
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