Jane and Will are familiar faces on the Los Angeles club scene. They meet officially at drug rehab after Jane OD'ed and Will crashed her motorcycle driving stoned. They hit it off ... See full summary »
Martin works at the local radio station, which just hired a new scriptwriter with a reputation for great drama, Pedro Carmichael. Martin's aunt Julia, not related by blood, returns home ... See full summary »
Neal Cassady is living the beat life during the 1940s, working at The Tire Yard and and philandering around town. However, he has visions of a happy life with kids and a white picket fence.... See full summary »
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Yvonne de la Vega,
A company that produces a toxic chemical tries to improve its image via a popular spokesperson, Ricky Coogan. Ricky travels to South America to get a first-hand look at the chemical's effects and finds himself at a mutant freak farm. Elijah, who runs the farm, is only too happy to have new subjects on which to try his freak machine. The very chemical that Ricky is supposed to promote is the one responsible for creating the great variety of freaks. Written by
Christine Sai-Halasz <firstname.lastname@example.org>
I feel priveleged to have this obscure gem in my collection. A scant cruise through my grocery store video rental some six years ago had me rent two films (both with the Melissa Joan Hart-like Megan Ward, oddly enough): "PCU" and "Freaked". I enjoyed PCU, but was taken aback by the colorful crudeness of Freaked. From the opening ClayMation/Henry Rollins fusion to the numerous B cameos (find me another film with all of Brooke Shields, Morgan Fairchild *AND* Mr. T and I'll find you a kidney transplant), to the laugh-out-loud sight gags, this film is up there with the very best of 'em.
Freaked is without a drop of pretense. It offers no metaphorical politics, it doesn't use heavy music to influence your heartbeat, and unlike the ZAZ and Mel Brooks films, this one doesn't mug for the punchline. Pre-dating Trey Parker and Matt Stone, its knockdown-dragout consistency of it's joke takes you to a very satisfying end. Proud to know it'll never end up on a snobbish "Greatest Films Of All Time" list, I strongly suggest you experience this American Classic for yourself, regardless the toll it might take.
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