Martin works at the local radio station, which just hired a new scriptwriter with a reputation for great drama, Pedro Carmichael. Martin's aunt Julia, not related by blood, returns home ... See full summary »
Jane and Will are familiar faces on the Los Angeles club scene. They meet officially at drug rehab after Jane OD'ed and Will crashed her motorcycle driving stoned. They hit it off ... See full summary »
Sissy Hankshaw is born with enormous thumbs that help her hitchhiking through the US from a young age. She becomes a model in advertising and her NY agent 'the Countess' sends her to his ... See full summary »
The story behind the rise and fall of New York's 42nd Street. The cinemas, the films, the people, the crime and the rebirth of the block as "New 42nd Street" - this is the document of the world's most notorious movie strip.
Neal Cassady is living the beat life during the 1940s, working at The Tire Yard and and philandering around town. However, he has visions of a happy life with kids and a white picket fence.... See full summary »
When her great aunt dies, famous horror hostess Elvira heads for the uptight New England town Falwell to claim her inheritance of a haunted house, a witch's cookbook and a punk rock poodle.... See full summary »
Larry Flash Jenkins
Monster is a spoof of horror/monster films. After several people and a dog are found dead in their closets a "mild-mannered" reporter, a college professor, her son and a befuddled professor... See full summary »
A company that produces a toxic chemical tries to improve its image via a popular spokesperson, Ricky Coogan. Ricky travels to South America to get a first-hand look at the chemical's effects and finds himself at a mutant freak farm. Elijah, who runs the farm, is only too happy to have new subjects on which to try his freak machine. The very chemical that Ricky is supposed to promote is the one responsible for creating the great variety of freaks. Written by
Christine Sai-Halasz <firstname.lastname@example.org>
Tom Stern and Alex Winter play the two gay, yuppy-types who leave the freak show, upon hearing the disclaimer before-hand that the questionable material may not be suitable for more sensitive audience members. See more »
When the sock puppet is playing the bells at the talent show, some of the bells ring before he picks them up. See more »
Elijah C. Skuggs:
[the EES board has turned into a giant shoe; imitating Ed Sullivan]
That's a really big shoe...
See more »
I feel priveleged to have this obscure gem in my collection. A scant cruise through my grocery store video rental some six years ago had me rent two films (both with the Melissa Joan Hart-like Megan Ward, oddly enough): "PCU" and "Freaked". I enjoyed PCU, but was taken aback by the colorful crudeness of Freaked. From the opening ClayMation/Henry Rollins fusion to the numerous B cameos (find me another film with all of Brooke Shields, Morgan Fairchild *AND* Mr. T and I'll find you a kidney transplant), to the laugh-out-loud sight gags, this film is up there with the very best of 'em.
Freaked is without a drop of pretense. It offers no metaphorical politics, it doesn't use heavy music to influence your heartbeat, and unlike the ZAZ and Mel Brooks films, this one doesn't mug for the punchline. Pre-dating Trey Parker and Matt Stone, its knockdown-dragout consistency of it's joke takes you to a very satisfying end. Proud to know it'll never end up on a snobbish "Greatest Films Of All Time" list, I strongly suggest you experience this American Classic for yourself, regardless the toll it might take.
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