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Four Weddings and a Funeral (1994)

 -  Comedy | Drama | Romance  -  8 April 1994 (USA)
7.1
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Ratings: 7.1/10 from 91,995 users   Metascore: 81/100
Reviews: 188 user | 79 critic | 19 from Metacritic.com

Over the course of five social occasions, a committed bachelor must consider the notion that he may have discovered love.

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Title: Four Weddings and a Funeral (1994)

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Nominated for 2 Oscars. Another 24 wins & 18 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
...
David Bower ...
...
...
Carrie - Wedding One (as Andie Macdowell)
Timothy Walker ...
Sara Crowe ...
Ronald Herdman ...
Vicar - Wedding One
...
Laura's Mother - Wedding One
Philip Voss ...
Laura's Father - Wedding One
...
George the Boor at The Boatman - Wedding One
...
Frightful Folk Duo - Wedding One
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Storyline

The film follows the fortunes of Charles and his friends as they wonder if they will ever find true love and marry. Charles thinks he's found "Miss Right" in Carrie, an American. This British subtle comedy revolves around Charlie, his friends and the four weddings and one funeral which they attend. Written by Rob Hartill

Plot Summary | Plot Synopsis

Taglines:

Five good reasons to stay single See more »

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated R for language, and for some sexuality | See all certifications »

Parents Guide:

 »
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Details

Country:

Release Date:

8 April 1994 (USA)  »

Also Known As:

Cuatro bodas y un funeral  »

Box Office

Budget:

$4,500,000 (estimated)

Gross:

£25,532,239 (UK) (9 September 1994)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

|

Color:

(Eastmancolor)

Aspect Ratio:

1.66 : 1
See  »
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Did You Know?

Trivia

Before composing his score, composer Richard Rodney Bennett fell asleep in the middle of his first viewing of the film. See more »

Goofs

During the second wedding sequence when Charles finds himself trapped in the room with the bride and groom, he is crossing the room, the lights are turned on you the door to his right is open. The next scene shows him reaching toward it and it is closed. See more »

Quotes

[first lines]
Charles: [wakes up and looks at his bedside clock] Oh... *fuck*! Fuck!
See more »

Crazy Credits

The list of credits is presented as "Cast (almost in order of appearance)". See more »

Connections

Referenced in Dancing with the Stars: Episode #10.1 (2010) See more »

Soundtracks

BUT NOT FOR ME
(1930)
Performed by Elton John
Produced by Steve Lindsey
Written by George Gershwin and Ira Gershwin
Published by Warner Chappell Music Ltd.
© 1993 William A. Bong Ltd.
Elton John appears courtesy of Photogram Ltd. and MCA Records, Inc.
Recorded at Ocean Way Recording Studios, Los Angeles and Metropolis, London
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Rich In Story and Characters
29 December 2001 | by (Salem, Oregon) – See all my reviews

The effects of personal want, need, love and desire on the friendships of a circle of eclectic individuals is examined with a spot of humor in the witty, clever and oh-so-British comedy of love, romance and finding that special someone, `Four Weddings and a Funeral,' directed by Mike Newell. Hugh Grant and Andie MacDowell head a delightful ensemble cast in this story of a group of long-time friends, all single, who watch and participate over a period of months as one by one those amongst them step up at last to the altar. Of them all, Charles (Grant) seems the most likely-- and at the same time the least likely-- to be next. Young, handsome and charismatic, Charles has no problem developing a relationship (he's had a number, in fact, as we learn in one particularly hilarious scene), but sustaining one is seemingly beyond his grasp. Until, at the wedding of one of his friends, he meets Carrie (MacDowell), an American, and she quickly enchants him. It is not the end of the story, however; for Charles, Carrie and the audience, it's only-- as they say-- the beginning.

Set in contemporary England, one of the aspects of this film that makes it so engaging is the propriety with which the humor is presented. Refreshingly subtle, there's more of Noel Coward than Tom Green or Rob Schneider to it; a matter of manners, mores and innuendo taking precedence over gross-out, in-your-face, shock schlock humor. And though Grant and MacDowell are at the forefront of the piece, Newell does an excellent job of developing all of the characters, succinctly supplying enough detail to each individual to give the film some depth and dimension, without having to actually go too deep. He never lets you forget that first and foremost, this is a comedy. There's some insight provided, but this is not an in-depth commentary on human nature, though there are some overtones and implications in that direction (Charles is always late to the weddings, for example; perhaps a subconscious denial of the impending nuptials?). Most importantly, the characterizations are rich, and the story is involving and presented with an even flow that allows you to effortlessly be swept away with it.

Certain actors make a career out of playing a variation of the same character in film after film, striving for that definitive portrayal. W.C. Fields played the hen-pecked husband in a number of films, finally perfecting that particular character in the person of Harold Bissonette in `It's A Gift.' For Hugh Grant, it's the retiring, somewhat self-conscious and stammering, eyelid fluttering charmer, of which he's done a variation in such films as `Sense and Sensibility,' `The Englishman Who Went Up A Hill, But Came Down A Mountain,' Notting Hill' and `Mickey Blue Eyes.' But Charles is his definitive portrayal of that character, the one in which he achieves the balance and honesty that makes the character so believable. It's a good bit of work by Grant, and definitely one of his most memorable performances.

Andie MacDowell, meanwhile, gives a rather composed performance as Carrie, the quiet American with a reserved bluntness who captivates Charles. MacDowell brings a sense of quietude to the role that is sensuously seductive, which lends credibility to Charles' infatuation with her. It's a role for which MacDowell is perfectly suited, as it allows her to play effectively to her naturally calm demeanor and exquisite beauty and femininity.

In a part that has to be an actor's dream, Simon Callow is absolutely exuberant as Gareth, one of the fixtures of Charles' circle of friends. More than just an effervescent character, Gareth is something of the conscience of the film, laughing away and laying bare any and all pretense or hypocrisy like a modern day flesh-and-blood Spirit of Christmas Present. It's a character that gives needed balance and perspective to the film, and he's wonderfully played by Callow.

Also turning in especially noteworthy performances are John Hannah as Matthew; Kristin Scott Thomas, who is quite alluring as Fiona; James Fleet as Tom, a character very reminiscent of his Hugo in the TV series `The Vicar of Dibley,' (and very effective here); Charlotte Coleman, memorable in the role of Scarlett; and Rowan Atkinson as the hapless Father Gerald.

Rounding out the supporting cast are David Bower (David), Timothy Walker (Angus), Sara Crowe (Laura), Anna Chancellor (Henrietta), Simon Kunz (John), David Haig (Bernard), Sophie Thompson (Lydia Jane) and Corin Redgrave (Hamish). There's enough twists and turns along the way to keep this film unpredictable, including one scene near the end that initially seems so mean-spirited that it may have you biting your fist and crying, `Oh, NO!' But, not to worry, Newell provides an instant resolution consistent with the rest of the film, and it not only works but gets a good laugh to boot. Entertaining, pleasant and funny, `Four Weddings and a Funeral' makes for a satisfying, feel-good cinematic experience that just seems so wonderfully civilized amid the seemingly endless rancor abounding in our world today. It's what's known as the magic of the movies. I rate this one 9/10.


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