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IMDb > The Force (1994)

The Force (1994)

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User Rating: 4.5/10 (105 votes)
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Overview

Director:
Mark Rosman
Writers:
Randall Frakes (writer)
Steve Kallaugher (writer)
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Genre:
Action | Thriller more
Plot:
When a police officer (Gary Hudson) is killed in the line of duty, his soul enters into the body of... more | add synopsis
Plot Keywords:
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User Comments:
The ridiculous side of the force more

Cast

 (Cast overview, first billed only)

Jason Gedrick ... Cal Warner

Kim Delaney ... Sarah Flynn

Gary Hudson ... Des Flynn
Jarrett Lennon ... Kyle Flynn
Cyndi Pass ... Erin
Dennis Lipscomb ... Sykes
Lyman Ward ... Maddox

Christopher Kriesa ... Brooks
Gerald Anthony ... Nick

Aki Aleong ... Dr. Shin

Susie Singer Carter ... Sarita

Yasmine Bleeth ... Coral Wilson
Mike Brick ... Kid #1
Stan Yale ... Homeless Man

George Saunders ... Cop at Strip Club
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Additional Details

Runtime:
94 min
Country:
USA
Language:
English
Color:
Color
Sound Mix:
Ultra Stereo
Certification:
UK:15 (cut) | UK:18 (uncut) | Iceland:16 | Finland:K-16 (video premiere) | Norway:15 | USA:R
MOVIEmeter: ?
^ 17% since last week why?

FAQ

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0 out of 2 people found the following comment useful:-
The ridiculous side of the force, 17 February 2006
2/10
Author: Ivo Moelans from Belgium

***MAJOR SPOILERS***

Yasmine Bleeth probably was casted to make you pay for an entrance ticket, but since that assignment has been accomplished when the film begins, she is promptly killed of. A rookie police officer (Jason Gedric) has to share his body with the "soul" of a murdered colleague (Gary Hudson) who happened to be dabbling in mysterious eastern "arts". He (they), together with his widow (Kim Delaney), go after the killer.

The plot is unbelievable, and even with the utmost effort of suspension of disbelief you cannot bring yourself to go along with this drivel. In comparison the plot of The Sixth Sense – although also not an example of realism - is made utterly digestible. None of the actors seem to believe this story also, which most of the time results in wooden, painful expressions as if they were thinking 'I can't believe these words are passing my lips'. Neither can the viewer. The development of the plot is so inept that the viewer is always at least three steps ahead. So, no dawning realizations, no surprises, no excitement.

I suppose it depends on your attitude, but this movie can be entertaining, be it for the wrong reasons: once you have adjusted to the fact that it is not going to get any better (soon, or ever), you can relax and look at the contrived efforts of the actors to salvage this farce with gentle cynicism an be (very) mildly amused in the process.

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