When a police officer is killed in the line of duty, his spirit enters into the body of a rookie cop to seek revenge for his murder.

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Cast

Cast overview, first billed only:
...
Cal Warner
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Sarah Flynn
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Des Flynn
Jarrett Lennon ...
Kyle Flynn
Cyndi Pass ...
Erin
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Sykes
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Maddox
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Brooks
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Nick
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Dr. Shin
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Sarita
...
Coral Wilson
Stan Yale ...
Homeless Man
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Cop at Strip Club
...
Drug Dealer
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Storyline

When a police officer is killed in the line of duty, his soul enters into the body of a young officer to seek revenge for his murder. However, when the spirit takes over, the officer is unaware of what is going on and most think he is in need of a psychiatrist, including the wife of the fallen cop. Written by John Sacksteder <jsackste@bellsouth.net>

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Motion Picture Rating (MPAA)

Rated R for violence, some nudity and language. | See all certifications »
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Release Date:

21 February 1995 (USA)  »

Also Known As:

Az erőszak  »

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User Reviews

 
The ridiculous side of the force
17 February 2006 | by (Belgium) – See all my reviews

***MAJOR SPOILERS***

Yasmine Bleeth probably was casted to make you pay for an entrance ticket, but since that assignment has been accomplished when the film begins, she is promptly killed of. A rookie police officer (Jason Gedric) has to share his body with the "soul" of a murdered colleague (Gary Hudson) who happened to be dabbling in mysterious eastern "arts". He (they), together with his widow (Kim Delaney), go after the killer.

The plot is unbelievable, and even with the utmost effort of suspension of disbelief you cannot bring yourself to go along with this drivel. In comparison the plot of The Sixth Sense – although also not an example of realism - is made utterly digestible. None of the actors seem to believe this story also, which most of the time results in wooden, painful expressions as if they were thinking 'I can't believe these words are passing my lips'. Neither can the viewer. The development of the plot is so inept that the viewer is always at least three steps ahead. So, no dawning realizations, no surprises, no excitement.

I suppose it depends on your attitude, but this movie can be entertaining, be it for the wrong reasons: once you have adjusted to the fact that it is not going to get any better (soon, or ever), you can relax and look at the contrived efforts of the actors to salvage this farce with gentle cynicism an be (very) mildly amused in the process.


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