Two live store window mannequins witness a murder late at night.

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Cast

Cast overview, first billed only:
...
Harry Mirapolsky
...
Daphne James
...
Miles Raymond
...
Det. Bat Fowler
...
Vivian Raymond
Veronica Lorenz ...
Jasmine Lee
Anne Dupont ...
Miss Gloria Marsh
...
William
...
Charlie
...
Wheeler
...
Sales Clerk
Madison Graie ...
Model
Michelle Grana ...
Tow Truck Dr.
Ken Roberts ...
Security Guard
...
Coroner
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Storyline

Harry and Daphne meet at their job: Standing in a shop's window as living dolls, they spend several hours per day without moving and if they move (flinch), they will loose their job. One evening, they witness a murder being committed in front of the window, but when they go to the police, no one believes them. The murderer is now on their trail, though... Written by Thomas Meyer <i03a@zfn.uni-bremen.de>

Plot Summary | Add Synopsis

Genres:

Thriller

Certificate:

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Details

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Release Date:

23 November 1994 (USA)  »

Also Known As:

Flinch - A Killing Phantom  »

Company Credits

Production Co:

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Technical Specs

Runtime:

(Ontario)

Sound Mix:

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Did You Know?

Trivia

Sculptures in the movie were made by artist Donna Nield who used the money she earned to fund her life in Paris. See more »

Goofs

When Daphne (Gina Gershon) is running from Miles Raymond (Nick Mancuso), she has to input the security code to get into the store. Miles somehow knows that she is hiding in the store, even though she has turned a few corners, and manages to get into the store without the security code. See more »

Quotes

[first lines]
Daphne James: That is your eighth sneeze today.
Harry Mirapolsky: Yeah?
Daphne James: You can't sneeze, you're not allowed to move!
Harry Mirapolsky: Sorry.
Daphne James: Why don't you just quit and get it over with?
Harry Mirapolsky: And lose the pleasure of your company?
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Connections

Referenced in Game-On: Martin's Baby (1998) See more »

Soundtracks

BE MINE TONIGHT
Written by Dane DeViller and Sean Hosein
Performed by David Steele
Published by Banana Toons Music
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User Reviews

 
Creative Camera Preparations Are Largely For Naught.
26 January 2005 | by (Mountain Mesa, California) – See all my reviews

Intended as light entertainment, this film is indeed successful as such during its first half, but then succumbs to a rapidly foundering script that drops it down. Harry (Judd Nelson), a "reformed" burglar, and Daphne (Gina Gershon), an aspiring actress, are employed as live window mannequins at a department store where one evening they are late in leaving and are locked within, whereupon they witness, from their less than protective glass observation point, an apparent homicide occurring on the street. The ostensible murderer, Miles Raymond (Nick Mancuso), a local sculptor, returns the following day to observe the mannequins since he realizes that they are the only possible witnesses to the prior night's violent event and, when one of the posing pair "flinches", the fun begins. Daphne and Harry report their observations at a local police station, but when the detective taking a crime report remembers Harry's criminal background, he becomes cynical. There are a great many ways in which a film can become hackneyed, and this one manages to utilize most of them, including an obligatory slow motion bedroom scene of passion. A low budget affair shot in Vancouver, even police procedural aspects are displayed by rote. The always capable Gershon tries to make something of her role, but Mancuso is incredibly histrionic, bizarrely so, as he attacks his lines with an obvious loose rein. Although the film sags into nonsense, cinematographer Glen MacPherson prefers to not follow suit, as he sets up with camera and lighting some splendidly realised compositions that a viewer may focus upon while ignoring plot holes and witless dialogue. A well-crafted score, appropriately based upon the action, is contributed by Hal Beckett. The mentioned dialogue is initially somewhat fresh and delivered well in a bantering manner by Nelson and Gershon, but in a subsequent context of flawed continuity and logic, predictability takes over. The direction reflects a lack of original ideas or point of view, and post-production flaws set the work back farther than should be expected for a basic thriller.


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