5.9/10
2,740
22 user 10 critic

La fille de d'Artagnan (1994)

The story begins on the autumn of 1654 in South France. Eloise lives in a cloister. Her famous father left her there. The young lady is enthusiastic about honour, faithfulness, affection to... See full summary »

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Cast

Cast overview, first billed only:
...
...
...
Duke of Crassac
...
Jean-Luc Bideau ...
Raoul Billerey ...
Charlotte Kady ...
Eglantine de Rochefort
Nils Tavernier ...
Quentin la Misère
...
Mazarin (as Luigi Proietti)
Jean-Paul Roussillon ...
Pascale Roberts ...
Mother Superior
Emmanuelle Bataille ...
Sister Félicité
Christine Pignet ...
Sister Céline
Fabienne Chaudat ...
Sister Frédégonde
Josselin Siassia ...
Slave
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Storyline

The story begins on the autumn of 1654 in South France. Eloise lives in a cloister. Her famous father left her there. The young lady is enthusiastic about honour, faithfulness, affection to the poor people, and life of course. She seems powerless when the leader of the nuns is executed because she tried to save an unlucky servant who escaped from odious Crassac and his evil Muse, the Red Lady. Eloise is seized with a fit of temper. Written by Kornel Osvart <kornelo@alphanet.hu>

Plot Summary | Add Synopsis


Motion Picture Rating (MPAA)

Rated R for sexuality/nudity | See all certifications »

Parents Guide:

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Details

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Language:

Release Date:

24 August 1994 (France)  »

Also Known As:

Revenge of the Musketeers  »

Box Office

Gross:

$311,922 (USA)
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Company Credits

Production Co:

, ,  »
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Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The film takes place in 1654. See more »

Goofs

When the Mother Superior is wounded, the sword blade enters through a white part of her habit. When the blade is withdrawn, there is no blood or hole in the fabric. See more »

Connections

Referenced in La Femme Musketeer (2004) See more »

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User Reviews

 
Faithful follow-up to the books
21 October 2012 | by See all my reviews

1654. When the titular daughter, Eloise(the stunning Marceau, who takes over her father's arc, and is equally big on honor, justice, and defending the innocent), gets a hint of a conspiracy, she leaves the convent her and her mother were at(...if you aren't safe there, then where?), goes to Paris, has her first suitor(Tavernier, a poet who is not exactly skilled with a weapon; he is the comic relief, and in spite of that, he is seldom annoying, they walk the line of that well), and asks the elder D'Artagnan(Noiret, who recognizes himself as a youth in her... and the two have a great relationship, one of several that are sweet and, as a lot of the humor, very human, very sympathetic... she wants to be as big an adventurer as he was, he wants her to be a woman, and listen to her, and in amongst the expectations, there is clearly a mutual love) for help. He sets about reuniting with Aramis(Frey, the religious and controlling of them) and Porthos(Billerey, always hungry; what of Athos? I won't give that away), (all three of them physically affected by it having been 20 years since they were last swashbuckling) and they will all seek out the mysterious Red Lady. This clearly loves the novels(with many references to them, and not all overt or direct) and wanted to add a new chapter to the overall narrative, that of the next generation, and it succeeds in delivering that and making it compelling. We get an early indication of how far our villains will go(and when you find out what they're doing, it's quite clever, and fairly historically accurate), the gradual build-up to seeing them together rather than immediately showing all of our favorite musketeers, and the fencing is great, both in quality and amount. Nice choreography, and the well-done visual composition of the fights ensures that you never lose track of where everybody is, in relation to each other, and what they're currently doing - even when it involves a dozen people, and they're in a crowded, well-furnished area, like a bar. This keeps to a moderate pace, and one can clearly tell it's French... you can practically smell the environment, sense it right in front of you - with people in the market selling, inside praying or writing, etc., according to the time. The mood is thus set effectively. Their passion is also clear, with several of the well-written characters suddenly bursting into rants, or arguing. And it is evident in the comedy, which I've already mentioned. This balances laughs and tension well. There is a lot of mild violence, a little female nudity(topless, and butt) and sexuality, and, I'm told by the Parents Guide(what? I don't speak it... MF'er), some strong language in this. I recommend this to any and all fans of the Dumas stories. 7/10


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