10 years ago the perverse Dr. Russell couldn't resist the beauty of a young patient in his mental clinic and raped her one night. When she plunged herself from the roof shortly after, he ... See full summary »
Cyril and Fiona are a long-married couple who travel to an unnamed tropical coastal town to follow their sexual fantasies. There they meet another couple, Catherine, Hugh and their three ... See full summary »
Quinn shows up at an apartment building in Paradise, a small backwoods community in Puerto Rico, purporting to be the new caretaker the owner has been expecting. He gets right to work, ... See full summary »
Edward Forester is a genetic researcher, intent on breeding primate hybrids. But his experiments take a strange turn when he succeeds in breeding a human/gorilla hybrid. He hides the ... See full summary »
After the bankruptcy of their father's stonemasonry firm, brothers Nicola and Andrea emigrate to America to restore their fortunes. After many adventures and near-disasters, they end up in ... See full summary »
Joaquim de Almeida,
In 1922 the first documentary in the genre sense came on the big screen, _Nanook of the North_ (1922). Kabloonak is the story of the making of this movie for which the story was partially stage by his director 'Robert Flaherty'.
Adamie Quasiak Inukpuk,
Seporah Q. Ungalaq
Charles Lushington, an English professor of Middle-Eastern affairs visits Beiruit and becomes involved with Leila, a young Lebanese woman. Her opinions force Lushington to review his own ... See full summary »
Dr. Julian Mater is suspended and gets his license revoked for performing experiments on dying patients in cellular regeneration. A couple of years later, he returns to the hospital that condemned his work to begin practicing his grizzly experiments once more. Written by
Actually filmed inside a Vancouver mental hospital. See more »
When Dr Matar is locked up in the penitentiary in the bed with the IV, there's a machine nearby measuring something with beeps; presumably his heart-rate, as it speeds up in the scuffle in the next scene. However, the beeping continues, even after he's disconnected himself from everything. See more »
Wacky and almost great, overall satisfying loopy hospital horror.
I'm surprised this one doesn't have a whole lot of reviews and seems to languish in relative obscurity, its a loveably maniacal slice of silliness with a number of notable moments. It begins with a solid creepy shock sequence, where a spot of disturbing violence is set to a silly pop tune, then after a little time out for humour gets right ahead and delivers some good tension and a couple of suitably nasty sequences pretty soon after. After a bit though it sadly settles down and though it has a tasteless verve and good performances carrying it through it could have been so much more. I have a natural affinity for hospital horror, the idea that those employed to save lives could be evil and crazed is something I find very scary indeed and for the first half hour or so I found this to be a pretty gnarly and intense work. Its just a shame that it doesn't really keep it up though. The cast is cool, with roles for a typically twisted Malcolm McDowel as a possibly evil doctor and an amusing turn from Charles Dance as a hospital administrator who just can't nail an American accent. Sean Haberle gives it all kinds of crazy as the villain of the piece, whilst on the side of the angels we have the lovely Isabel Glaser as an investigating doctor and the ever solid James Remar in a nicely characterised role as her love interest. There are solid shocks peppered throughout, though the film isn't really gory as such and fun suspense despite the films ever escalating absurdity. Plus director Carl Schenkel has a lot of style, with some cool angles and a great grasp of fear sequences. As far as hospital horror goes, its head and shoulders above the likes of the recent Autopsy or Pathology, though its nutsoid slasher thrills are perhaps less fun than the morbid silliness of Doctor Giggles, and though he does well, Sean Haberle is no Larry Drake. Altogether, I'd say this is definitely worth a watch, with some fine deranged moments, but it doesn't quite live up to its potential for madcap greatness.
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