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How Harvey Weinstein Got Away With It: Highlights from the New York Times’ Epic Article, ‘Weinstein’s Complicity Machine’

How Harvey Weinstein Got Away With It: Highlights from the New York Times’ Epic Article, ‘Weinstein’s Complicity Machine’
There’s more to say about the sexual harassment and assault allegations against Harvey Weinstein. The New York Times has a blistering 7,500-word piece, with five bylines, detailing exactly how he got away with it — and naming those who aided and abetted over three decades.

Among those cited in “Weinstein’s Complicity Machine” are Creative Artists Agency, various executives at Miramax and The Weinstein Company, and The National Enquirer, among others. As the Nyt reporters frame it: “Some aided his actions without realizing what he was doing. Many knew something or detected hints, though few understood the scale of his sexual misconduct. Almost everyone had incentives to look the other way or reasons to stay silent.”

It’s an extraordinary piece of reporting that deserves your careful read, but here’s a digest of some of its most damning allegations.

According to the New York Times:

— Assistants were told to
See full article at Indiewire »

Curzon launches monthly subscription VoD offering

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Curzon launches monthly subscription VoD offering
Exclusive: Curzon12 will stream recent and classic movies; first lineup revealed.

Curzon is beefing up its online offering with the launch of Curzon12, a monthly VoD service built into its membership packages.

The service will host 12 recent and classic movies which will be available to stream when logging in with a Curzon membership.

Scroll down for first lineup

Each month’s curated lineup, taken exclusively from Curzon’s library, is selected by the company’s programming team and is designed to complement the films playing across Curzon’s cinemas and its day-and-date service on Curzon Home Cinema that month.

The collection will feature the work of directors such as Yorgos Lanthimos, Charlie Chaplin, Andrea Arnold, Satyajit Ray and Agnes Varda as well as lesser known filmmakers.

The offering will be accompanied by a monthly newsletter that will delve deeper into three headline titles for that month.

The subscription is a benefit for existing and future members at no additional
See full article at ScreenDaily »

How Kickstarter Turned Hal Hartley Into the Tech Visionary He Always Wanted to Be

How Kickstarter Turned Hal Hartley Into the Tech Visionary He Always Wanted to Be
Back in 2004, Hal Hartley directed “The Girl from Monday” and tried to launch a website where viewers could watch the film. Since the average internet speed back then was 34 Kbps — about 165 times slower than today’s 5.6 Mbps — that didn’t work so well. “The technology was still a little sticky,” Hartley said. “We ended up distributing it in a more traditional way, where I would travel all over the place with the film and do Q&As.”

With films like “Trust,” “Amateur,” and “Henry Fool,” Hartley’s movies have never been about the money — but he’s always had his eye on the bottom line. He owns 50% of every film he’s made, and constantly seeks to capitalize on technology as a way to achieve independence and financial sustainability.

Read More: Why the ‘Swiss Army Man’ Directors Backed the Psychedelic Comedy-Musical ‘Snowy Bing Bongs’

With Kickstarter, he raised more than $56,000 on DVD presales for his 2011 film, “Meanwhile,” and then raised a production budget of nearly $400,000 from 1,789 backers for his 2014 film, “Ned Rifle.” “‘Ned Rifle’ became my most successful movie to date, and I didn’t need to share that money,” he said. “It all came directly to me and the crew.”

Read More: How a Chance Encounter With Terrence Malick Turned Trey Edward Shults Into a Filmmaker

Ned Rifle” was the final installment of the Grim family trilogy, one that included “Henry Fool” in 1997 and “Fay Grim” in 2006. The Kickstarter process taught Hartley that he had loyal fans in places like Japan, Australia, Europe, and Taiwan who were invested in his work. Now he’s testing that direct connection with Kickstarter to pre-sell a Grim family box set, complete with subtitles.

“I’m going to do the box set, no matter what,” said Hartley. “I really do want to make this approach to distributing my own film viable on its own. That’s why I’m gambling with this. My gambit here is the subtitling. That’s what is expensive about the undertaking, and why I’m going after $100,000. Four foreign languages translated accurately and sensitively, and then the authoring of that onto the DVD — it gets expensive. I’m just hoping the expense is worth it because it will help films contribute a wider audience around the world.”

See MoreHal Hartley’s Grim Family: An Oral History From ‘Henry Fool’ to ‘Ned Rifle

Hartley says he’s talked with Atom Egoyan (“Sweet Hereafter,” “Exotica”) about the value of owning their work, since handling the various aspects of the business requires a full-time staff. Sustaining that support requires more work, and Hartley feels fortunate that the world of television has begun opening to him.

“Since I came back to America in 2009, I’ve worked for five years to get people interested in my TV projects – because I’ve been interested in episodic television for a long time,” he saidy. “I was also open to just being a director for hire. I saw a lot of half-hour comedy shows that were well written and said, ‘I can see myself directing that.'”

Read More: The 20 Best-Directed TV Drama Series of the 21st Century, Ranked

The veteran filmmaker got his TV break when he ran into Gregory Jacobs, his former first assistant director who had gone on to work for Steven Soderbergh and got his own television show, “Red Oaks,” on Amazon. Jacobs invited Hartley to direct an episode in season one, then half of the second season (five episodes). Starting next week, he will share season-three directing duties with David Gordon Green and Amy Heckerling.

“On my films, I’m thinking on a hundred different levels at any moment,” said Hartley. “While coming in to direct ‘Red Oaks’ — which is a script I take to very easily, it’s the kind of comedy I know how to do — what they expect of me is just to give it some character, explain to the actors the things that might not be perfectly obvious, and make the day, get all the shots. So it’s nice. I come away from a day’s work feeling good, like I’m a good skilled laborer.”

And is Hartley any closer to getting his own TV show?

“I’m developing something with Amazon. They optioned at least the pilot of my [half hour comedy] show,” said Hartley. “It’s about nuns who make beer to support themselves and they’re social activists, so they are wanted by the cops.”

Hal Hartley’s new Henry Fool Trilogy boxed set is part of Kickstarter Gold, a new initiative bringing back some of the most inventive and successful creators in Kickstarter history. Now through July 31, over 65 exceptional artists, authors, designers, musicians and makers are back as they push ideas and rewards from their past projects in bold new directions. Head here to learn more, and here to browse all the live Kickstarter Gold projects.

Related stories'Wet Hot American Summer: Fantasy Camp' Is The Roleplaying Game of Your Wet Hot DreamsNeil Patrick Harris Urges Jim Henson Fans to Support Kickstarter Campaign for New Exhibition'Hook' Prequel About Rufio Imagined as 'Moonlight' Meets 'Jurassic Park'
See full article at Indiewire »

Classic Movie Review: Exotica, a Canadian thriller from 1994!

Sexplortation drama is a very difficult movie subject to take serious, for example Demi Moores movie "Striptease" from 1996 did everything wrong with a story about strippers life but poorly executed with uncomfortable actors and actresses. But 2 years before that, one movie from Canada manage to do everything right. "Exotica" from 1994 with a superb director from Egypt Atom Egoyan, and a great Star Trek actor Bruce Greenwood on the cast list, Exotica not only makes a sexplortation but an exiting thriller and a heart feeling drama and the story is not told but added in like a puzzle piece by piece. Story: Francis Brown (Bruce Greenwood) is a Tax Auditor, who lives a lonely life. He is visiting a strip club named Exotica...

[Read the whole post on screenanarchy.com...]
See full article at Screen Anarchy »

Atom Egoyan, Cinematographer Paul Sarossy on Vengeance Tale ‘Remember’

Atom Egoyan, Cinematographer Paul Sarossy on Vengeance Tale ‘Remember’
Bydgoszcz, Poland — After 27 years and a dozen films together, Atom Egoyan and Dp Paul Sarossy can just about communicate telepathically. So their most recent film together, the vengeance story “Remember” — a chillingly topical exploration of racism lurking just beneath the surface of an apparently wholesome America — is all the more surprising for its departure from the style they’ve developed through the course of work from “Exotica” to “Where the Truth Lies” via “The Sweet Hereafter.”

The Canadian pair, who received together the Director Duo Award at Poland’s Camerimage fest on Friday, presented the film at a sold out screening as the final main competition film at the Opera Nova in Bydgoszcz.

Egoyan says the main character of “Remember,” introduced as a Holocaust survivor with dementia who has just lost his last anchor point, his wife Ruth, needed a visual style that was more “untethered.”

As Midwestern landscapes roll by,
See full article at Variety - Film News »

Leonard Cohen Was the Natural Born King of Movie Soundtracks

Leonard Cohen Was the Natural Born King of Movie Soundtracks
Leonard Cohen, who died last week at 82, was a poet, a pop star, a womanizer, a monk, a poor man, a rich man, a joker, a sage. But for those of us who are movie fanatics, he also occupied a role as extraordinary as it was utterly accidental: He was one of the most natural-born composers of movie soundtracks who ever lived. I say “accidental” because if you look at the films that made indelible use of Cohen’s music, there isn’t one among them in which the songs in question were written or recorded for the movie. In each case, the songs were composed several years beforehand and appeared on one of Cohen’s 14 studio albums.

The mystique of a great Cohen soundtrack was tied to the fact that he was almost never a Top 40 artist. If, like me, you followed his career from a distance, when you
See full article at Variety - Film News »

‘Alias Grace’: Sarah Polley Helming Margaret Atwood Miniseries for Netflix

‘Alias Grace’: Sarah Polley Helming Margaret Atwood Miniseries for Netflix
Canadian director and actress Sarah Polley, along with Noreen Halpern’s Halfire Entertainment, will adapt Margaret Atwood’s novel “Alias Grace” into a six-hour miniseries for Netflix. Deadline reports that Polley will write and produce the series while Mary Harron will direct the project.

Read More: Watch: Sarah Polley Interviews Greta Gerwig About Noah Baumbach’s ‘Frances Ha’ In 17-Minute Criterion Feature

Alias Grace” follows the true story of poor Irish immigrant Grace Marks who, along with domestic servant James McDermott, was convicted of murdering her employer Thomas Kinnear and housekeeper Nancy Montgomery in 1843. While James was hanged, Grace received life imprisonment for her role in the crime. The conviction was highly controversial and Grace’s role in the murder was up for strong debate as to whether she took an active part in the crime or if she was simply an accessory. She was later exonerated after 30 years in jail.
See full article at Indiewire »

Watch a Video Essay Exploring the Search For a Paradise Lost in Atom Egoyan’s ‘Exotica’

If you’ve only kept up with Atom Egoyan‘s recent output then you are missing out on some of the finest dramas independent cinema has to offer. A few years before his 1997 masterpiece A Sweet Hereafter, he gave us Exotica, a deeply layered drama featuring the intertwining stories of characters who frequent a Canadian strip club, and how they attempt to reach a catharsis.

For fans of the film (and if you’re not, watch it and return as spoilers abound), a fantastic new video essay from Digger Deeper looks at the search for a paradise lost within the film. “These characters seek to transcend their singular pain to find solace in others, but find themselves continually arrested, forced to to live in a fractured world of unforgotten trauma,” he argues. Exploring the voyeurism and disconnected perspectives in the film, check out the video essay below for one of
See full article at The Film Stage »

‘Remember’ Trailer: Christopher Plummer Wants Revenge

‘Remember’ Trailer: Christopher Plummer Wants Revenge
Atom Egoyan made some of the finest films of the 1990s. The Sweet Hereafter, Exotica, and Felicia’s Journey are excellent dramas. Over the last few years, Egoyan’s films haven’t found the same level of acclaim. His last two pictures, The Devil’s Knot and The Captive, were disappointing but not without reminders of Egoyan’s talents. Quickly following those dramas, we’re already getting another film from […]

The post ‘Remember’ Trailer: Christopher Plummer Wants Revenge appeared first on /Film.
See full article at Slash Film »

Canadian Beacon: 2015 Marrakech Int. Film Fest Snapshot Capsule Day 2

In the scheduled nine day run, the Marrakech Int. Film Festival truly gets into gear on the first Saturday when the fifteen competing films (having all recently premiered elsewhere) are slowly unveiled to the high brow jury. My first stab at Director General Bruno Barde’s selections was Paradise, a contemporary, Tehran doldrum portrait which was also a double Locarno winner. After that, I was treated to an uneventful press conference for the compassionately generous Bill Murray with the only bit of noteworthy news was his involvement in the new Wes Anderson film.

Later that evening, the festival gives what is an annual Valentine’s card of sorts to one national cinema. This year’s selection is one that I’m all too familiar with. With Atom Egoyan selected as the ambassador, the reel presentation included highlights from Canadiana with a glaring absence of select Quebecois films and Atanarjuat: The Fast Runner.
See full article at IONCINEMA.com »

Canada Receives Tribute at Marrakech

Canada Receives Tribute at Marrakech
Marrakech — Atom Egoyan headed a 23-person delegation of leading Canadian producers and directors –including Brandon Cronenberg, Michel Poulette and Stephen Dunn – on Sunday evening, at the 15th Marrakech Int’l Film Festival.

Launched in the mid-2000s, Marrakech’s country tribute has become one of the fest’s highlights, filling the stage in the main auditorium of the Palais des Congres with a galaxy of talent.

This year’s ceremony follows on the heels of the 2013 tribute to Scandinavian Cinema and last year’s tribute to Japanese Cinema.

Sarim Fassi Fihri, prexy of the Moroccan Cinema Center (Ccm) presided the ceremony and highlighted the fact that both Morocco and Canada are bi-lingual countries “that beat with a single heart-”

He praised the achievements of his sister institution in Canada – the National Film Office – and referred to the multiple achievements of Canadian cinema in the international film panorama, pioneered by leading directors,
See full article at Variety - Film News »

Atom Egoyan To Host Canadian Film Homage at Marrakech Fest

Atom Egoyan To Host Canadian Film Homage at Marrakech Fest
Atom Egoyan has been tapped to host the tribute to Canada hosted at the 15th edition of Marrakech Film Festival.

Egoyan will receive the festival’s trophy during the homage to Canadian cinema on Dec. 6 along with a large delegation of Canuck directors and actors.

The critically-acclaimed Canadian helmer has directed fifteen feature films and nabbed five prizes at Cannes, along with two Oscar nominations and eight Genie Awards, among other kudos. Egoyan’s recent credits include Cannes’ Palme d’Or contender “Captive.” His next movie, “Remember” competed at Venice.

“Through films such as ‘Exotica,’ ‘The Sweet Hereafter’ and ‘Felicia’s Journey,’ Egoyan has brilliantly explored the solitude of individuals struggling amid an alienating society,” stated the festival.

Previous Marrakech editions have paid tribute to U.K., Mexican, Scandinavian and Japanese cinema.

Meanwhile, French-Tunisian thesp Sami Bouajila is set to participate in the festival’s main jury. This year, Bouajila
See full article at Variety - Film News »

Slideshow: Portraits & Voices From the Red Carpet at 51st Chicago International Film Festival

Previous | Image 1 of 18 | NextSarah Silverman represented her new film, ‘I Smile Back.’

Chicago – The Red Carpet was well trod during the 51st Chicago International Film Festival. with film stars, directors and other personalities taking their walks in representing their films during the two weeks of the event. Photographer Joe Arce took the Exclusive Portraits, and Patrick McDonald got the soundbites.

Screenwriter Charlie Kaufman

Charlie Kaufman is the Oscar-nominated screenwriter known for his offbeat view of the world through films like “Being John Malkovich,” “Adaptation,” and “Eternal Sunshine of the Spotless Mind.” He presented his latest film at the Festival, “Anomalisa.”

HollywoodChicago.com: How would you describe yourself if someone asks you why you write the type of stories that you write?

Charlie Kaufman: I just try to be honest, because I think that’s my job description as a writer. I try to present something that is true, so
See full article at HollywoodChicago.com »

Atom Egoyan and Guy Maddin on Transitioning from Indie to Hollywood and Why Critics Don't Matter

Atom Egoyan and Guy Maddin on Transitioning from Indie to Hollywood and Why Critics Don't Matter
Low-budget mavericks Atom Egoyan and Guy Maddin have been through the wringer. When Woodstock Film Festival director Meira Blaustein invited the filmmakers to share their trials and tribulations at this year's festival, there were stories abound — stories of failure, success, depression, revelations and 25 years of friendship. "Atom is one of the most amazing artists I’ve ever encountered," Blaustein told Indiewire. "From the days of 'Exotica,' he was one of my favorite filmmakers. He has the heart of a poet, the mind of a philosopher, and the soul of an artist. He lives and breathes the cinematic language. And Guy Maddin embodies our motto: 'fiercely independent.' These guys are what we’re about. That’s the Woodstock Film Festival." Egoyan's thriller "Remember" and Maddin's experimental epic "The Forbidden Room" both screened at the festival this year. The beginning of everything "As a student, I...
See full article at Indiewire »

Woodstock Film Festival Selects Atom Egoyan and Guy Maddin as 2015 Honorary Award Recipients

Woodstock Film Festival Selects Atom Egoyan and Guy Maddin as 2015 Honorary Award Recipients
Read More: Woodstock Film Festival Celebrates 16 Years in Official Poster Art The Woodstock Film Festival has announced that Canadian filmmakers Atom Egoyan ("Exotica," "The Sweet Hereafter") and Guy Maddin ("Archangel," "The Heart of the World") will receive the Honorary Maverick Award and the second annual Fiercely Independent Award, respectively. The awards will be presented to the filmmakers on October 3 during the annual Maverick Awards Gala at Bsp Kingston, NY. Additionally, Egoyan's "Remember" will open the festival on October 1, while Maddin's "The Forbidden Room" will close the event on October 4. "Remember" stars Christopher Plummer as a 90-year-old Auschwitz survivor struggling with memory loss. After he receives a letter from his friend containing a stack of money, a gun and a letter detailing a shocking plan, he embarks on a cross-country journey to bring justice to the man who...
See full article at Indiewire »

Atom Egoyan accepts Honorary Heart of Sarajevo

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Atom Egoyan accepts Honorary Heart of Sarajevo
Canadian film-maker received the honour before a screening of Exotica as part of the Tribute To… programme

At the Sarajevo Film Festival on Wednesday [Aug 19], Canadian director Atom Egoyan received the Honorary Heart of Sarajevo for his contribution to the art of film at a ceremony in the festival’s Meeting Point cinema.

“By awarding Atom Egoyan with the Heart of Sarajevo, we would like to honour one of the most noted contemporary film-makers, who is not only a theatre and opera director as well, but also a visual artist, writer and professor of film,” said Sff festival director Mirsad Purivatra.

“They call him the master of visual and verbal storytelling, and we completely agree.”

Egoyan then took to the stage and delivered a touching speech: “I’ve been to many festivals, I’ve received honours, but this one is so special because of the spirit and the history of this festival.

“This is a festival
See full article at ScreenDaily »

Sarajevo fest to honour Atom Egoyan

  • ScreenDaily
Sarajevo fest to honour Atom Egoyan
Director’s latest feature Remember to screen at Venice and Toronto.

The Sarajevo Film Festival (Aug 14-22) is to pay tribute to Canadian director Atom Egoyan, who will receive Honorary Heart of Sarajevo for his contribution to film.

The festival will screen three of his films: Exotica (1994), set in and around a fictional strip club; Cannes award-winner The Sweet Hereafter (1997); and Ararat (2002), a drama about the Armenian genocide.

Egoyan, who was born to Armenian parents in Egypt but moved to Canada aged two, has directed more than a dozen features, several TV projects, and shorts.

Following critical acclaim and accolades for Exotica, The Sweet Hereafter and Ararat, his films of the past decade have included crime drama Where The Truth Lies, starring Colin Firth and Kevin Bacon; true crime drama Devil’s Knot, again with Firth and Reese Witherspoon; and thriller The Captive, starring Ryan Reynolds.

Egoyan’s latest feature, Remember, starring
See full article at ScreenDaily »

'Kids': The Oral History of the Most Controversial Film of the Nineties

'Kids': The Oral History of the Most Controversial Film of the Nineties
It was the summer of 1995. Bill Clinton was president, Rudy Giuliani was mayor of New York, and Oj Simpson was on trial. That summer’s youth-oriented movies included Pixar's first movie Toy Story, the Disney musical Pocahontas — and Kids, in which wayward, stoned teens fuck each other senseless and head-stomp random strangers.

It might be hard to remember just how notorious Larry Clark's indie-skater odysey was. The movie grossed a modest $7 million at the box office that summer — a wild success when you account for the fact that it
See full article at Rolling Stone »

Egoyan’s brilliant erotic thriller ‘Exotica’ looks desperation in the eye

Exotica

Written & Directed by Atom Egoyan

Canada, 1994

Atom Egoyan’s serpentine erotic thriller, Exotica, is a flawless exercise in understated urgency. Flashbacks, arresting visuals, and Mychael Danna’s score slowly reveal a web of strangers inextricably linked by one man’s suffering. It’s less a cinematic puzzle than an organic realization. When all of the mysteries are unraveled, you know a little bit more about the Human condition. Though many consider The Sweet Hereafter to be Egoyan’s masterpiece, Exotica is fearless indie filmmaking at its best.

From the very first images of Exotica—a languid tracking shot across an artificial tropical landscape—we have the unsettling feeling that something terrible is lurking in the weeds. “You have to ask yourself what brought the person to this point,” an unseen narrator advises us. Egoyan then spends the next 100 minutes re-constructing the events that irrevocably shattered each of his characters.
See full article at SoundOnSight »

Man From Reno | Review

Reno 911: Boyle’s Indie Neo-Noir an Enjoyable Pulpy Exercise

For his fifth feature, indie filmmaker Dave Boyle pays homage to film noir tropes with his twisty, engaging Man From Reno. Along the lines of the light, comically inclined indie sleuthing of Aaron Katz’s Portland set Cold Weather (2010), Boyle gives noir a fresh face in the culturally ambiguous city of San Francisco. Though not all of its tangential elements feel quite successful, Boyle’s screenplay, co-written with his regular collaborators Michael Lerman and Joel Clark, features an unpredictably dark third act that more resolutely recalls the films it’s inspired by than most of its modern counterparts.

Recently escaping from a book tour back home in Japan, famed pulpy mystery author Aki (Ayako Fujitano) finds herself alone in San Francisco while her disappearance causes a dramatic furor. She runs into a sexy stranger who calls himself Akira (Kazuki Kitamura
See full article at IONCINEMA.com »
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