Elliot is going to the island of Eden to live out his submissive fantasies, but inadvertently photographs diamond smugglers at work. Smugglers, and detectives, follow him to the island, ...
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Set in Brooklyn, 1963, Jeffrey Willis has just finished high school and isn't quite sure what the future holds. His parents expect him to go to college but he is starting to find his ... See full summary »
In the near future, Uffizi and Luke travel to the remote reaches of war torn Romania to rescue Elizabeth and finish the vampire once and for all. Along the way, they encounter TV news journalist and a corps of rebels trying to fight the vampire uprising which plagues their country.
Jason Scott Lee,
Elliot is going to the island of Eden to live out his submissive fantasies, but inadvertently photographs diamond smugglers at work. Smugglers, and detectives, follow him to the island, where they try to retrieve the film. Elliot begins falling in love with Lisa, the head mistress of the island, and Lisa must evaluate her feelings about Elliot and her own motivations. Written by
Ed Sutton <email@example.com>
The morning after Lisa spends the night with Elliot, she is sitting on her balcony drinking tea. She puts down the tea cup, then a moment later it jumps back into her hand. See more »
Dr. Martin Halifax:
You've achieved a great deal of success in your creative and artistic field. You've traveled a great deal. You have influential friends. You've dated a bevy of bright and beautiful woman. Yet, with all this, you never had a lasting relationship.
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After credits is a scene in which Rosie O'Donnel mimics Iman's character See more »
Completely misbegotten adaptation of Anne Rice's book about two cops (Dan Aykroyd and Rosie O'Donnell, a screen-teaming which should've been a hoot) working undercover at an S&M resort to capture a ring of crooks. Garry Marshall directed in a shamefully sloppy manner, without a clue as to how a general audience would feel about this kind of material; his narrative is so clogged with smarmy activity and failed gimmicks (like a voice-over from O'Donnell that is both unfunny and unnecessary) that the picture self-destructs even before the opening credits have finished! Highly unpleasant dud was a critical and commercial turkey, although O'Donnell has gotten mileage out of it by making "Exit to Eden" jokes at her own expense.
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