Elliot is going to the island of Eden to live out his submissive fantasies, but inadvertently photographs diamond smugglers at work. Smugglers, and detectives, follow him to the island, ... See full summary »
Set in nineteenth-century New Orleans, the story depicts the gens de couleur libre, or the Free People of Colour, a dazzling yet damned class caught between the world of white privilege and black oppression.
Georgina throws a sleepover party for her friend Jamie, a moderately successful actress, on the night of Jamie's fiancée's bachelor party. Jill, Jamie, Marcy, Rachel, and Georgina have been... See full summary »
The escaped delinquent John W. Burns, Jr. replaces Dr. Maitlin on a radio show, saying he's the psychiatrist Lawrence Baird. His tactless radio show is a hit, and he becomes very popular. ... See full summary »
The Masters of Menace are actually a motorcycle gang. When one of their own dies while performing a dangerous bike stunt, they decide to cross the country to go bury him. With the coffin in... See full summary »
The life of a priest seconded to a New Orleans police department begins to fall apart when he is wrongly implicated in the shooting of a suspect. However, it comes to light that the ... See full summary »
Elliot is going to the island of Eden to live out his submissive fantasies, but inadvertently photographs diamond smugglers at work. Smugglers, and detectives, follow him to the island, where they try to retrieve the film. Elliot begins falling in love with Lisa, the head mistress of the island, and Lisa must evaluate her feelings about Elliot and her own motivations. Written by
Ed Sutton <email@example.com>
Rosie O'Donnell's weight noticeably changes in certain scenes. This is because the studio ordered several scenes to be shot before releasing the film, which was several months after principle photography had been completed. See more »
After Detective Shelia has asked for Elliot and he comes to her room, Elliot is telling her he wants to leave to go to the race. The leaves hanging behind Shelia appear and disappear with each camera change. As she sits down, you can see it's a vine hanging down to the wardrobe handle but the length changes as the scene plays out. See more »
Good morning and welcome to L.A.'s premium triple X club: The Feather. When the sun comes up, the bras come down. It is dark and time for our sunrise special. Cock-a-doodle-doo!
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After credits is a scene in which Rosie O'Donnel mimics Iman's character See more »
Completely misbegotten adaptation of Anne Rice's book about two cops (Dan Aykroyd and Rosie O'Donnell, a screen-teaming which should've been a hoot) working undercover at an S&M resort to capture a ring of crooks. Garry Marshall directed in a shamefully sloppy manner, without a clue as to how a general audience would feel about this kind of material; his narrative is so clogged with smarmy activity and failed gimmicks (like a voice-over from O'Donnell that is both unfunny and unnecessary) that the picture self-destructs even before the opening credits have finished! Highly unpleasant dud was a critical and commercial turkey, although O'Donnell has gotten mileage out of it by making "Exit to Eden" jokes at her own expense.
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